Bladmusiek $26.00

Oorspronklik

Nuages Gris. Franz Liszt. Marimba sheet music. Percussion sheet music. Piano sheet music. Timpani sheet music. Vibraphone sheet music.

Vertaling

Nuages ​​Gris. Franz Liszt. Marimba bladmusiek. Perkussie bladmusiek. Piano bladmusiek. Timpani bladmusiek. Vibrafoon bladmusiek.

Oorspronklik

Nuages Gris composed by Franz Liszt. 1811-1886. Arranged by Gene Fambrough. Percussion Ensemble. For percussion ensemble. Bells, crotales, chimes, vibraphone, 3 marimbas. 2 - low A, 1 - low F. , timpani, piano, tam-tam, bass drum, sizzle cymbal, large china cymbal, mark tree. Book. Duration 2 minutes, 55 seconds. Published by Innovative Percussion. IP.E-GF-NAU. Composer's notes. This arrangement aims to highlight the somewhat "static" nature of the piece, similar to the original. The cymbals used in the percussion part should be fairly large and dark sounding if possible. With the exception of isolated glockenspiel, chime, and crotale strokes, the ensemble should strive to blend all elements together into a seamless whole, with no instrument being more important than any other, including the piano. Franz Liszt composed the piece as a work for solo piano. It is one of Liszt's most haunting and at the same time one of his most experimental works. The harmonies, which are very different from those found in his earlier works, give a very dark and almost morbid feel to the piece. It has been described as representing a high point in the experimental idiom with respect to expressive compositional procedure.

Vertaling

Grey wolke saamgestel deur Franz Liszt. 1811-1886. Gereël deur Gene Fambrough. Perkussie Ensemble. Vir perkussie ensemble. Klokke, crotales, chimes, vibrafoon, 3 marimbas. 2 - lae A, 1 - lae F. , Timpani, klavier, tam-tam, bastrom, braai simbaal, groot China simbaal, merk boom. Book. Duur 2 minute, 55 sekondes. Gepubliseer deur Innoverende Percussion. IP.E-GF-NLU. Komponis se notas. Hierdie reëling het ten doel om die ietwat "statiese" aard van die stuk, soortgelyk aan die oorspronklike te lig. Die simbale gebruik in die perkussie deel moet redelik groot en donker klinkende wees indien moontlik. Met die uitsondering van geïsoleerde glockenspiel, slaan, en crotale beroertes, moet die ensemble streef daarna om al die elemente om saam te smelt in 'n naatlose geheel, met geen instrument om meer belangrik as enige ander, insluitend die klavier. Franz Liszt saamgestel die stuk as 'n werk vir solo klavier. Dit is een van Liszt se mees spook en op dieselfde tyd een van sy mees eksperimentele werke. Die harmonieë, wat baie verskil van dié wat in sy vroeëre werke, gee 'n baie donker en byna morbiede gevoel aan die stuk. Dit is al beskryf as verteenwoordigend van 'n hoë punt in die eksperimentele idioom met betrekking tot ekspressiewe komposisionele prosedure.