Bladmusiek $15.90

Oorspronklik

Volume 123 - NOW'S THE TIME. Standards with the Joey DeFrancesco Trio. Jamey Aebersold. Voice sheet music. B-Flat Instrument sheet music. Bass Clef Instrument sheet music. C Instrument sheet music. E-Flat Instrument sheet music. Piano sheet music.

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Deel 123 - nou is dit tyd. Standaarde met die Joey DeFrancesco Trio. Jamey Aebersold. Voice bladmusiek. B-Flat instrument bladmusiek. Bassleutel instrument bladmusiek. C-instrument bladmusiek. E-Flat instrument bladmusiek. Piano bladmusiek.

Oorspronklik

Volume 123 - NOW'S THE TIME. Standards with the Joey DeFrancesco Trio composed by Jamey Aebersold. Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jamey Aebersold Play-A-Long series. Jazz Play-A-Long For All Musicians. Book & CD. 68 pages. Published by Jamey Aebersold Jazz. JA.V123DS. ISBN 978-1-56224-162-9. Another super-groove play-a-long featuring Joey with his trio accompanying you on Blues and some of the greatest standards ever written. Rhythm Section. Joey DeFrancesco. Organ. Paul Bollenback. Guitar. Byron Langham. Drums. Includes. Now's The Time, Four On Six, The More I See You, Mercy, Mercy, Mercy, Lunch Portion, I Fall In Love Too Easily, Bye, Bye, Blackbird, Gee, Baby Ain't I Good To You, Indiana, February 14th, Anthropology, Summertime, I'm Getting Sentimental Over You, Slow Blues in Bb, Obama Nation. Notes to the musician. There was a time when I didn't particularly enjoy jazz organ trios. In my teenage years the organ was what I heard in my Methodist church so I associated the instrument with hymns, people singing and church. As jazz evolved and Jimmy Smith and Larry Young entered my jazz record library I learned to love the sound of the Hammond B3 in a jazz setting. I grew up near Louisville, Kentucky and after receiving my driver's license, I would frequent night clubs where often there was an organ trio or quartet playing. On nights when I really felt brave, I would ask to sit in and play a song or two with them. This was part of my early musical bandstand training and it was very important to me. This Volume 123 play-a-long has an outstanding organ trio led by Joey DeFrancesco. Joey, Paul and Byron are Joey's original trio and have played on and off together for many years. I was fortunate to record them on February 14, 2008 at The Jazz Factory in Louisville, Ky., just six weeks before the Jazz Factory closed its doors for good. The trio had played there the night before to a packed house. Some of the songs on this set are on other sets but not in the organ trio format. Usually, when we duplicate a song on a play-a-long we change the tempo or key, or instrumentation and this always gives the rendition a completely different feel. The set opens with "Now's the Time," written by Charlie Parker and has become a standard blues that is probably the most called jam blues of all time. "Four on Six" by Wes Montgomery, is a contrafact written on the chords to Summertime. A contrafact is a new melody written over existing chords. The chords that Wes uses have a lot of ii. V7 substitutes and present a melodic challenge to say the least. "The More I See You" is an old standard with a nice harmonic flow and simple melody. "Mercy, Mercy, Mercy" by Joe Zawinul is his most famous song and has been played and arranged many different ways over the years. The solo section is on two chords which makes it approachable by beginning level jazzers. "Lunch Portion" is an original I wrote for Joey's trio. It's a shuffle and at first, makes you think it's going to be a 12 bar blues but it's not. The last two bars of each chorus take you up to the clouds. One of the prettiest ballads ever written is "I Fall In Love Too Easily. " It's a master piece in 16 measures and is taken at a very slow tempo. The old jazz standard "Bye, Bye, Blackbird" shows off the trio's ability to set a groove and keep it. After the first chorus,we substitute some descending ii. V7's over the bridge section to add variety. "Gee Baby, Ain't I Good To You" is a sixteen bar tune with several unusual harmonic twists here and there. It's done very slowly and reminds me of the days when I would go hear organ trios grinding out late night jazz in Louisville or Indianapolis. We decided to do "Indiana" even though it's on other play-a-long sets. Someone on our jazz Forum suggested doing it at a slower tempo so that's what we did. The coda section goes to a Bossa nova feel. The "February 14th" title comes from the day we recorded this set. It has a great little shuffle feel with a bridge that seems to float up to the sky. "Anthropology" is another tune written by Charlie Parker and is based on rhythm changes. The melody is very notey and is a demonstration of the technical facility "Bird" had on his alto saxophone. "Summertime" is by George Gershwin and may be the most popular American standard ever. For variety we moved this version to the key of C minor and did it at a slow tempo. "I'm Getting Sentimental Over You" has always been a tune jazz musicians loved to play on. The chords move around just enough to keep you on your toes. "Slow Blues" is just that - a very slow blues in G. Need more be said. This CD was recorded while the famous Democratic Presidential primary was taking place in America between Hillary Clinton and Barack Obama. "Obama-Nation" is a take off on something I saw in the local newspaper's "letters to the editor" section during that time. The writer said, "If Obama gets elected President it will be an Obamanation. " I think they said it in jest. If you like playing jazz, this play-a-long will give you hours of enjoyable opportunities and enhance your musical skills along the way. Jamey Aebersold.

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Deel 123 - nou is dit tyd. Standaarde met Joey DeFrancesco Trio saamgestel deur Jamey Aebersold. Jamey Aebersold geredigeer deur. Vir enige C, Eb, BB, bas instrument of stem. Play-Along reeks met begeleiding CD. Jamey Aebersold Speel-A-Long reeks. Jazz Play-A-Long Vir almal kunstenaars. Book. Jamey Aebersold gepubliseer deur Jazz. JA.V123DS. ISBN 978-1-56224-162-9. Nog 'n super-groef play-a-long met Joey met sy trio vergesel op Blues en 'n paar van die grootste standaarde ooit geskryf. Ritme afdeling. Joey DeFrancesco. Orrel. Paul Bollenback. Guitar. Byron Langham. Dromme. Sluit. Nou is die tyd, Vier ses, hoe meer sien ek jou, Mercy, Mercy, Mercy, Lunch Gedeelte, ek val in die liefde te maklik, Bye, Bye, Blackbird, Gee, baba nie Ek aan julle goed, Indiana, Februarie 14, Antropologie, somer kry ek Sentimental Over You, Slow Blues in BB, Obama Nation. Aantekeninge tot die musikant. Daar was 'n tyd toe ek nie besonder geniet jazz orrel trio. In my tienerjare die orrel is wat ek gehoor het in my Metodiste kerk so ek verband die instrument met liedere, mense sing en die kerk. As jazz ontwikkel en Jimmy Smith en Larry Young het nie in my jazz rekord biblioteek Ek het geleer die geluid van die Hammond B3 in 'n jazz-omgewing om lief te hê. Ek het grootgeword naby Louisville, Kentucky en na die ontvangs van my rybewys, sou ek gereeld nagklubs waar dikwels was daar 'n orgaan trio of kwartet speel. Op nagte wanneer ek regtig voel dapper, sou ek vra om in te sit en speel 'n liedjie of twee saam met hulle. Dit was deel van my vroeë musikale musiek tent opleiding en dit was vir my baie belangrik. Hierdie volume 123 play-a-long het 'n uitstekende orrel trio gelei deur Joey DeFrancesco. Joey, Paul en Byron is Joey se oorspronklike trio en het saam vir baie jare op en af ​​gespeel. Ek was gelukkig om hulle aan te teken op 14 Februarie 2008 by die Jazz Factory in Louisville, Ky, net ses weke voor die Jazz Factory sy deure gesluit vir 'n goeie. Die trio het daar die nag na 'n volgepakte huis gespeel voordat. Sommige van die liedjies op hierdie reeks is op ander stelle, maar nie in die orrel trio formaat. Gewoonlik, wanneer ons dupliseer 'n lied op 'n speel-a-lank ons ​​verander die tempo of sleutel, of instrumentasie en dit gee altyd die vertoning 'n heeltemal ander gevoel. Die stel begin met "Nou is die tyd," geskryf deur Charlie Parker en dit het geword 'n standaard blues wat is waarskynlik die mees genoem jam blues van alle tye. "Vier ses" deur Wes Montgomery, is 'n contrafact geskryf op die akkoorde te Summertime. 'N contrafact is 'n nuwe melodie geskryf oor bestaande akkoorde. Die akkoorde wat Wes gebruik het 'n baie II. V7 plaasvervangers en bied 'n melodiese uitdaging om die minste te sê. "Hoe meer ek sien jy" is 'n ou standaard met 'n mooi harmoniese vloei en eenvoudige melodie. "Mercy, Mercy, Mercy" deur Joe Zawinul is sy mees bekende lied en is gespeel en gereël baie verskillende maniere oor die jare. Die solo-afdeling is op twee akkoorde wat maak dit toeganklik deur te begin vlak jazzers. "Lunch Gedeelte" is 'n oorspronklike geskryf het ek vir Joey se trio. Dit is 'n shuffle en op die eerste, laat jou dink dit gaan wees om 'n 12-maat blues, maar dit is nie. Die laaste twee mate van elke koor neem jou tot by die wolke. Een van die mooiste ballades wat ooit geskryf is "Ek val in die liefde te maklik. "Dit is 'n meester stuk in 16 maatreëls en geneem word op 'n baie stadige tempo. Die ou jazz standaard "Bye, Bye, Blackbird" blyk uit die trio se vermoë om 'n groef te stel en hou dit. Na die eerste refrein, het ons 'n paar orde II vervang. V7 se oor die brug afdeling verskeidenheid te voeg. "Gee Baby, Is ek nie goed vir jou" is 'n sestien bar harmonie met verskeie ongewone harmoniese veranderinge hier en daar. Dit is baie stadig gedoen en herinner my aan die dae toe ek gaan hoor orrel trio maal uit laat nag jazz in Louisville of Indianapolis. Ons het besluit om te doen "Indiana", selfs al is dit op 'n ander spel-'n-lang stelle. Iemand op ons jazz Forum voorgestel om dit te doen teen 'n stadiger tempo so dit is wat ons gedoen het. Die koda artikel gaan na 'n Bossa Nova gevoel. Die "14 Februarie" titel kom van die dag het ons aangeteken hierdie stel. Dit het 'n groot bietjie shuffle voel met 'n brug wat blyk om te dryf tot op die lug. "Antropologie" is 'n ander deuntjie geskryf deur Charlie Parker en is gebaseer op die ritme veranderinge. Die melodie is baie notey en is 'n demonstrasie van die tegniese fasiliteit "Bird" het op sy saxofoon. "Summertime" is deur George Gershwin en kan die mees gewilde Amerikaanse standaard ooit. Vir verskeidenheid ons hierdie weergawe verskuif na die sleutel van C mineur en het dit teen 'n stadige tempo. "Ek kry Sentimental Over You" was nog altyd 'n deuntjie jazz musikante lief om te speel op. Die akkoorde rond te beweeg net genoeg om jou te hou op jou tone. "Slow Blues" is net dat - 'n baie stadige blues in G. jy meer gesê word. Hierdie CD is aangeteken, terwyl die bekende Demokratiese presidensiële primêre aan die gang was in Amerika tussen Hillary Clinton en Barack Obama. "Obama-Nasie" is 'n opstyg op iets wat ek gesien het in die plaaslike koerant se "briewe aan die redakteur" artikel gedurende daardie tyd. Die skrywer het gesê: "As Obama as president verkies sal dit 'n Obamanation wees. "Ek dink hulle het gesê dit in 'n ligte luim. As jy wil speel jazz, sal hierdie drama-a-long gee jou ure van genotvolle geleenthede en verbeter jou musikale vaardighede langs die pad. Jamey Aebersold.