Instrumente
Ensembles
Genres
Komponiste
Presteerders

Bladmusiek $17.95

Oorspronklik

Missa Brevis in D, Op. 63. Benjamin Britten. Voice sheet music. Choir sheet music. Organ Accompaniment sheet music.

Vertaling

Missa Brevis in D, Op. 63. Benjamin Britten. Voice bladmusiek. Koor bladmusiek. Orrel Begeleiding bladmusiek.

Oorspronklik

Missa Brevis in D, Op. 63. 1959. Vocal Score. Composed by Benjamin Britten. 1913-1976. For Choral, Chorus, Organ. Vocal Score. BH Large Choral. 16 pages. Boosey & Hawkes #M060014697. Published by Boosey & Hawkes. HL.48008947. for boys'. upper. voices and organ. Text. Ordinary of the Roman Rite. Latin. Publisher. Boosey & Hawkes. Difficulty level. 2-3. Like the Ceremony of Carols this work is one of Britten's most performed and well-loved works for upper voices. It was written for George Malcolm's outstanding boys at Westminster Cathedral with their distinctively bright continental tone. Many other types of upper voices have since adopted it, of course, and these days it is as much performed by women or girls, or mixed boys' and girls' voices as by boys alone. The Missa Brevis requires three soloists, though it is possible to make it work with only two. The choir is divided into three voice parts, the third of which needs to be able to produce low As.The work is incredibly fresh and original. Part of this is Britten's organ part which is no 'accompaniment' but rather an equal partner in the realisation of the text in music. Britten's direction in the Kyrie that the voices should sing 'passionately' underpins the approach to the performance of the whole work. It is an intensely dramatic reading of these familiar words. The grave passion of the Kyrie, the rhythmic ebullience of the Gloria with its 7. 8 time signature and its colourful dynamic contrasts, the pealing bells of the Sanctus, the slow, measured tread of the Benedictus. the gentle march of 'Blessed is he who comes in the name of the Lord'. for two solo voices followed by the tutti for the pealing Hosanna, and finally, a rather dark and troubled Agnus Dei which impresses through its relentless intensity and its final exhausted staccato utterance of 'dona nobis pacem'. While not as difficult note-wise as the Ceremony of Carols. and being far shorter as well. , there are still plenty of challenges for any group of voices that undertakes this work. It needs three really equal voice parts and solo voices that can sing with confidence and conviction. Tuning issues will also arise at key points, and the ability to tune three part chords instinctively is needed in much of the work. It also helps if the organ which plays with the voices has a suitable range of colours to realise Britten's intentions. Duration. 11 minutes. Paul Spicer, Lichfield, 2011.

Vertaling

Missa Brevis in D, Op. 63. 1959. Sang telling. Saamgestel deur Benjamin Britten. 1913-1976. Vir Choral, koor, orrel. Sang telling. BH Groot Choral. 16 bladsye. Буси. Gepubliseer deur Boosey. HL.48008947. vir seuns. boonste. stemme en orrel. Teks. Gewone van die Romeinse Rite. Latyns-. Uitgewer. Boosey. Moeilikheidsgraad. 2-3. Soos die seremonie van Kersliedere hierdie werk is een van Britten se mees uitgevoer en geliefde werke vir die boonste stemme. Dit is geskryf vir George Malcolm se uitstaande seuns by Westminster-katedraal met hul eiesoortige helder kontinentale toon. Baie ander vorme van die boonste stemme het sedert aangeneem, natuurlik, en deesdae is dit soveel uitgevoer deur vroue of meisies, of gemengde seuns en meisies se stemme as deur seuns alleen. Die Missa Brevis vereis dat drie soliste, al is dit moontlik om dit te laat werk met slegs twee. Die koor is verdeel in drie dele stem, die derde van wat moet in staat wees om 'n lae As.The werk te produseer, is ongelooflik vars en oorspronklike. Deel van hierdie is Britten se orrel deel wat nie 'begeleiding "maar eerder 'n gelyke vennoot in die verwesenliking van die teks in musiek. Britten se rigting in die Kyrie dat die stemme moet sing 'hartstogtelik' die grondslag van die benadering tot die prestasie van die hele werk. Dit is 'n intens dramatiese lees van hierdie bekende woorde. Die graf passie van die Kyrie, die ritmiese opwinding van die Gloria met sy 7. 8 tydmaatteken en sy kleurvolle dinamiese kontraste, die skil klokke van die Sanctus, die stadige, gemeet loopvlak van die Benedictus. die sagte opmars van 'Geseënd is hy wat kom in die naam van die Here ". twee solo stemme, gevolg deur die tutti vir die skil Hosanna, en uiteindelik, 'n redelike donker en ontsteld Agnus Dei wat beïndruk deur sy meedoënlose intensiteit en sy finale uitgeput staccato woord van 'Dona NOBIS Pacem ". Hoewel dit nie so moeilik noot-wyse as die seremonie van Kersliedere. en om baie korter sowel. Daar is nog baie van die uitdagings vir enige groep stemme wat hierdie werk onderneem. Dit moet drie werklik gelyke dele stem en solo stemme wat kan sing met selfvertroue en oortuiging. Tuning kwessies sal ook ontstaan ​​op belangrike punte, en die vermoë om te stem drie deel akkoorde instinktief is nodig in baie van die werk. Dit help ook as die orgaan wat speel met die stemme het 'n geskikte omvang van kleure Britten se voorneme om te besef. Duur. 11 minute. Paul Spicer, Lichfield, 2011.