Bladmusiek $14.00

Oorspronklik

Inner Sanctum. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Grade 3.

Vertaling

Binneste heiligdom. B-Flat Trumpet bladmusiek. Horn bladmusiek. Tromboon bladmusiek. Graad 3.

Oorspronklik

Inner Sanctum composed by Aaron Perrine. For concert band. Flute 1, Flute 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Eb Alto Saxophone 1, Eb Alto Saxophone 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, F Horn 1, F Horn 2, Trombone 1, T. Grade 3. Score only. Duration 4. 30. Published by C. Alan Publications. CN.16111. The title, "Inner Sanctum," was derived from feeling the commissioning ensembles feels about their bandroom. a safe, sacred place free of all of the distractions of the outside world. The piece begins with a sense of nostalgia and reflection before moving into a faster uplifting section driven by the piano and keyboard percussion. Your students will be begging you to play this one over and over. Inner Sanctum was commissioned and premiered by the Brooklyn Center High School Concert Band in 2007. Before I began composing, I met with the band to see what direction they wanted their piece to take. In the end, they decided that they really wanted the piece to be personal to them. they wanted it to tell their story. Like many band programs, Brooklyn Center's band program has experienced its highs and lows. In 2002, there were less than twenty students left in the program, verging on the level of extinction. This is when the turnaround began. The students of that band overcame tremendous difficulties and took the program to new heights. The pinnacle of their achievements came in 2006 when they were honored with a GRAMMY Signature School Enterprise Award, an award received by only two institutions in the country that year. The opening of Inner Sanctum is both simply set and sparsely orchestrated, reminiscent of the band of 2002. It unfolds slowly, often interrupted but not deterred. Eventually the tempo increases and the piece takes on a lighter, more optimistic feel. This music represents the band a few years later. things have improved and the program has a definite direction. Things continue to build in this fashion until measure 78, affectionately named by the students in rehearsal as the 'BC GRAMMY Chord. ' This chord literally spells out, 'BC GRAMMY' if you cycle the letters through all of the musical pitches. BBb, CC, GG, RD, AA, MF, YD. This can be clearly seen in the piano part of that measure. While the GRAMMY Award certainly validated all of the hard work needed to achieve it, it also raised new questions and insecurities. The students wondered how they could even top this achievement, or simply rebound from the emotional letdown that naturally followed. In the end, the students learned that while this was a great honor, they cannot live in the past and must continue to work hard to ensure success in the future. The piece ends as uncertain as it began, meant to emphasize that the story of the Brooklyn Center Band Program is far from finished. it is, in fact, being written and revised each and every day. The title, Inner Sanctum, was derived from feeling the Brooklyn Center Band feels about the bandroom. a safe, sacred place free of all of the distractions of the outside world.

Vertaling

Binneste heiligdom saamgestel deur Aaron Perrine. Vir konsert orkes. Fluit 1, fluit 2, hobo, fagot, Eb Klarinet, Bb Klarinet 1, Bb Klarinet 2, Bb Klarinet 3, Bb basklarinet, Eb altsaxofoon 1, Eb altsaxofoon 2, Bb saxofoon, Eb bariton saxofoon, Bb trompet 1 BB trompet 2, F Horn 1, F Horn 2, Trombone 1, T. Graad 3. Telling net. Duur 4. 30. Gepubliseer deur C. Alan Publications. CN.16111. Die titel, "binneste heiligdom," is afgelei van die gevoel van die ingebruikneming ensembles voel oor hul bandroom. 'n veilige, heilige plek vry van al die afleiding van die buitewêreld. Die stuk begin met 'n gevoel van nostalgie en besinning voordat hulle in 'n vinniger opbouende artikel gedryf deur die klavier en klawerbord perkussie. Jou studente sal bedel jy hierdie een te speel oor en oor. Binneste heiligdom was in opdrag en première by die Brooklyn Center High School Concert Band in 2007. Voordat ek begin komponeer, het ek met die band om te sien watter rigting hulle wil hul stuk te neem. Op die ou end, het hulle besluit dat hulle regtig wou die stuk te persoonlik vir hulle wees. hulle wou dit hul storie te vertel. Soos baie orkes programme, het Brooklyn Center se orkes program sy hoogtepunte en laagtepunte beleef. In 2002 was daar minder as twintig studente het in die program, grense aan die vlak van uitwissing. Dit is wanneer die ommekeer het begin. Die studente van die groep oorwin geweldige probleme en het die program tot nuwe hoogtes. Die toppunt van hul prestasies het in 2006 toe hulle met 'n Grammy Handtekening Skool Enterprise, 'n toekenning ontvang deur net twee instellings in die land daardie jaar vereer. Die opening van die binneste heiligdom is beide eenvoudig gestel en yl georkestreerde, wat herinner aan die band van 2002. Dit ontvou stadig, dikwels onderbreek, maar nie afgeskrik. Uiteindelik het die tempo verhoog en die stuk neem op 'n ligter, meer optimisties voel. Hierdie musiek verteenwoordig die band 'n paar jaar later. dinge het verbeter en die program het 'n definitiewe rigting. Dinge voort te bou op hierdie wyse totdat maat 78, liefdevol genoem deur die studente in repetisie as die "BC Grammy Chord. 'Dit koord spel letterlik, "BC Grammy" as jy siklus die letters deur al die musikale toonhoogtes. BBB, CC, GG, ST, AA, MF, YD. Dit kan duidelik gesien word in die klavier deel van daardie mate. Terwyl die Grammy beslis bevestig al die harde werk wat nodig is om dit te bereik, is dit ook 'n nuwe vrae en onsekerhede wat. Die studente het gewonder hoe hulle dit selfs kon bo hierdie prestasie, of bloot herstel van die emosionele teleurstelling wat natuurlik gevolg. Op die ou end, het die studente geleer dat, terwyl dit 'n groot eer, kan hulle nie in die verlede leef en moet voortgaan om hard te werk om sukses in die toekoms te verseker. Die stuk eindig so onseker soos dit begin het, het bedoel om te beklemtoon dat die verhaal van die Brooklyn Center Band Program is ver van klaar. dit is, in werklikheid, geskryf en hersien elke dag. Die titel, binneste heiligdom, is afgelei van die gevoel van die Brooklyn Center Band voel oor die bandroom. 'n veilige, heilige plek vry van al die afleiding van die buitewêreld.