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Musical and Technical Guide for the Double Bass - A Method to Learn Quickly - Volume I. Double Bass sheet music. Beginning.

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Musikale en tegniese handleiding vir die Double Bass - 'n metode om vinnig te leer - Deel I. Double Bass bladmusiek. Begin.

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Musical and Technical Guide for the Double Bass - A Method to Learn Quickly - Volume I composed by Renaud Gruss. Double Bass Solo. For Double Bass. String Bass. Bass Method, Technique, Scales and Studies, Instructional method, Classical, Educational. Grade 1, Grade 2. Method book-Double Bass. 124 pages. Published by FLEX Editions - Digital Sheet Music. FX.FX071791. There have been enormous changes in the way that the double bass is taught over the last twenty or so years. An increasing number of younger people have become interested in studying the instrument and traditional methods have been shown to be inadequate. The studies are too long for young pupils' muscles. the exercises are not melodic enough and are simply too austere for this new generation brought up on channel-hopping, so there was a need to come up with new ways of doing things. Unlike these sometimes very young pupils, young adults who can already play, often having taught themselves as members of jazz groups, one day decide they would like to join the conservatoire so that they can learn both music theory - of which they often know nothing - and the technique used to play the instrument at the same time. Then, between these two extremes, there is still the traditional learner, in other words the pupil who is just starting to play the double bass having almost reached adulthood, and who has been playing another instrument, sometimes for a number of years. Although each of these specific groups does need to be taught in a particular way, there are still some characteristics shared by all of them. Irrespective of age, size and strength, or the musical training they already have, on the double bass the first position is the hardest physically by far, and people learn both more quickly and better if they are enjoying themselves with melodic studies. This Guide has come about over the thirteen years I have been teaching at the Conservatoire de Toulouse, and has been tried and tested successfully with many pupils of all ages. Furthermore, having spent twenty-eight years giving concerts all over the world with the Orchestre de Chambre de Toulouse, I myself have faced the need to keep constantly developing my own technique, and so I have come up with a lot of little exercises for my own personal use and my students have also been able to get a great deal out of them. This Guide is the result of all the answers I have found in order to help me go honestly about my work as a musician and as a teacher. It offers you a special "path" which will help you to get on more quickly. I have not felt the need to write what has already been written by other teachers. The methods by Bille, Bottesini, Labro, Montag, Nanny, Simmandl, Streicher, Rabbath, Rollez, etc. , all propose their own particular approaches of the instrument, and they are all worth looking at if you wish to acquire an overview. So I have made no attempt to be exhaustive - there is plenty of educational literature available which already does that. On the other hand, the order in which the technical aspects are tackled and the attention paid to certain "details" are decisive to both speed of progress and accuracy of musical expression. This is why you will find the following in this Guide. Volume I. this book. Leitmotivs. the advice I am constantly giving my students. Cycle I. Learning, the path I suggest to beginners of all ages. Note. Studies are also planned to be worked in Cycle II and Cycle III with a modification of work instructions. Refer to the pictograms and instructions above each study. Volume II. Cycles II and III. Studies and scales for students from Cycle II onwards. Cycle III. Studies on the "details" which are far more than that. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

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Musikale en tegniese Gids vir die Double Bass - 'n metode om vinnig te leer - Deel I saamgestel deur Renaud GRUSS. Double Bass Solo. Vir Double Bass. String Bass. Bas Metode, tegniek, skale en Studies, Instruksionele metode, Klassieke, Opvoedkundige. Graad 1, Graad 2. Metode boek Double Bass. 124 bladsye. Gepubliseer deur FLEX Editions - Digitale Sheet Music. FX.FX071791. Daar is enorme veranderinge in die manier waarop die double bass oor die afgelope twintig jaar of so geleer. 'N toenemende aantal van die jonger mense wat belangstel in die bestudering van die instrument en die tradisionele metodes geword het getoon onvoldoende te wees. Die studies is te lank vir jong leerlinge se spiere. die oefeninge is nie genoeg nie en melodies is eenvoudig te sober vir hierdie nuwe generasie opgevoed op kanaal-hop, so daar was 'n behoefte om met nuwe maniere om dinge te doen om te kom. In teenstelling met hierdie soms baie jong leerlinge, jong volwassenes wat reeds kan speel, dikwels nadat hulle geleer soos lede van jazz-groepe, 'n dag besluit hulle wil graag die Konservatorium aan te sluit, sodat hulle kan leer om beide musiek teorie - waarvan hulle weet dikwels niks - en die tegniek gebruik om die instrument te speel op dieselfde tyd. Dan, tussen hierdie twee uiterstes is daar nog die tradisionele leerder, met ander woorde die leerling wat net die begin van die double bass te speel nadat byna volwassenheid bereik, en wat is die speel van 'n ander instrument, soms vir 'n aantal jare. Hoewel elkeen van hierdie spesifieke groepe nie nodig om in 'n bepaalde manier geleer word, is daar nog 'n paar eienskappe wat gedeel word deur almal van hulle. Ongeag ouderdom, grootte en krag, of die musikale opleiding wat hulle reeds het, op die kontrabas die eerste posisie is die moeilikste fisies by verre, en die mense leer beide vinniger en beter as hulle hulself geniet met melodiese studies. Hierdie gids gekom oor die dertien jaar het ek geleer by die Konservatorium de Toulouse, en is beproef en getoets suksesvol met baie leerlinge van alle ouderdomme. Verder, nadat hy agt en twintig jaar gee konserte regoor die wêreld met die Orchestre de Chambre de Toulouse, het ek myself in die gesig gestaar die behoefte om te hou voortdurend die ontwikkeling van my eie tegniek, en ek het met 'n baie klein oefeninge vir kom my eie persoonlike gebruik en my studente het ook daarin geslaag om 'n groot deel uit te kry van hulle. Hierdie gids is die gevolg van al die antwoorde het ek gevind om my te help om eerlik te gaan oor my werk as 'n musikant en as 'n onderwyser. Dit bied 'n spesiale "pad" wat sal help om vinniger te kry op. Ek het nie voel die behoefte om te skryf wat reeds geskryf is deur ander onderwysers. Die metodes Bille, Bottesini, Labro, Montag, Nanny, Simmandl, Streicher, Rabba, Rollez, ens. , Al stel hul eie benaderings van die instrument, en hulle is almal werd as jy wil 'n oorsig te verkry. So ek het geen poging aangewend om volledig te wees nie gemaak nie - daar is baie van die opvoedkundige literatuur beskikbaar wat reeds doen wat. Aan die ander kant, die volgorde waarin die tegniese aspekte word aangepak en die aandag aan sekere "besonderhede" is deurslaggewend om beide die spoed van die vordering en die akkuraatheid van musikale uitdrukking. Dit is hoekom jy sal die volgende in hierdie gids vind. Deel I. hierdie boek. Leitmotivs. die raad ek gedurig gee my studente. Cycle ek. Leer, die pad wat ek stel voor beginners van alle ouderdomme. Let wel. Studies word ook beplan om in Cycle II en III Cycle gewerk word met 'n wysiging van die werk instruksies. Verwys na die ikone en instruksies bo-aan elke studie-. Deel II. Cycles II en III. Studies en skale vir studente van Cycle II af. Siklus III. Studies oor die "details" wat veel meer as wat. Digitale Print is printable bladmusiek beskikbaar enige tyd, enige plek. Net aankoop, druk en speel. Kyk na jou aanlyn bladmusiek by die huis, skool, werk of waar jy 'n rekenaar wat aan die Internet. Gebruik ons ​​iPad app jou digitale bladmusiek te sien op die pad. Met Digitale Print, kan jy jou digitale bladmusiek druk onmiddellik na die aankoop, of wag totdat sy gerieflike. En ons sagteware installasie is maklik - ons sal jou lei deur die eenvoudige stappe om seker te maak jy het Adobe Flash Player, Adobe AIR en die bladmusiek Plus AIR aansoek.