Bladmusiek $16.95

Oorspronklik

Sonata per Flauto traverso e Basso continuo. Wilhelmine von Bayreuth. Flute Solo sheet music. Piano Accompaniment sheet music. Beginning.

Vertaling

Sonate vir fluit en Basso continuo. Wilhelmine van Bayreuth. Fluit Solo bladmusiek. Klavierbegeleiding bladmusiek. Begin.

Oorspronklik

Sonata per Flauto traverso e Basso continuo composed by Wilhelmine von Bayreuth. 1709-1758. Edited by Adelheid Krause-Pichler and Irene Hegen. For flute and piano. Flute. Instrumental Music. Easy to medium. Score and parts. Composed about 1730. Duration 10'. Published by Furore Verlag. FV.FUE-4680. ISBN M-50012-968-4. Instrumental Music. The flute sonata, which was only recently discovered and is printed here for the first time, is the second autograph manuscript of Wilhelmine von Bayreuth known at present. The A flat sonata was originally written for the then common transverse flute, and yet it can also be played today with the modern Boehm-flute. The instrumentation of the bass part is not specified. for harpsichord alone, or harpsichord with violoncello to intensify the bass. The presto of the sonata shows, that Wilhelmine preferred "wild thundering flute playing" over an affected performance.

Vertaling

Sonata per Flauto traverso e Basso continuo composed by Wilhelmine von Bayreuth. 1709-1758. Geredigeer deur Adelheid Krause-Pichler en Irene Hegen. Vir fluit en klavier. Fluit. Instrumentale Musiek. Maklik om medium. Telling en dele. Saamgestel ongeveer 1730. Duur 10 '. Gepubliseer deur Furore Verlag. FV.FUE-4680. ISBN M-50012-968-4. Instrumentale Musiek. Die fluit Sonate, wat eers onlangs ontdek is en ook hier gedruk vir die eerste keer, is die tweede handtekening manuskrip van Wilhelmine von Bayreuth bekend op die oomblik. Die A plat Sonate is oorspronklik geskryf vir die destydse algemene dwarsfluit, en tog kan dit ook vandag gespeel word met die moderne Boehm-fluit. Die instrumentasie van die bas deel is nie gespesifiseer. vir klavesimbel alleen, of klavesimbel met tjello die bas te versterk. The presto of the sonata shows, that Wilhelmine preferred "wild thundering flute playing" over an affected performance.