Bladmusiek $5.95

Oorspronklik

Dixit Dominus. Giacomo Carissimi. Choir sheet music. Piano and Keyboard sheet music.

Vertaling

Dixit Dominus. Giacomo Carissimi. Koor bladmusiek. Klavier en Keyboard bladmusiek.

Oorspronklik

Dixit Dominus. Psalm 109. 110. Composed by Giacomo Carissimi. 1605-1674. Edited by Gunther Massenkeil. For SATB. SATB choir, basso continuo. F-Dur. F major. Score available separately - see item CA.2740100. Latin Psalms. Full score. without cover. Language. Latin. 16 pages. Duration 7 minutes. Published by Carus Verlag. CA.2740105. ISBN M-007-05810-4. With Language. Latin. Latin Psalms. These psalm settings are in the tradition of classical vocal polyphony as practiced in the modified a cappella style of the 17 th century. "stylus gravis". Characteristic of this style is the continuo line, which generally doubles the vocal bass, only occasionally functioning independently. Despite its closeness to the tradition of the a-cappella style, Carissimi proves in this psalm to be a master of the artistic expression of words, which characterizes his music in the concertante style. This art is revealed here primarily in the rhythmically, highly differentiated diction of the words, which essentially distinguishes it from the flowing style of Palestrina.

Vertaling

Dixit Dominus. Psalm 109. 110. Saamgestel deur Giacomo Carissimi. 1605-1674. Geredigeer deur Gunther Massenkeil. Vir SATB. SATB koor, continuo. F-Dur. F majeur. Telling afsonderlik beskikbaar - sien item CA.2740100. Latynse Psalms. Volle telling. sonder dekking. Taal. Latyns-. 16 bladsye. Duur 7 minute. Gepubliseer deur Carus Verlag. CA.2740105. ISBN M-007-05810-4. Met taal. Latyns-. Latynse Psalms. Hierdie psalm instellings is in die tradisie van die klassieke vokale polifonie soos beoefen in die gewysigde a cappella styl van die 17de eeu. "Stylus gravis". Kenmerk van hierdie styl is die continuo lyn, wat oor die algemeen verdubbel die vokale bass, net soms onafhanklik funksioneer. Ten spyte van sy nabyheid aan die tradisie van die a-capella-styl, Carissimi bewys in hierdie psalm 'n meester van die artistieke uitdrukking van woorde, wat kenmerkend van sy musiek in die concert styl te wees. Hierdie kuns is hier geopenbaar hoofsaaklik in die ritmies, hoogs gedifferensieerde diksie van die woorde, wat in wese onderskei dit van die vloeiende styl van Palestrina.