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Abun D'bash'maiyo. Choir sheet music. Advanced.

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Abun D'bash'maiyo. Koor bladmusiek. Gevorderde.

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Abun D'bash'maiyo composed by Traditional Syriac Chant. Arranged by Mark D. Templeton. For Choir, SATB. 21st Century, Sacred, World, Folk. Advanced Intermediate. , , Sheet Music Single. Mark Templeton Choral Music #MTN002. Published by Mark Templeton Choral Music. S0.18978. Composed by Mark Templeton for SATB divisi chorus a cappella. Since the dawn of the first century, the text from the gospel of Matthew 6. 9-13, known as the Lordâs Prayer, has inspired many musicians across the globe from Palestrina to Schubert to Duruflà and countless modern composers. The vast collections of Western plainchant and Byzantine chant also include the Lordâs Prayer in their repertoire. Probably the most unheralded version comes from the Beth Gazo, a collection of liturgical chants and hymns of the Eastern Syriac Orthodox Church. The Beth Gazo. The Treasury of Chants. is the Eastern Churchâs equivalent of the Liber Usualis of the Roman rite. The roots of the collection can be traced as far back as the second century with Ephrem the Syriac contributing the bulk of the chants. It is supposed that thousands of chants existed in the original collection, but since they were only passed down through an oral tradition, only 700 or so have survived. Only in the late twentieth century have musicologists begun to preserve these in musical notation. The Abun dâbashâmaiyo. Our Father. is one such chant that has survived. When I set out to compose the Lordâs Prayer for my Compline, I wanted to try something different. I searched until I came across this version from the Peshitta text in Syriac, one of the dialects of old Aramaic. Historians and biblical scholars generally agree that Jesus would have spoken Aramaic. I thought it would be wonderful to compose something using the language, or near language, of Christ. I decided to use the actual chant from the Beth Gazo as my melody. The melody uses the Arabic maqam, Nahawand. نهØونØ. , which is basically a melodic minor scale found so prevalently in music from the Fertile Crescent. The chant is sung like a hymn with four verses repeating the same melody. The only words that are not traditionally used as part of the chant is the title, Abun dâbashâmaiyo. I set these words as a kind of intoning chant before each verse with the last intonation using the full divisi and power of the choir. This meditative and somewhat surreal setting is well suited for any sacred service or for a multi-cultural concert. Mark Templeton, born 1974, is an American choral composer, conductor, and countertenor. Templetonâs music has been performed across the world at various international festivals and ACDA conventions. Some of his music is published by Santa Barbara Music Publishing, and he has recently started to self-publish. He teaches and resides with his wife, Becca, at West Nottingham Academy in Colora, Maryland, the oldest boarding school in the United States. He also enjoys coaching, playing, and watching soccer when he is not working. He is available for commission upon request. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

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Abun D'bash'maiyo composed by Traditional Syriac Chant. Gereël deur Mark D. Templeton. For Choir, SATB. 21st Century, Sacred, World, Folk. Gevorderde Intermediêre. ,, Bladmusiek Enkel. Mark Templeton Choral Music #MTN002. Gepubliseer deur Mark Templeton Koormusiek. S0.18978. Composed by Mark Templeton for SATB divisi chorus a cappella. Since the dawn of the first century, the text from the gospel of Matthew 6. 9-13, known as the Lordâs Prayer, has inspired many musicians across the globe from Palestrina to Schubert to Duruflà and countless modern composers. The vast collections of Western plainchant and Byzantine chant also include the Lordâs Prayer in their repertoire. Probably the most unheralded version comes from the Beth Gazo, a collection of liturgical chants and hymns of the Eastern Syriac Orthodox Church. The Beth Gazo. The Treasury of Chants. is the Eastern Churchâs equivalent of the Liber Usualis of the Roman rite. The roots of the collection can be traced as far back as the second century with Ephrem the Syriac contributing the bulk of the chants. It is supposed that thousands of chants existed in the original collection, but since they were only passed down through an oral tradition, only 700 or so have survived. Only in the late twentieth century have musicologists begun to preserve these in musical notation. The Abun dâbashâmaiyo. Ons Vader. is one such chant that has survived. When I set out to compose the Lordâs Prayer for my Compline, I wanted to try something different. I searched until I came across this version from the Peshitta text in Syriac, one of the dialects of old Aramaic. Historians and biblical scholars generally agree that Jesus would have spoken Aramaic. I thought it would be wonderful to compose something using the language, or near language, of Christ. I decided to use the actual chant from the Beth Gazo as my melody. The melody uses the Arabic maqam, Nahawand. نهØونØ. , which is basically a melodic minor scale found so prevalently in music from the Fertile Crescent. The chant is sung like a hymn with four verses repeating the same melody. The only words that are not traditionally used as part of the chant is the title, Abun dâbashâmaiyo. Ek hierdie woorde as 'n soort van intoning chant voor elke vers met die laaste intonasie gebruik van die volle divisie en die krag van die koor. This meditative and somewhat surreal setting is well suited for any sacred service or for a multi-cultural concert. Mark Templeton, gebore 1974, is 'n Amerikaanse koor komponis, dirigent en counter. Templetonâs musiek is uitgevoer oor die hele wêreld op verskeie internasionale feeste en ACDA konvensies. Sommige van sy musiek is gepubliseer deur Santa Barbara Music Publishing, en hy het onlangs begin om self te publiseer. Hy leer en woon saam met sy vrou, Becca, by West Nottingham Academy in Colora, Maryland, die oudste kosskool in die Verenigde State van Amerika. Hy geniet ook afrigting, speel, en sokker kyk as hy nie werk nie. Hy is beskikbaar vir kommissie op versoek. Digitale Print is printable bladmusiek beskikbaar enige tyd, enige plek. Net aankoop, druk en speel. Kyk na jou aanlyn bladmusiek by die huis, skool, werk of waar jy 'n rekenaar wat aan die Internet. Gebruik ons ​​iPad app jou digitale bladmusiek te sien op die pad. Met Digitale Print, kan jy jou digitale bladmusiek druk onmiddellik na die aankoop, of wag totdat sy gerieflike. En ons sagteware installasie is maklik - ons sal jou lei deur die eenvoudige stappe om seker te maak jy het Adobe Flash Player, Adobe AIR en die bladmusiek Plus AIR aansoek.