Bladmusiek $9.95

Oorspronklik

Dolly Suite Opus 56. Gabriel Faure. Piano Method sheet music. Intermediate.

Vertaling

Dolly Suite Opus 56. Gabriel Faure. Piano Metode bladmusiek. Intermediêre.

Oorspronklik

Dolly Suite Opus 56 composed by Gabriel Faure. 1845-1924. Edited by Nancy Arganbright and Dallas Weekley. For 1 piano, 4-hands. Late Intermediate. Collection. Published by Neil A. Kjos Music Company. KJ.WP609. ISBN 849797624. Born in 1845, Gabriel Faure is considered to be one of the greatest French composers of the nineteenth century. His family was not musical, being butchers , smiths and military officers, but they encouraged young Faure to develop his musical skills. He had excellent training from his teacher, Camille Saint-Saens, who remained his lifelong friend. "Dolly" is a collection of six pieces written over a period of three years. 1894-1897. They were composed in honor of Helene nicknamed "Dolly," who was the daughter of Faure's dear friend, the singer Emma Bardac. Emma later became Debussy's second wife. The opening 'Berceuse'. Lullaby. suggests a moment of childhood peace and tranquility, perhaps Dolly rocking her doll to sleep. The second piece, 'Mi-a-ou' is livelie. its title has been interpreted in two different ways. Emile Vuillermoz sees in it "the capricious bounds of the favorite family cat, its quick turns, its zigzag starts, its sudden cajolery, after which. it at last rests in the lap of its little mistress. " On the other hand, Marguerite Long, on the basis of her friendship with Faure, asserts that the title is the nickname for Dolly's brother, Raoul. The 'Le jardin de Dolly'. Dolly's Garden. represents a quiet stroll through a lovely flower garden. The mood is smimilar to that of Berceuse but the melody is less predictable with sudden turns toward chromaticism. Kitty-Valse is a sort of companion piece to Mi-a-ou, but its rhythm is more straightforward, and we find many unexpected turns in harmony, Its strong accents contrast with delicate, swirling scale patterns. Marguerite Long tells us that "Kitty" is a corruption of "Ketty" the name of the family dog. 'Tendresse'. Tenderness. is the most touching piece of the set. It suggests a conversation between am other and daughter. In the middle section the two melodc voices are shared by the primo and secondo players in a canon form with bass accompaniment. The seconds half of the first theme features whole-tone effects. In total contrast to this gentle piece, the final piece is 'Le pas Espagnol'. Spanish Dance. , which Long says was inspired by a bronze equestrian statue that stood on the mantlepiece in Madame Bardac's house and was admired by young Dolly. Vuillermoz believes it depicts Dolly pretending to be a Spanish dancer, wrapped in her mother's shawl. Berceuse. Lullaby. Mi-a-ou. Le jardin de Dolly. Dolly's Garden. Kitty-Valse. Tendresse. Tenderness. Le pas Espangnol. Spanish Dance.

Vertaling

Dolly Suite Opus 56 gekomponeer deur Gabriel Faure. 1845-1924. Geredigeer deur Nancy Arganbright en Dallas Weekley. Vir 1 klavier, 4-hande. Laat Intermediêre. Versameling. Gepubliseer deur Neil A. Kjos Music Company. KJ.WP609. ISBN 849797624. Gebore in 1845, is Gabriel Faure beskou as een van die grootste Franse komponiste van die negentiende eeu. Sy familie was nie musikale, synde slagters, Smiths en militêre offisiere, maar hulle jong Faure aangemoedig om sy musikale vaardighede te ontwikkel. Hy het 'n uitstekende opleiding van sy onderwyser, Camille Saint-Saens, wat sy lewenslange vriend gebly. "Dolly" is 'n versameling van ses stukke geskryf oor 'n tydperk van drie jaar. 1894-1897. Hulle is saamgestel ter ere van Helene bynaam "Dolly," wat was die dogter van Faure se beste vriend, die sanger Emma Bardac. Emma het later tweede vrou Debussy se. Die opening 'Berceuse'. Lullaby. dui op 'n oomblik van kinderjare vrede en rustigheid, miskien Dolly wieg haar pop aan die slaap. Die tweede stuk, "Mi-'n-ou" is livelie. die titel is vertolk in twee verskillende maniere. Emile Vuillermoz sien in dit "die wispelturige grense van die gunsteling familie kat, sy vinnige draaie, sy zigzag begin, sy skielike vleierij, waarna. dit op die laaste rus in die skoot van sy klein minnares. "Aan die ander kant, Marguerite Long, op grond van haar vriendskap met Faure, beweer dat die titel is die bynaam vir Dolly se broer, Raoul. Die "Le jardin de Dolly '. Dolly se tuin. verteenwoordig 'n rustige wandeling deur 'n pragtige blom tuin. Die bui is smimilar aan dié van Berceuse, maar die melodie is minder voorspelbaar met skielike draaie na chroma. Kitty-Valse is 'n soort van metgesel stuk te Mi-'n-ou, maar sy ritme is meer eenvoudig, en vind ons baie onverwagse draaie in harmonie, Sy sterk aksent kontras met delikate, kolk skaal patrone. Marguerite Long vertel ons dat "Kitty" is 'n korrupsie van die "Ketty" Die naam van die familie hond. 'Sagtheid'. Sagtheid. is die mees raak deel van die stel. Dit dui op 'n gesprek tussen am ander en dogter. In die middel van die twee melodc stemme word gedeel deur die Primo en secondo spelers in 'n kanon vorm met bas begeleiding. Die sekondes helfte van die eerste tema funksies heeltoon-effekte. In totale kontras met die sagte stuk, die finale stuk is 'Le pas Espagnol'. Spaanse dans. , Wat Long sê is geïnspireer deur 'n brons ruiterstandbeeld wat op die mantlepiece in Madame Bardac se huis gestaan ​​en is bewonder deur jong Dolly. Vuillermoz glo dit uitbeeld Dolly voorgee om 'n Spaanse danser, toegedraai in haar ma se shawl wees. Lullaby. Lullaby. Mi-'n-ou. Garden Dolly. Dolly se tuin. Kitty-Valse. Sagtheid. Sagtheid. Nie Espangnol. Spaanse dans.