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Suite Espanol Cadiz. Isaac Albeniz. Grade 4.

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Suite Espanol Cadiz. Isaac Albeniz. Graad 4.

Oorspronklik

Suite Espanol Cadiz composed by Isaac Albeniz. 1860-1909. Arranged by Juan Vicente Mas Quiles. For concert band. Arrangements of Classical Compositions. Countries. Classic Arrangement. Recorded on Great Transcriptions by J. V. Mas Quiles. ML.311052720. Grade 4. Full set. Duration 4 minutes, 10 seconds. Published by Molenaar Edition. ML.011420070. SUITE ESPANOLA 1. Granada - 2. Cataluna - 3. Sevilla - 4. Cadiz - 5. Asturias - 6. Aragon. It was in 1886 that Isaac Albnniz started writing this eight part suite for piano, shortly after his study period with Liszt. His manuscript only comprises the first three and the last of the actual set of eight pieces. The other parts were added, after the composer's death, by his publisher who extracted them from other compositions. These impressions of various Spanish regions illustrate the composer's ingenuity in portraying characteristic rhythms and his ear for refreshing keychanges. With the exception of 'Cataluna', all the pieces are ternary in structure, the central section being a 'copla', a sung interlude in a dance form, usually marking a turn from major to minor tonality. GRANADA is a serenade evoking the city which was very deeply marked by the Moorish culture. In this part, the guitar accompaniment is clearly suggested by simple chords underlying the melody. CATALUNA, the first part to be written, is dedicated to his mother and is also an ode to his native region. It is a'corranda', a somewhat mournful dance in 6. SE-VILLA starts with a characteristic 'sevillana', followed by a melancholic middle part in the form of a 'saeta', a typical Andalusian song which is improvised during the Holy Week processions. CADIZ has the more connected melodic line of a song. It is a melodious evocation of the southern Andalusian harbour at the Atlantic Ocean that used to be the gateway to South America. ASTURIAS is subtitled 'legend' and consists of a 'solea', an Andalusian Gipsy dancing song with verses consisting of three lines of eight syllables. The central part has been borrowed from 'Cantos de Espana' and has nothing in common with the popular Asturian music. it rather evokes a Moorish or oriental atmosphere. ARAGON. This region is suggested by the popular 'jota aragonese', a dancing song in 3. 4 or 3. 8 which was very popular in the nineteenth century. The jota consists of a quiet 'copla'. stanza. and an 'estribillo'. chorus. The central part slinks along languidly in thirds. It is the most pianistic of all parts, whereas the other parts seem in fact idiomatic to the guitar. Juan Mas Quiles wrote an orchestration for symphonic band of the first six parts - the last two 'Cuba'. Capricho. and 'Castilla'. seguidillas. have been omitted of this arrangement.

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Suite Espanol Cadiz saamgestel deur Isak Albeniz. 1860-1909. Gereël deur Juan Vicente Mas QUILÈS. Vir konsert orkes. Reëlings van Klassieke komposisies. Lande. Classic Rangskikking. Ingesluit op Groot Transcriptions deur JV Mas QUILÈS. ML.311052720. Graad 4. Volledige stel. Duur 4 minute 10 sekondes. Gepubliseer deur Molenaar Edition. ML.011420070. SUITE ESPANOLA 1. Granada - 2. Cataluna - 3. Sevilla - 4. Cadiz - 5. Asturias - 6. Aragon. Dit was in 1886 dat Isak Albnniz begin skryf van hierdie agt deel suite vir klavier, kort ná sy studie met Liszt. Sy manuskrip bestaan ​​uit slegs die eerste drie en die laaste van die werklike versameling van agt stukke. Die ander dele is bygevoeg, ná die komponis se dood, deur sy uitgewer wat hulle van ander komposisies onttrek. Hierdie indrukke van verskeie Spaanse gebiede illustreer die komponis se vernuf in die uitbeelding van kenmerkende ritmes en sy oor vir verfrissende keychanges. Met die uitsondering van 'Cataluna', al die stukkies is drieledige struktuur, die sentrale deel 'n 'copla 'n gesing tussenspel in 'n dansvorm, gewoonlik merk 'n beurt van groot tot klein tonaliteit. Granada is 'n serenade sodat dit die stad wat baie diep gekenmerk deur die Moorse kultuur. In hierdie deel, is duidelik die kitaar voorgestel deur eenvoudige akkoorde onderliggende die melodie. Cataluna, die eerste deel geskryf word, word gewy aan sy moeder en is ook 'n ode aan sy geboorteland streek. Dit is a'corranda 'n bietjie rou dans in 6. SE-villa begin met 'n kenmerkende "Sevillana", gevolg deur 'n melancholiese middelste deel in die vorm van 'n 'Saeta 'n tipiese Andalusische lied wat tydens die Heilige Week optogte geïmproviseerde word. CADIZ het die meer verbind melodiese lyn van 'n lied. Dit is 'n melodieuse verwysing na die suidelike Andalusische hawe by die Atlantiese Oseaan wat gebruik word om die poort na Suid-Amerika te wees. ASTURIË is onderskrifte 'n legende 'en bestaan ​​uit 'n' Solea ', 'n Andalusische Gipsy dans lied met verse bestaande uit drie reëls van die agt lettergrepe. Die sentrale deel is van 'Cantos de Espana' geleen en het niks in gemeen met die gewilde Asturies musiek. dit eerder roep 'n Moorse of Oosterse atmosfeer. ARAGON. Hierdie streek is voorgestel deur die gewilde "jota Aragonese, 'n dans liedjie in 3. 4 of 3. 8 wat baie gewild was in die negentiende eeu. Die jota bestaan ​​uit 'n stil 'copla'. strofe. en 'n 'estribillo'. chorus. Die sentrale deel sluip saam loom in derdes. Dit is die mees piano van alle dele, terwyl die ander dele lyk in die feit dat idiomatiese aan die kitaar. Juan Mas QUILÈS skryf 'n orkes vir simfonie-orkes van die eerste ses dele - die laaste twee 'Kuba'. Willekeur. en 'Castilla'. seguidillas. weggelaat is van hierdie reëling.