Bladmusiek $130.00

Oorspronklik

Four Temperaments for Tuba. Michael Brand. B-Flat Trumpet sheet music. Horn sheet music. Tuba sheet music. Grade 4.

Vertaling

Vier temperament vir Tuba. Michael Brand. B-Flat Trumpet bladmusiek. Horn bladmusiek. Tuba bladmusiek. Graad 4.

Oorspronklik

Four Temperaments for Tuba. Tuba Feature. Composed by Michael Brand. For Soloist. with Concert Band. Flute 1, Flute 2. Piccolo, Oboe, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet, Bb Bass Clarinet, Bassoon, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Solo Tuba, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn in F 1. 2, Horn in. Band Music. Maestro Band Series. Band. grade 4.5. Solo. grade 6. Score and parts. Duration 10. 30. Published by C. Alan Publications. CN.R10216. Written to be playable by a professional soloist and a decent high school level ensemble, this theme of variations for tuba and band takes the listener on a journey through four extremely contrasting styles. or Temperaments. - neo-classical, swing, chorale and scherzo - with plenty of opportunity for the soloist to shine and show off his or her double-tonguing chops. I wrote this piece at the request of the British tuba virtuoso Stephen Sykes to help fill a gap in the repertoire. We agreed that whilst there should be display elements within the piece, it should be accessible to good tuba players and tuneful at the same time. The first few bars contain the theme of the whole piece which is developed as four variations. The first variation. or Temperament. is neo-classical. conventionally written and structured. The swing variation. No. 2. is backed by a big band line-up plus horns and gives that soloist some opportunity to be flexible. Some improvisation could replace the written lines. Variation 3 is scored mostly for woodwinds. apart from a trombone chorale. and is contemplative. It could stand alone. The last variation is a scherzo, which leads to a coda. so that the soloist can show off some double-tonguing. The cadenza was composed by Stephen Sykes and played by him with the composer's approval. However, soloists should feel free to compose their own cadenza if they wish, but ending with bars 162 and 163 either as written or down an octave.

Vertaling

Vier temperament vir Tuba. Tuba Kenmerk. Saamgestel deur Michael Brand. Vir solis. Concert Band. Fluit 1, 2 Flute. Piccolo, hobo, klarinet Bb 1, BB klarinet 2, BB klarinet 3, Eb Alto klarinet, BB basklarinet, fagot, saxofoon 1. 2, saxofoon, bariton saxofoon, Solo Tuba, BB trompet 1, BB Trumpet 2, BB trompet 3, Horn in F 1. 2, Horn in. Band Musiek. Maestro Band Reeks. Band. Graad 4,5. Slegs. Graad 6. Telling en dele. Duur 10. 30. Gepubliseer deur C. Alan Publications. CN.R10216. Geskryf speelbaar deur 'n professionele soliste en 'n ordentlike hoërskoolvlak ensemble wees, hierdie tema variasies vir tuba en orkes neem die luisteraar op 'n reis deur vier uiters kontrasterende style. of temperament. - Neo-klassieke, swaai, koraal en scherzo - met baie van die geleentheid vir die solis skyn en wys sy of haar dubbel-tongslag tjops. Ek het hierdie stuk op versoek van die Britse tuba virtuose Stephen Sykes te help vul 'n gaping in die repertoire. Ons het ooreengekom dat, terwyl daar moet vertoon elemente in die stuk, dit moet toeganklik wees vir goeie tuba spelers en goed in die gehoor op dieselfde tyd wees. Die eerste paar bars bevat die tema van die hele stuk wat ontwikkel is as vier variasies. Die eerste variasie. of Temperament. is neo-klassieke. konvensionele geskryf en gestruktureer. Die swaai variasie. No 2. word gerugsteun deur 'n big band line-up plus horings en gee dat solis paar geleentheid om buigsaam te wees. Sommige improvisasie kon die geskrewe lyne vervang. Variasie 3 meestal gedruk vir houtblasers. Afgesien van 'n tromboon koraal. en is kontemplatiewe. Dit kan alleen staan. Die laaste variasie is 'n scherzo, wat lei tot 'n koda. sodat die solis kan wys sommige dubbel tongslag. Die cadenza is gekomponeer deur Stephen Sykes en gespeel deur hom met die komponis se goedkeuring. Daar moet egter soliste voel vry om hul eie cadenza te komponeer as hulle wil, maar eindig met bars 162 en 163 óf as 'n skriftelike of af 'n oktaaf.