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Oorspronklik

Waltzes, opus 101. 2002. flute part. Thomas Oboe Lee. Flute sheet music. Advanced.

Vertaling

Walse, opus 101. 2002. fluitparty. Thomas Hobo Lee. Fluit bladmusiek. Gevorderde.

Oorspronklik

Waltzes, opus 101. 2002. flute part composed by Thomas Oboe Lee. For Flute. Baroque Period, Classical Period, Romantic Period, 20th Century, 21st Century. Advanced Intermediate. Individual Part. Published by Thomas Oboe Lee. S0.11489. Program note When Bart Feller asked me to write a work for flute and harp, I immediately came up with the idea of doing a piece made up of waltzes. Why waltzes. Why not. I have been an enthusiastic adult ballet student since the summer of 1988. Dancing to live music, especially the waltz, has been a joy. This hobby of mine has inevitably drawn me to the history of ballet. Some years ago, I wrote a duo, âœDark Angels,â for viola and cello. Apropos of my interest in dance and music, I matched each movement with a danseur of international renown. Nijinsky, Nureyev & Baryshnikov. For this flute and harp work---more delicate and lyrical in its instrumentation---I have decided to bring back from history the four Romantic ballerinas featured in the infamous âœPas de quatreâ divertissement choreographed by Jules Perrot in 1845 and presented at Her Majestyâs Theater in London. Marie Taglioni, Fanny Cerrito, Carlotta Grisi and Lucile Grahn. According to ballet lore, Queen Victoria and Prince Albert were in attendance at the premiere. In Waltzes, opus 101, each ballerina is paired with a movement, or âœwaltz. â The quotation marks indicate that some of these waltzes are pseudo-types---distant relations to the genre. Nevertheless, the triple meter is a dominant feature. The first waltz, âœDream Landscape,â is Marie Taglioni---the original La Sylphide---who was known for her ethereality. The second movement, âœWaltzin,ââ is Fanny Cerrito, who danced with flair, bravura and abandon. The third waltz, âœLullaby,â is Carlotta Grisi, the original Giselle, who âœdanced with a perfection, a lightness, a boldness, a chaste and refined seductiveness â â The last waltz is Lucile Grahn, a proponent of the Bournonville school, who was admired for her âœnatural grace, elevation, suppleness, energy, technical virtuosity and strong mime. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

Vertaling

Walse, opus 101. 2002. fluitparty saamgestel deur Thomas Hobo Lee. . Baroktydperk, Klassieke tydperk, romantiese tydperk, 20ste eeu, die 21ste eeu. Gevorderde Intermediêre. Individuele Deel. Gepubliseer deur Thomas hobo Lee. S0.11489. Program Let op wanneer Bart Feller het my gevra om 'n werk vir fluit en harp te skryf, het ek dadelik vorendag gekom met die idee van doen 'n stuk saamgestel uit walse. Hoekom walse. Hoekom nie. Ek het 'n entoesiastiese volwasse ballet student sedert die somer van 1988. Dans musiek, veral die wals te leef, is 'n vreugde. Hierdie stokperdjie van my het my onvermydelik gevestig op die geskiedenis van ballet. 'N Paar jaar gelede het ek het 'n duo, âœDark Angels, â vir altviool en tjello. Na aanleiding van my belangstelling in musiek en dans, ek pas elke beweging met 'n danseur van internasionale faam. Nijinsky, Nureyev. Vir hierdie fluit en harp werk --- meer delikate en liriese in sy instrumentasie --- het ek besluit om terug te bring uit die geskiedenis van die vier romantiese ballerinas te sien in die berugte âœPas de quatreâ vermaaklikheid gechoreografeer deur Jules Perrot in 1845 en by haar Majestyâs teater in London. Marie Taglioni, Fanny Cerrito, Carlotta Grisi en Grahn Lucile. Volgens ballet leersaamhede, Queen Victoria en Prins Albert teenwoordig was by die première. In Walse, opus 101, is elke ballerina saam met 'n beweging, of âœwaltz. A Die aanhalingstekens dui daarop dat sommige van hierdie walse is pseudo-tipes --- verre verhoudings tot die genre. Nietemin, die drie meter is 'n dominante kenmerk. Die eerste Wals, âœDream landskap, is Marie Taglioni --- die oorspronklike La Sylphide --- wat bekend was vir haar ether. Die tweede beweging, âœWaltzin, aa Fanny Cerrito, wat saam met flair, Maestria gedans en laat vaar. Die derde Wals, âœLullaby, a is Carlotta Grisi, die oorspronklike Giselle, wat âœdanced met 'n perfeksie, 'n lig, 'n vrymoedigheid, 'n reine en verfynde seductiveness A A Die laaste wals is Lucile Grahn, 'n voorstander van die Bournonville skool, wat bewonder vir haar âœnatural genade, opstand, soepelheid, energie, tegniese virtuositeit en sterk mimiek. Digitale Print is printable bladmusiek beskikbaar enige tyd, enige plek. Net aankoop, druk en speel. Kyk na jou aanlyn bladmusiek by die huis, skool, werk of waar jy 'n rekenaar wat aan die Internet. Gebruik ons ​​iPad app jou digitale bladmusiek te sien op die pad. Met Digitale Print, kan jy jou digitale bladmusiek druk onmiddellik na die aankoop, of wag totdat sy gerieflike. En ons sagteware installasie is maklik - ons sal jou lei deur die eenvoudige stappe om seker te maak jy het Adobe Flash Player, Adobe AIR en die bladmusiek Plus AIR aansoek.