Bladmusiek $21.00

Oorspronklik

30 Italian Songs and Arias. 17th-18th Cent. Low Voice sheet music. Medium Voice sheet music. Medium-Low Voice sheet music. Voice Solo sheet music. Piano Accompaniment sheet music.

Vertaling

30 Italiaanse Songs en Arias. 17-18 Cent. Lae stem bladmusiek. Medium Voice bladmusiek. Medium-lae stem bladmusiek. Voice Solo bladmusiek. Klavierbegeleiding bladmusiek.

Oorspronklik

30 Italian Songs and Arias. 17th-18th Cent. edited by Roger Nichols. For Medium-Low Voice and Piano. This edition. Urtext. Play along. Sheet music and accompaniment CD. Text Language. Italian. English. Published by Edition Peters. PE.P07743B. ISBN M-57708-663-7. With Text Language. Italian. English. Play along. I am delighted to see Parisottis ubiquitous anthology recast with such learned courtesy. Roger Nichols has shed all outdated features, adding instead invaluable information and suggestions. this choice of pieces celebrates even better the genius of Italian baroque song, and I hope to see it used everywhere. -- Emma Kirkby. Edition for Medium-Low Voice. This collection includes. word-by-word translations. Italian-English. English singing translations. IPA transliterations of the Italian text. historical notes for each song. A piano-accompaniment CD is included with the book. -- Contents. Caccini. Amarilli, mia bella. Monteverdi. Lasciatemi morire. Lamento dArianna. Gagliano. Valli profonde. dIndia. Torna il sereno Zefiro. Carissimi. Vittoria, mio core. Strozzi. lamante bugiardo. Legrenzi. Che fiero costume. Torelli. Tu lo sai. Scarlatti. Gia il sole dal Gange. O cessate di piagarmi. Sento nel Core. Le Violette. Se Florinda e fedele. Lotti. Pur dicesti, o bocca bella. Padre, addio. Bononcini. Non posso disperar. Per la gloria dadorarvi. Caldara. Sebben, crudele. Alma del core. Come raggio del sol. Durante. Vergin, tuttamor. Danza, danza, fanciulla. Conti. Quella fiamma. Anonymous. Nina. Gluck. O del mio dolce ardor. Giordani. Caro mio ben. Paisiello. Nel Cor piu non mi sento. Parisotti. Se tu mami -- Most of the songs and arias included in this volume have been favorites with singers for many years. However, until now, only selected pieces have been available with stylistically-appropriate accompaniments, replacing the Romantic, late-19th-century legacy of Alessandro Parisotti. In going back where possible to early manuscripts and editions, I have tried to produce accompaniments that the composers of these pieces might have found acceptable. In general I have not doubled the voice parts at pitch, since singers often find this inhibiting. I have not introduced any editorial dynamics, since singers until the mid-18th century were in the habit of applying their own, based on the words they were singing. Todays singers should do the same -- there is no reason to suppose that singers in the 21st century are less imaginative and intelligent. Neither have I introduced editorial phrasing, pedalling, fingering or tempo markings, nor suggested any ornamentation for the vocal lines. This does not mean that singers should forego ornamentation. but I have preferred to leave this to the singers own taste. Parisottis volumes were notably weighted in favor of the 18th century at the expense of the 17th. I have redressed the balance by introducing five pieces from the early 17th century. I have also taken the opportunity to include a more extended version of Monteverdis famous Lamento dArianna. -- Roger Nichols, Editor. taken from the liner notes of this edition. Amarilli, mia bella. Lasciatemi morire. Lamento d'Arianna. Valli profonde. Torna il sereno Zefiro. Vittoria, Mio Core. L'amante bugiardo. Che Fiero Costume. Tu lo sai. Gia Il Sole Dal Gange. O Cessate Di Piagarmi. Sento Nel Core. Le Violette. Se Florinda E Fedele. Pur Dicesti, O Bocca Bella. Padre, addio. Non Posso Disperar. Per La Gloria D'Adorarvi. Sebben, crudele. Alma del core. Come raggio del sol. Vergin, tutt'amor. Danza, danza, fanciulla. Quella Fiamma. Nina. O Del Mio Dolce Ardor. Caro mio ben. Nel cor piu non mi sento. Se tu m'ami.

Vertaling

30 Italiaanse Songs en Arias. 17-18 Cent. geredigeer deur Roger Nichols. Vir medium-laag sang en klavier. Hierdie uitgawe. Urtext. Speel saam. Bladmusiek en begeleiding CD. Teks taal. Italiaanse. Engels. Gepubliseer deur Edition Peters. PE.P07743B. ISBN M-57708-663-7. Met teks taal. Italiaanse. Engels. Speel saam. Ek is verheug Parisottis alomteenwoordige bundel omwerking met so geleer vergunning te sien. Roger Nichols gestort al verouderd funksies, en voeg in plaas van onskatbare waarde inligting en voorstelle. hierdie keuse van stukke vier selfs beter die geniale van die Italiaanse barok lied, en ek hoop om te sien dit oral gebruik. - Emma Kirkby. Uitgawe vir medium-laag Voice. Hierdie versameling sluit. woord-vir-woord vertalings. Italiaanse-Engels. Engels sing vertalings. IPA transliterasies van die Italiaanse teks. geskiedkundige aantekeninge vir elke lied. 'N klavier-begeleiding CD is ingesluit by die boek. - Inhoud. Caccini. Amarilli, Mia Bella. Monteverdi. Lasciatemi morire. Lament dArianna. Gagliano. Diep dale. dIndia. Terug na die rustige Zephyr. Geagte. Victoria, my hart. Strozzi. lamante bugiardo. Legrenzi. Wat 'n trotse swembroek. Torelli. Tu lo SAI. Scarlatti. Reeds die son van die Ganges. O cessate di piagarmi. Voel dit in die kern. Le Violette. Se Florinda e Fedele. Baie. Pur dicesti, o Bocca Bella. Padre, addio. Bononcini. Ek kan nie wanhoop. Vir die glorie dadorarvi. Caldara. Sebben, crudele. Alma del kern. Soos 'n straal van die son. Tydens. Vergine, tuttamor. Danza, Danza, fanciulla. Rekeninge. Dit vlam. Anonymous. Nina. Gluck. O my soete ywer. Giordani. Caro Mio Ben. Paisiello. In Kor meer ek voel nie. Parisotti. Se tu Mami - Die meeste van die liedjies en arias in hierdie volume is die gunstelinge met sangers vir baie jare. Maar tot nou toe, het net geselekteerde stukke is beskikbaar met stilisties-gepaste bykomstighede, die vervanging van die romantiese, laat-19de eeu nalatenskap van Alessandro Parisotti. In terug te gaan waar moontlik te vroeë manuskripte en uitgawes, het ek probeer om bykomstighede wat die komponiste van hierdie stukke aanvaarbaar sou vind om te produseer. In die algemeen het ek nie verdubbel die stem dele op steek, want die sangers vind dit dikwels inhiberende. Ek het nog nie ingestel enige redaksionele dinamika, aangesien sangers tot en met die middel van die 18de eeu was in die gewoonte van die toepassing van hul eie, wat gebaseer is op die woorde wat hulle sing. Vandag se sangers moet dieselfde doen - daar is geen rede om te veronderstel dat sangers in die 21ste eeu is minder verbeeldingryke en intelligente. Ek het ook nie bekend redaksionele frasering, trap, gryp of tempo merke of voorgestel enige versiering vir die vokale lyne. Dit beteken nie dat sangers versiering moet prysgee. maar ek het verkies om dit te laat aan die sangers eie smaak. Parisottis volumes is veral geweeg in die guns van die 18de eeu op die koste van die 17. Ek het die balans reggestel deur die bekendstelling van vyf stukke uit die vroeë 17de eeu. Ek het ook die geleentheid geneem om 'n meer uitgebreide weergawe van Monteverdis beroemde Lamento dArianna te sluit. - Roger Nichols, Redakteur. geneem uit die sak notas van hierdie uitgawe. Amarilli, Mia Bella. Lasciatemi morire. Lamento d'Arianna. Diep dale. Terug na die rustige Zephyr. Vittoria, Mio Core. Die minnaar leuenaar. Wat fieroleer kostuum. Tu lo SAI. Gia Il Sole Van die Ganges. , Ophou Van Piagarmi. Voel die kern. Le Violette. Se Florinda E Fedele. Pur Dicesti, O Bocca Bella. Padre, addio. Ek doen nie moed opgee nie. Per La Gloria D'Adorarvi. Sebben, crudele. Alma del kern. Soos 'n straal van die son. Vergine, tutt'amor. Danza, Danza, fanciulla. Dit Flame. Nina. O Del Mio Dolce ywer. Caro Mio Ben. Ek voel nie in my hart die mees. Se tu m'ami.