Bladmusiek $15.00

Oorspronklik

Silver Screen. Paul Hart. Grade 4.

Vertaling

Silwerdoek. Paul Hart. Graad 4.

Oorspronklik

Silver Screen composed by Paul Hart. For concert band. Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe, Eb Clarinet. , 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone. , 1st B. Band Music. Grade 4.5. Score only. Duration 10. 45. Published by C. Alan Publications. CN.S11246. Paul Hart's tongue-in-cheek piece is an inevitably programmatic version of a silent film score. We can hear the story unfold from the opening credits to a clown-like hero and his beautiful heroine to the villain who ties her to the train tracks. If you like Cartoon, you will love Silver Screen. Before starting to write this piece I did a little basic research and was surprised to learn how sophisticated the art of providing music for silent films eventually became. A large theatre might well employ an orchestra of sixty or more musicians and keep a library of many thousands of orchestral scores including many classical selections as well as popular music of the day. My impressions of silent film music had always been based on the compilations of snippets which used to be aired on British TV in the 1960s as "Fillers. " I suppose the music for these was composed and recorded in the sixties and would often just be a "Honky-Tonk" piano. We were treated to sections of comedies and melodrama and I don't remember ever seeing a full-length film. My piece is really a reflection of the impressions which these broadcasts made on me and is, as such, slightly tongue-in-cheek. The piece is inevitably programmatic and the story might unfold as follows. Logos and opening credits wind down to a dawn shot of an American town, which soon comes to life with bustling energy. A stumble and a clarinet gliss lead to the introduction of the hero who is, of course, a clown-like figure. A fanfare announces the arrival of the Mayor, a pompous swaggering chap, followed by his beautiful daughter, the heroine, portrayed by the alto saxophone. She meets the hero and we hear their respective tunes intertwining. This happy scene is interrupted by the arrival of the villain who struts around menacingly and his eye falls on the Mayor's daughter and our hero. He must have feelings for the girl and an anxious dialogue ensues in which we hear their three themes tossed around nervously. The hero tries to calm things down but to no avail and we are led into a chase which culminates in the hero getting knocked unconscious and the Mayor's daughter being tied to the railway tracks. I never quite understood why this would happen in silent films, I suppose it's a case of "If I can't have her then nobody else shall. We hear the sound of an approaching train and as the tension builds, our heroine cries out in fear and the villain gloats and rubs his hands. Happily, of course, our hero wakes up, kills the villain and rescues the girl just as the train arrives. The train disappears into the distance, the girl expresses her love for the hero, climaxing in a romantic scene in which he proposes to her. This is interrupted by the villain's body being borne away. Everyone then goes about their business. a happy ending, followed by the credits.

Vertaling

Silver Screen saamgestel deur Paul Hart. Vir konsert orkes. Piccolo, 1 fluit, 2 fluit, hobo 1, 2 hobo, klarinet Eb. , 1 Bb klarinet, 2 Bb klarinet, 3 Bb Klarinet, BB basklarinet, fagot 1, 2 fagot, 1 Eb saxofoon, 2 Eb saxofoon, BB saxofoon, Eb bariton saxofoon. , 1 B. Band Musiek. Graad 4,5. Telling net. Duur 10. 45. Gepubliseer deur C. Alan Publications. CN.S11246. Paul Hart se tong-in-die-kies stuk is 'n onvermydelik programmatiese weergawe van 'n stille film telling. Ons kan luister na die storie ontvou uit die opening van krediet aan 'n nar-agtige held en sy pragtige heldin die booswig wat haar na die treinspoor bande. As jy wil Cartoon, sal jy Silver Screen lief. Voor die aanvang van hierdie stuk wat ek het 'n bietjie basiese navorsing en was verbaas om te leer hoe gesofistikeerd die kuns van die verskaffing van musiek vir stil films het uiteindelik te skryf. 'N Groot teater dalk ook in diens 'n orkes van sestig of meer musikante en hou 'n biblioteek van duisende orkestrale tellings insluitend baie klassieke keuses sowel as populêre musiek van die dag. My indrukke van stille film musiek was nog altyd gebaseer op die samestellings van brokkies wat gebruik word uitgesaai op die Britse TV in die 1960's as "Fillers. "Ek dink die musiek vir hierdie gekomponeer en opgeneem in die sestigerjare en dikwels net 'n" Honky Tonk-"klavier. Ons is bederf met dele van komedies en melodrama en ek kan nie onthou ooit sien 'n vollengte-film. My stuk is werklik 'n weerspieëling van die indrukke wat die uitsendings op my gemaak en is, as sodanig, effens tong-in-die-kies. Die stuk is onvermydelik programmatiese en die storie kan as volg ontvou. Logo en opening krediete wind af na 'n dagbreek skoot van 'n Amerikaanse dorp, wat binnekort kom tot lewe met bruisende energie. 'N struikel en 'n klarinet gliss lei tot die bekendstelling van die held wat, natuurlik, 'n nar-agtige figuur. 'N trompetgeskal kondig die aankoms van die burgemeester, 'n luisterryk grootdoenerige kêrel, gevolg deur sy pragtige dogter, die heldin, uitgebeeld deur die altsaxofoon. Sy ontmoet die held en ons hoor hul onderskeie liedjies verwevenheid. Hierdie gelukkige toneel is onderbreek deur die aankoms van die booswig wat stutte om dreigend en sy oog val op die burgemeester se dogter en ons held. Hy moet gevoelens vir die meisie het en 'n angstige dialoog breek in wat ons hoor hulle drie temas geteister senuweeagtig rond. Die held probeer om dinge te sit, maar dit was tevergeefs kalmeer en ons gelei tot 'n jaagtog wat uitloop in die held om bewusteloos en die burgemeester se dogter wat gekoppel is aan die treinspoor. Ek het nog nooit heeltemal verstaan ​​waarom dit sou gebeur in stille films, ek dink dit is 'n geval van "As ek kan haar nie kry nie dan niemand anders sal. Ons hoor die geluid van 'n aankomende trein en as die spanning bou, ons heldin uitroep in vrees en die booswig gloats en vryf sy hande. Gelukkig, natuurlik, ons held wakker, doodslaan die booswig en red die meisie net as die trein arriveer. Die trein verdwyn in die verte, die meisie spreek haar liefde vir die held, hoogtepunt in 'n romantiese toneel waarin hy van voorneme is om haar. Dit word onderbreek deur die booswig se liggaam wat weggedra. Almal gaan dan oor hul besigheid. 'n gelukkige einde, gevolg deur die krediete.