Bladmusiek $65.00

Oorspronklik

Jambangle. Gil Evans. B-Flat Trumpet sheet music. Bass Trombone sheet music. Bassoon sheet music. Drums sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Advanced.

Vertaling

Jambangle. Gil Evans. B-Flat Trumpet bladmusiek. Bastrombone bladmusiek. Fagot bladmusiek. Dromme bladmusiek. Horn bladmusiek. Perkussie bladmusiek. Piano bladmusiek. Gevorderde.

Oorspronklik

Jambangle by Gil Evans. Edited by Jeffrey Sultanof. Arranged by Gil Evans. For little big band. 8 horns with rhythm section. Soprano Saxophone, Alto Saxophone, Bassoon. or Baritone Saxophone. , Horn in F. or Tenor Saxophone. , 2 Trumpets, 1 Trombone, 1 Bass Trombone, Piano, Bass, Drums,. Swing. Difficult. Full score and set of parts. Published by Jazz Lines Publications. JL.JLP-8096. Jambangle was one of the earliest compositions by Evans after several years of arranging the music of others. He originally wrote the piece for the previously mentioned Jazz Workshop, led by Hal McKusick, and this version was recorded on April 6, 1956. Evans new version was recorded by Rudy Van Gelder on October 11, 1957. This Jazz Lines edition of Jambangle has been extensively re-edited using a photocopy of the original score in Evans hand. Please note that for this publication, the French horn part has a key signature on the score and part. Evans did not use one. Also please note that the piano part has been transcribed. it does not appear on the score. Bars 59-64 were missing chord names. Jambangle is an excellent example of Evans reworking a piece hed written some time before. This version uses many of the same ideas as the arrangement for McKusick, but is improved in every way here. As was usual with Evans, he took the opportunity to experiment, create problems for himself and then solve them as creatively as possible. According to Howard Johnson and Anita Evans, tubist Bill Barber was not available for this album, so Evans chose a bass trombone. He also used a bassoon instead of a baritone saxophone as a bass instrument. although here again, he also exploits the high range of the instrument. shades of Stravinskys Rite of Spring. At this point in his life, he was no longer using a five-person saxophone section anyway. the only saxophone on Miles Ahead, and Porgy and Bess was an alto sax. the rest of the reed section were three players who doubled on clarinets and flutes of various sizes. In a way, the instrumentation on Gil Evans & 10 is an elaboration of the one used for the Miles Davis Nonet. He used a similar instrumentation on his two World Pacific albums, and also the band he led at the Jazz Gallery in 1960. A concern is the blend of the group. The conductor must resist the temptation of making the bassoon play louder to fill up the bottom of the ensemble. It is clear that Evans wanted the bottom to be felt more than heard. Even though the alto sax is barely audible on the original tape, this part needs to be equal to the other two reeds. Please do not replace the soprano sax part with a clarinet. The five brass should balance well with a bit of practice. The out-chorus at Letter P is particularly challenging, as no one instrument should stick out over the trumpets who are quite low at some points. This piece can be opened up for more solos, and backgrounds reused at the conductors discretion. Also, we have included a tenor saxophone part as an alternate for the horn and a baritone saxophone part as an alternate for the bassoon. Jeffrey Sultanof -February 2010 Note. The sound sample is courtesy of the Manhattan School of Music's Concert Jazz Band, conducted by Justin DiCioccio.

Vertaling

Jambangle deur Gil Evans. Geredigeer deur Jeffrey Sultanof. Gereël deur Gil Evans. Vir klein big band. 8 horings met die ritme afdeling. Sopraan saxofoon, saxofoon, fagot. of bariton saxofoon. , Horn in F. of saxofoon. , 2 trompette, 1 tromboon, 1 Bastrombone, klavier, bas, tromme,. Swing. Moeilik. Volle telling en stel dele. Gepubliseer deur Jazz Lines Publications. JL.JLP-8096. Jambangle was een van die vroegste komposisies deur Evans na 'n paar jaar van die reël van die musiek van ander. Hy het oorspronklik geskryf die stuk vir die voorheen genoem Jazz Workshop, gelei deur Hal McKusick, en hierdie weergawe is opgeneem op April 6, 1956. Evans nuwe weergawe is deur Rudy Van Gelder aangeteken op 11 Oktober 1957. Dit Jazz Lines uitgawe van Jambangle is op groot skaal weer geredigeer deur 'n afskrif van die oorspronklike telling in Evans hand. Let daarop dat hierdie publikasie, die Franse horing deel het 'n sleutel handtekening op die telling en 'n deel. Evans het nie een gebruik. Ook asseblief daarop let dat die klavier deel is getranskribeer. dit nie op die telling verskyn. Bars 59-64 vermis koord name. Jambangle is 'n uitstekende voorbeeld van Evans herbewerking van 'n stuk geëet geskryf geruime tyd voor. Hierdie weergawe maak gebruik van baie van dieselfde idees as die reëling vir McKusick, maar verbeter in elke opsig hier. Soos gewoonlik met Evans, het hy die geleentheid om te eksperimenteer, skep probleme vir homself en dan op te los as kreatief as moontlik. Volgens Howard Johnson en Anita Evans, tubist Bill Barber was nie beskikbaar vir hierdie album, so Evans verkies om 'n bastromboneconcert. Hy het ook 'n fagot in plaas van 'n bariton saxofoon as 'n bas instrument. Alhoewel hier weer, het hy wedervaringe ook die hoë omvang van die instrument. skakerings van Stravinskys Ritus van die Lente. Op hierdie punt in sy lewe, is hy nie meer met behulp van 'n vyf-persoon saksofoon artikel in elk geval. die enigste saksofoon op myl voor, en Porgy and Bess was 'n alto sax. die res van die riet artikel was drie spelers wat op klarinet verdubbel en fluit van verskillende groottes. Op 'n manier, die instrumentasie op Gil Evans. Hy het 'n soortgelyke instrumentasie op sy twee Wêreldbeker Stille albums, en ook die band wat hy gelei het by die Jazz Gallery in 1960. 'N bron van kommer is die kombinasie van die groep. Die dirigent moet die versoeking om die fagot speel harder weerstaan ​​om te vul die onderkant van die ensemble. Dit is duidelik dat Evans wou die onderste om te voel meer as gehoor. Selfs al is die alto sax is skaars hoorbaar op die oorspronklike band, hierdie deel moet gelyk met die ander twee riete te wees. Moet asseblief nie die sopraan saxofoon deel met 'n klarinet vervang. Die vyf koper moet goed balanseer met 'n bietjie van die praktyk. Die uit-koor op Brief P is veral uitdagend, aangesien daar geen een instrument moet steek uit oor die trompette wat baie laag op 'n paar punte. Hierdie stuk kan oopgemaak word vir meer solo's, en agtergronde hergebruik by die dirigente diskresie. Ook, het ons het 'n saxofoon deel as 'n plaasvervanger vir die horing en 'n bariton saxofoon deel as 'n plaasvervanger vir die fagot. Jeffrey Sultanof-Februarie 2010 Let wel. Die klank voorbeeld is met vergunning van die Manhattan School of Music se Concert Jazz Band, wat deur Justin DiCioccio.