Bladmusiek $19.95

Oorspronklik

O dulcis Jesu. Heinrich Ignaz Franz von Biber. Piano and Keyboard sheet music. Voice Solo sheet music.

Vertaling

O dulcis Jesu. Heinrich Ignaz Franz von Biber. Klavier en Keyboard bladmusiek. Voice Solo bladmusiek.

Oorspronklik

O dulcis Jesu. Geistliches Konzert. Composed by Heinrich Ignaz Franz von Biber. 1644-1704. For violin. untuned. , voice solo, basso continuo. This edition. Paperbound. German title. O dulcis Jesu. Sacred Concertos. Score and parts. Language. all languages. 28 pages. Published by Carus Verlag. CA.1036200. ISBN M-007-02553-3. With Language. all languages. Sacred Concertos. The anonymous sacred concerto O dulcis Jesu is a setting of a text of baroque mysticism. The music very probably originated among the circle associated with Heinrich Ignaz Franz Biber. Especially noteworthy is the close relationship between the meaning of the words and the music. the mystical topos, the "bitter sweetness" of the desire to be wounded by the arrow of divine love and to die with Jesus, is represented ideally by the pale, basic tonality of E minor and the contrast provided by the scordatura, the unusual tuning of the violin. This is a bold, extravagant, highly "baroque" piece.

Vertaling

O dulcis Jesu. Heilige Concerto. Saamgestel deur Heinrich Ignaz Franz von Biber. 1644-1704. Vir viool. untuned. Slegs Voice, continuo. Hierdie uitgawe. Paper bound. Duitse titel. O dulcis Jesu. Heilige Concertos. Telling en dele. Taal. alle tale. 28 bladsye. Gepubliseer deur Carus Verlag. CA.1036200. ISBN M-007-02553-3. Met taal. alle tale. Heilige Concertos. Die anonieme heilige concerto O dulcis Jesu is 'n stel van 'n teks van barok mistiek. Die musiek heel waarskynlik ontstaan ​​onder die sirkel wat verband hou met Heinrich Ignaz Franz Biber. Veral opvallend is die noue verhouding tussen die betekenis van die woorde en die musiek. die mistieke Topos, die "bitter soet" van die begeerte om te gewond word deur die pyl van goddelike liefde en met Jesus te sterf, is ideaal verteenwoordig deur die bleek, basiese tonaliteit van E mineur en die kontras wat deur die scordatura, die ongewone tuning van die viool. Dit is 'n vet, buitensporig, hoogs "barok" stuk.