Bladmusiek $34.00

Oorspronklik

Visions of the Anointed. Daniel McCarthy. Cello sheet music. Viola sheet music. Violin sheet music. Advanced.

Vertaling

Gesigte van die Gesalfde. Daniel McCarthy. Tjello bladmusiek. Altviool bladmusiek. Viool bladmusiek. Gevorderde.

Oorspronklik

Visions of the Anointed composed by Daniel McCarthy. Chamber Ensemble. For String Quartet. violin I, violin II, viola, cello. Chamber Music. Medium difficult. Score and parts. Duration 30. 00. Published by C. Alan Publications. CN.10760. The first movement, "New Vision," is a dense conversation among the quartet. In a complete musical turn-around from the first movement, the next movement, "Isadora. Dance. " comes bounding on the listener with lively strumming. complete with guitar-style picking. and open string strumming, giving the feelings of body movement, gyrations, jumping, and leaping. On a more personal level, I wrote the next movement after Edgar Allan Poe, with whom I closely identify. The fourth movement is a virtuosic blast. Commissioned by The Harrington String Quartet of West Texas A & M University and The Amarillo Symphony. The title comes from the book of the same name by Thomas Sowell. The quartet is named after the book "The Vision of the Anointed. Self-Congratulation as a Basis for Social Policy" by Thomas Sowell, The Rose and Milton Friedman Senior Fellow on Public Policy at the Hoover Institution. The "Anointed," in this case, are four great American creators. An author, a dancer, a poet, and a rock guitarist. All these artists hold a special fascination for me as entrepreneurs of thought and creativity. The first movement, "New Vision," is dedicated to economist and social philosopher, Thomas Sowell. Ph.D., The University of Chicago. Sowell, reviled by the intellectual "elite," is definitely "off-the-plantation" when it comes to "politically correct" thinking. An African-American, Dr. Sowell challenges much of the excepted academic views of politics and society. The musical language of the movement is a dense conversation among the quartet. The high degree of rhythmic stratification features the fingered tremolo and the trill, which later becomes written in measured figures. The large, multi-sectional form of the movement provides for moments of lyric melodicism amidst the relatively dissonant and rhythmic tumultuous sections of serious political arguments. In a complete musical turn-around from the first movement, the next movement, "Isadora. Dance. " comes bounding on the listener with lively strumming. complete with guitar-style picking. and open string strumming. The early 20th century Dancer, adventurer, and revolutionist, Isadora Duncan was credited with inventing what was later to be know as "Modern Dance. " Her style of dance and choreography included free and natural movements inspired by the classical Greek arts, folk dances, American athleticism which included skipping, running, jumping, leaping, tossing. So this movement abounds with rhythm unrestricted by predictable metric parameters. The rhythms give the feelings of body movement, gyrations, jumping, and leaping. On a more personal level, I wrote the next movement after Edgar Allan Poe, with whom I closely identify. Poe led a strange life, feeling different and isolated from humanity. Much of his writings are fixated on the Macomb due to several deaths of loved ones and his inability to let go of them. In a particularly dark period of his life, he wrote the poem, "Alone," which has haunted me since I read it. The opening reads. From childhood's hour I have not been As others were. I have not seen As others saw. I could not bring My passions from a common spring. From the same source I have not taken My sorrow. I could not awaken My heart to joy at the same tone. And all I loved, I loved alone. The fourth movement is a virtuosic blast. When it came to the writing of this final movement, I was at the end of three commissions from The Harrington Quartet--and, out of ideas. In my travels, I love to listen to old rock and roll recordings--not the least of which is Led Zeppelin. When I was a kid in Junior High School, and a classically trained pianist and trumpet player, I would sneak on my head phones and blast Led Zeppelin I and II through my head phones, learning to play electric bass along with the tunes on these albums. My favorite was a tune on Led Zeppelin II, "Heartbreaker. " The most unusual thing on "heartbreaker" was the guitar cadenza taken in the middle of the tune by rock guitar legend Jimmy Page--hence, the title, "Turn The Page. " I had never heard anything like it--it was like a violin cadenza in a Mendelssohn Violin Concerto. metrically free, virtuosic, and exiting. During this period of time I was contemplating how I was going to finish "Visions of the Anointed," I woke up one night thinking of this Jimmy Page cadenza and the idea came to me to base the last movement on this solo. So various gestures and lines from this solo are transcribed and taken into far-reaching variations for The Harrington String Quartet as they Turn The Page.

Vertaling

Gesigte van die Gesalfde saamgestel deur Daniel McCarthy. Kamer Ensemble. Vir String Quartet. viool ek, viool II, altviool, tjello. Kamermusiek. Medium moeilik. Telling en dele. Duur 30. 00. Gepubliseer deur C. Alan Publications. CN.10760. Die eerste beweging, "New Vision," is 'n digte gesprek tussen die kwartet. In 'n volledige musikale draai rondom uit die eerste beweging, die volgende beweging, "Isadora. Dans. "Kom jaag op die luisteraar met 'n lewendige getokkel. kompleet met kitaar-styl pluk. en oop string getokkel, gee die gevoel van liggaamsbeweging, gyrations, spring, en spring. Op 'n meer persoonlike vlak het ek die volgende beweging na Edgar Allan Poe, met wie ek nou identifiseer geskryf. Die vierde beweging is 'n virtuose ontploffing. In opdrag van die Harrington String Quartet van Wes-Texas A. Die titel kom uit die boek met dieselfde naam deur Thomas Sowell. Die kwartet is vernoem na die boek "Die visie van die Gesalfde. Eie geluk as 'n basis vir die sosiale beleid "deur Thomas Sowell, The Rose en Milton Friedman Senior Genoot op Openbare Beleid by die Hoover Institution. Die "Gesalfde" in hierdie geval, is vier groot Amerikaanse skeppers. 'N skrywer, 'n danser, 'n digter, en 'n rock-kitaarspeler. Al hierdie kunstenaars hou 'n spesiale bekoring vir my as entrepreneurs van denke en kreatiwiteit. Die eerste beweging, "New Vision," word gewy aan ekonoom en sosiale filosoof, Thomas Sowell. Ph.D., Die Universiteit van Chicago. Sowell, uitgeskel deur die intellektuele "elite" is beslis "off-the-plantasie" wanneer dit kom by die "polities korrek" te dink. 'N Afro-Amerikaanse, dr Sowell uitdagings baie van die uitgesonder akademiese menings van die politiek en die samelewing. Die musikale taal van die beweging is 'n digte gesprek tussen die kwartet. Die hoë mate van ritmiese stratifikasie funksies van die vinger tremolo en die trill, wat later in gemeet syfers geskryf. Die groot, multi-deursnee vorm van die beweging voorsiening vir oomblikke van liriek melodicism te midde van die relatief dissonante en ritmiese onstuimige dele van ernstige politieke argumente. In 'n volledige musikale draai rondom uit die eerste beweging, die volgende beweging, "Isadora. Dans. "Kom jaag op die luisteraar met 'n lewendige getokkel. kompleet met kitaar-styl pluk. en oop string getokkel. Die vroeë 20ste eeu Dancer, avonturier, en revolutionist, Isadora Duncan is gekrediteer met die uitvind wat later wees weet as "Moderne Dans. "Haar styl van dans en choreografie ingesluit vrye en natuurlike bewegings geïnspireer deur die klassieke Griekse kuns, volksdanse, Amerikaanse atleties wat ingesluit draai, hardloop, spring, spring, gooi. So hierdie beweging tot barstens toe vol ritme onbelemmerd deur voorspelbare metrieke parameters. Die ritmes gee die gevoelens van liggaamsbeweging, gyrations, spring, en spring. Op 'n meer persoonlike vlak het ek die volgende beweging na Edgar Allan Poe, met wie ek nou identifiseer geskryf. Poe gelei 'n vreemde lewe, verskillende en geïsoleerd van die mensdom voel. Baie van sy geskrifte is gefikseerd op die Macomb as gevolg van verskeie sterftes van geliefdes en sy onvermoë om te laat gaan van hulle. In 'n besonder donker tydperk van sy lewe, het hy die gedig, "Alone," wat het my agtervolg, want ek lees dit geskryf. Die opening lees. Van kleins se uur Ek het nie so ander was. Ek het nie gesien as ander sien. Ek kon nie my passies bring van 'n gemeenskaplike lente. Uit dieselfde bron het ek nie my smart geneem. Ek kon nie my hart ontwaak tot vreugde by die dieselfde trant. En al wat ek liefgehad het, het ek alleen lief. Die vierde beweging is 'n virtuose ontploffing. Wanneer dit kom by die skryf van hierdie finale beweging, ek was aan die einde van drie kommissies van Die Harrington Quartet - en, uit idees. In my reise, ek hou van om te luister na die ou rock en roll-opnames - nie die minste van die wat Led Zeppelin. Toe ek 'n kind was in Junior High School, en 'n klassiek opgeleide pianis en trompet speler, sou ek sluip op my kop selfone en ontploffing Led Zeppelin I en II deur my kop fone, leer elektriese bas te speel saam met die liedjies op hierdie albums. My gunsteling was 'n deuntjie op Led Zeppelin II, "Heartbreaker. "Die mees ongewone ding op" Heartbreaker "was die kitaar cadenza geneem in die middel van die harmonie deur rock kitaar legende Jimmy Page - vandaar die titel," draai die Page. "Ek het nog nooit so iets gehoor soos dit - dit was soos 'n viool cadenza in 'n Mendelssohn Vioolkonsert. metrically gratis, virtuose, en opwindende. Gedurende hierdie tydperk van die tyd was ek oorweeg hoe ek gaan tot die einde "die verbeelding van die Gesalfde," Ek het wakker geword een nag denke van hierdie Jimmy Page cadenza en die idee het tot my gekom die laaste beweging te baseer op hierdie solo. So verskeie gebare en lyne van hierdie solo getranskribeer en in verreikende variasies geneem vir Die Harrington String Quartet as hulle die bladsy beurt.