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Am Strande. At the beach. Hans von Bulow. A Cappella sheet music. Beginning.

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Am Strande. Op die strand. Hans von Bulow. A Cappella bladmusiek. Begin.

Oorspronklik

Am Strande. At the beach. At the beach. Composed by Hans von Bulow. 1830-1894. For SATB choir, a cappella. Secular. Moderately easy. Octavo. Composed 1861. 8 pages. Published by E.C. Schirmer Publishing. EC.6619. Hans von Bulow. 1830-1894. was one of the 19th century's foremost musicians. His most lasting musical contribution was as a conductor. Bulow gave the premiere performances of many of the 19th century's most important works, such as Brahms' Symphony No. 4 and Wagner's Tristan und Isolde and Die Meistersinger von Nurnberg. Bulow was a powerful advocate of Liszt. Richard Pohl was another of Liszt's devotees, a tireless champion of the New German School in general and of Liszt's music in particular. Pohl and Bulow were part of Liszt's inner circle and each undoubtedly became acquainted with the other's genius during those years. Bulow set Pohl's poems in 1861-62 while he was living and teaching in Berlin. The five were published by C. F. Kahnt of Leipzig in 1867. These five choral pieces are almost unknown today, even though they are excellent examples of the High Romantic style. Bulow's harmonic language does not approach the extreme chromaticism of Wagner or Liszt. nevertheless, it is innovative. The most notable feature of these works, however, is his use of mixed meters in Wanderziel. Pohl's texts typify the Romantic aesthetic. the artist as outsider, a preoccupation with nature, intense self-consciousness, a tendency towards melancholy, a fascination with and romanticized view of death - all imbued with deeply felt. almost maudlin at times. emotional expression. Attuned to Pohl's textual accents and use of heightened language, Bulow interchanges duple and triple meters to great effect at a time when composers were conservative in their use of meter even as they were stretching tonality to its limits. - Paraphrase of program notes by David Friddle.

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Am Strande. Op die strand. Op die strand. Saamgestel deur Hans von Bulow. 1830-1894. Vir SATB koor, a cappella. Sekulêre. Redelik maklik. Agtste. Saamgestel 1861. 8 bladsye. Gepubliseer deur E.C. Schirmer Publishing. EC.6619. Hans von Bulow. 1830-1894. was een van die 19 eeu se voorste musikante. Sy mees blywende musikale bydrae was as dirigent. Bulow het die première optredes van baie van die 19de eeu se belangrikste werke, soos Brahms se Simfonie No. 4 en Wagner se Tristan und Isolde en Die Meistersinger von Nurnberg. Bulow was 'n kragtige voorstander van Liszt. Richard Pohl was nog een van Liszt se aanhangers, 'n onvermoeide kampvegter vir die nuwe Duitse Skool in die algemeen en van Liszt se musiek in die besonder. Pohl en Bulow was deel van Liszt se binnekring en elke ongetwyfeld vertroud geraak met die ander se genie gedurende daardie jare. Bulow stel Pohl se gedigte in 1861-1862, terwyl hy woon en onderrig in Berlyn. Die vyf is in 1867 deur CF Kahnt van Leipzig gepubliseer. Hierdie vyf koorstukke is byna onbekend vandag, selfs al het hulle is uitstekende voorbeelde van die Hoë Romantiese styl. Bulow se harmoniese taal nie die uiterste chroma van Wagner of Liszt nader. Tog is dit is 'n innoverende. Die mees noemenswaardige funksie van hierdie werke is egter sy gebruik van gemengde meter in Wanderziel. Pohl se tekste tipeer die romantiese estetiese. die kunstenaar as buitestaander, 'n obsessie met die natuur, intense self-bewussyn, 'n neiging tot melancholie, 'n bekoring met en geromantiseerde siening van die dood - al gevul met diep gevoel. byna sentimentele by tye. emosionele uitdrukking. Aanvoeling vir Pohl se tekstuele aksent en gebruik van verhoogde taal, Bulow wisselaars tweeledige en trippel meter tot groot effek op 'n tyd wanneer komponiste was konserwatief in hul gebruik van meter, selfs as hulle strek tonaliteit tot die uiterste. - Parafrase van program notas deur David Friddle.