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Time and Concord. Benjamin Britten. A Cappella sheet music.

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Tyd en Concord. Benjamin Britten. A Cappella bladmusiek.

Oorspronklik

Time and Concord. from Gloriana SATB a cappella. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus. SATB a cappella. BH Secular Choral. 6 pages. Boosey & Hawkes #M051450152. Published by Boosey & Hawkes. HL.48003279. Text. William Plomer. Publisher. Boosey & Hawkes. Difficulty level. 2-3. These colourful pieces. Choral Dances. form a masque in the opera which was performed for Queen Elizabeth I. Gloriana. on her visit to Norwich and performed by local people for her entertainment and in loyal homage. Each short scena represents a different group. Time, Concord, country girls,. young rustics and fishermen. and a finale in which all pay homage to their Queen. In the version for tenor solo with harp and chorus these movements are prefaced and linked by the soloist with harp who sets the scene for each movement and, in the final homage, joins the choir by adding a fifth vocal line. the harp also joins this movement. which transforms the piece. These pieces make an ideal concert item and are not very difficult. They do however need reasonably agile sopranos. altos for the Country Girls movement, and a good balanced team of two tenors and two basses for the Rustics and Fishermen. As with many of Britten's choral works there is a lovely balance of moods between the movements which helps to make a satisfying whole. The Final Dance of Homage is particularly moving with its imitative lines moving between voice-parts and building to an impassioned climax before subsiding to a quiet ending. Duration. Choral Dances, complete. SATB9. Tenor. SATB11 minutes. Paul Spicer, Lichfield, 2011.

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Tyd en Concord. van Gloriana SATB a cappella. Saamgestel deur Benjamin Britten. 1913-1976. Vir Choral, koor. SATB a cappella. BH Sekulêre Choral. 6 bladsye. Буси. Gepubliseer deur Boosey. HL.48003279. Teks. William Plomer. Uitgewer. Boosey. Moeilikheidsgraad. 2-3. Hierdie kleurvolle stukkies. Choral Dances. vorm 'n masker in die opera wat uitgevoer is vir Koningin Elizabeth I. Gloriana. op haar besoek aan Norwich en uitgevoer deur plaaslike mense vir haar vermaak en in lojale hulde. Elke kort Scena verteenwoordig 'n ander groep. Tyd, Concord, land meisies,. jong Rustics en vissers. en 'n finale in wat al hulde aan hul Koningin. In die weergawe vir tenoor solo met harp en koor hierdie bewegings word voorafgegaan en verbind deur die solis saam met harp wat die toneel vir elke beweging sit, en in die finale eerbetoon, sluit aan by die koor deur die toevoeging van 'n vyfde vokale lyn. die harp sluit ook die beweging. wat verander die stuk. Hierdie stukke is 'n ideale konsert item en is nie baie moeilik. Hulle is egter redelik ratse soprane nodig. alte vir die land Girls beweging, en 'n goeie gebalanseerde span van twee tenore en basse twee vir die Rustics en vissers. Soos met baie van Britten se koorwerke is daar 'n pragtige balans van buie tussen die bewegings wat help om 'n bevredigende geheel te maak. Die Finale Dans van Homage is veral beweeg met sy inisiatief lyne beweeg tussen stem-dele en die bou van 'n passievolle klimaks voor dalende 'n rustige einde. Duur. Choral dans, volledige. SATB9. Tenoor. SATB11 minute. Paul Spicer, Lichfield, 2011.