Bladmusiek $60.00

Oorspronklik

The Manes Scroll. Glockenspiel sheet music. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Xylophone sheet music.

Vertaling

Die Saturnus Scroll. Glockenspiel bladmusiek. Marimba bladmusiek. Perkussie bladmusiek. Vibrafoon bladmusiek. Xylophone bladmusiek.

Oorspronklik

The Manes Scroll composed by Christopher Deane. Percussion ensemble. For glockenspiel, crotales, chimes, xylophone 1, xylophone 2, vibraphone 1, vibraphone 2, marimba 1. 4-octave. , marimba 2. 4.3-octave. , bass marimba. 5-octave. 10 players. Difficulty. Difficult. Duration 11. 00. Published by C. Alan Publications. CN.46. The Manes Scroll was commissioned by the OU Percussion Ensemble in the fall of 1983 and completed in March of 1984. The piece was premiered by the University of Oklahoma Percussion Ensemble under the direction of Dr. Richard Gipson in April of 1984. The title comes from the Latin Des Manes, which is a term that represents the collective spirit of the dead. The piece has as its structural motivation an imagined event in which spirits are released from an ancient parchment found deep within the Catacombs beneath the city of Rome, Italy. One requirement of the commission was to use only keyboard percussion instruments. For me, the challenge was to find a new voice within a fairly standard instrumental ensemble. I chose to open the piece by employing a technique that, to my knowledge, had not been used on the resonated keyboard instruments. This technique is the use of exhaled air columns directed into the resonators of the marimbas, vibraphones, and xylophones. Performance Notes The "wind" technique requires the performers to blow into the resonators to produces a "pitched air" effect. In order to have this technique work effectively, the performers should direct their air column towards the edges of the resonator tubes to cut the air column in a similar way that a flute produces sound. It is effective for the pairs of instruments. marimbas, vibraphones, and xylophones. to stagger their entrances so that a longer wind effect is possible. ex. Marimba I begins the air crescendo and marimba II joins the wind effect just prior to the peak of the crescendo. About the OU Percussion Press. In 1977 the OU Percussion Orchestra and Ensemble embarked on a project that developed into a national model for the encouragement and development of new music for percussion ensemble. The OU Percussion Ensemble Commissioning Series regularly engages outstanding composers to write works for this medium. The Commissioning Series is responsible for the creation of some of today's staples in the percussion ensemble repertoire. In 1983 the University of Oklahoma funded the establishment of the OU Percussion Press, a non-profit extension of the percussion area. Through the Percussion Press, the commissioning series compositions plus other works expressly written for the OU Percussion Orchestra and Ensembles have been made available for purchase and performance by the world's leading percussion ensembles. The Percussion Press' catalog numbers more than 50 works, all published in a non-profit venture as a service to the profession.

Vertaling

Die Saturnus Scroll saamgestel deur Christopher Deane. Perkussie ensemble. Vir glockenspiel, crotales, chimes, xilofoon 1, 2 xilofoon, vibrafoon 1, 2 vibrafoon, marimba 1. 4-oktaaf. , Marimba 2. 4.3-oktaaf. , Bas marimba. 5-oktaaf. 10 spelers. Moeite. Moeilik. Duur 11. 00. Gepubliseer deur C. Alan Publications. CN.46. Die Saturnus Scroll is in opdrag van die OU Percussion Ensemble in die herfs van 1983 en in Maart 1984 voltooi. Die stuk is première by die Universiteit van Oklahoma Percussion Ensemble onder leiding van dr Richard Gipson in April van 1984. Die titel kom van die Latynse Des Saturnus, wat is 'n term wat die kollektiewe gees van die dood verteenwoordig. Die stuk het as sy strukturele motivering 'n denkbeeldige gebeurtenis wat geeste van 'n ou perkament vrygestel wat diep binne die Katakombes onder die stad Rome, Italië. Een vereiste van die kommissie was net klawerbord perkussie-instrumente te gebruik. Vir my is die uitdaging was om 'n nuwe stem in 'n redelik standaard instrumentale ensemble te vind. Ek het die stuk oop te maak deur die gebruik van 'n tegniek wat, na my wete, het nie op die weerklink klawerbord instrumente wat gebruik is. Hierdie tegniek is die gebruik van uitgeasemde lug kolomme gerig in die resonators van die marimbas, vibrafoons, en xilofone. Prestasie Notes Die "wind" tegniek vereis die kunstenaars te blaas in die resonators te produseer 'n "opgeslaan lug"-effek. Ten einde hierdie tegniek werk doeltreffend te hê, moet die kunstenaars hul lugkolom na die kante van die resonator buise die lug kolom te sny in 'n soortgelyke manier gelas dat 'n fluit produseer klank. Dit is effektief vir die pare van instrumente. marimbas, vibrafoons, en xilofone. hulle ingange ronddwaal sodat 'n langer wind effek is moontlik. ex. Marimba Ek begin die lug crescendo en marimba II sluit die wind effek net voor die hoogtepunt van die crescendo. Oor die OU Percussion Press. In 1977 het die OU Percussion Orchestra en Ensemble begin met 'n projek wat ontwikkel in 'n nasionale model vir die aanmoediging en ontwikkeling van nuwe musiek vir perkussie ensemble. Die OU Percussion Ensemble ingebruikneming Reeks betrokke gereeld uitstaande komponiste werke vir hierdie medium te skryf. Die ingebruikneming Reeks is verantwoordelik vir die skepping van 'n paar van vandag se stapelvoedsel in die perkussie ensemble repertoire. In 1983 het die Universiteit van Oklahoma befonds die vestiging van die OU Percussion Press, 'n nie-winsgewende uitbreiding van die perkussie-area. Deur die perkussie-Press, het die ingebruikneming reeks komposisies plus ander werke wat uitdruklik vir die OU Percussion Orchestra en ensembles geskryf is beskikbaar vir die aankoop en prestasie deur die wêreld se voorste perkussie ensembles. Die perkussie Press 'katalogus getalle meer as 50 werke, al gepubliseer in 'n nie-winsgewende onderneming as 'n diens aan die beroep.