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Oorspronklik

Danceries. Kenneth Hesketh.

Vertaling

Danceries. Kenneth Hesketh.

Oorspronklik

Danceries composed by Kenneth Hesketh. Concert Band. For Brass Band. Brass Band. Score. Faber Edition. Brass Band Series. Form. Dance. 20th Century. Masterwork. Published by Faber Music. AP.12-0571565115. ISBN 0571565115. 20th Century. Masterwork. The term Danceries can be found in a copy of Playford's Dancing Master, an extensive collection of folk and popular tunes of the seventeenth century. and no doubt earlier. This publication was used by master fiddle players to teach the various dance steps of the day to a nobleman's house or a king's court. Whilst this present set of 'Danceries' cannot be said to be an aid to terpsichorean agility, it will at least set feet tapping. The melodies themselves are a mixture of new and old---well, nearly. Where the old occurs it has been adapted in mood and composition and is often interspersed with completely new material. The harmonies and rhythms bring a breath of the new into these themes and add to the drama of the set. Movement 1. Lull me beyond thee. Gentle and lilting, almost a barcarole, this movement is very much a reverie. The original tune had the name 'Poor Robin's Maggot' - a rather disconcerting title. maggot, however, in seventeenth-century parlance meant whim or fancy. This theme can also be found in The Beggar's Opera by John Gay. first performed in 1728. under the title 'Would you have a young lady'. Air 21. Movement 2. Catching of Quails. A colorful, buoyant scherzo on an original melody. The thematic material is shuttled around the band to contrast with full-bodied tuttis. The last few bars fade away to almost nothing before a final surprise. Movement 3. My Lady's Rest. A tender pavane, also on an original theme, with Moorish leanings. Solos for principal winds and brass contrast with warmer tutti passages. The movement culminates with a final presentation of the theme before evaporating in held flute and trumpet chords. Movement 4. Quodling's delight. The final movement to the set combining one of the melodies from Playford's Dancing Master. 'Goddesses'. with an original contrasting melody. A dramatic and exuberant ending to the set of 'Danceries'.

Vertaling

Danceries saamgestel deur Kenneth Hesketh. Concert Band. Vir Brass Band. Brass Band. Telling. Faber Edition. Brass Band Reeks. Vorm. Dans. 20ste eeu. Meesterwerk. Gepubliseer deur Faber Musiek. AP.12-0571565115. ISBN 0571565115. 20ste eeu. Meesterwerk. Die term Danceries kan gevind word in 'n afskrif van Playford se Dancing Master, 'n uitgebreide versameling van folk en gewilde liedjies van die sewentiende eeu. en geen twyfel vroeër. Hierdie publikasie is deur meester viool spelers gebruik om die verskillende danspassies van die dag na 'n edelman se huis of 'n koning se hof om te leer. Terwyl die huidige stel van 'Danceries' kan nie gesê word 'n hulpmiddel vir terpsichorean behendigheid te wees, sal dit ten minste stel voete afluister. Die melodieë is self 'n mengsel van ou en nuwe --- Wel, byna. Waar die ou kom dit in die gemoed en samestelling is aangepas en word dikwels afgewissel met heeltemal nuwe materiaal. Die harmonieë en ritmes bring 'n gees van die nuwe in hierdie temas en voeg by die drama van die stel. Beweging 1. Stilte my as jou. Gentle en vrolike, byna 'n barcarole, hierdie beweging is baie 'n gedroom. Die oorspronklike tune het die naam "Swak Robin se Made '- 'n nogal ontstellend titel. made egter in sewentiende-eeuse omgangstaal beteken willekeur of fancy. Hierdie tema kan ook gevind word in The Beggar's Opera deur John Gay. die eerste keer in 1728. onder die titel "Wil jy 'n jong vrou se. Air 21. Beweging 2. Vang van Kwartels. 'N kleurvolle, lewendige scherzo op 'n oorspronklike melodie. Die tematiese materiaal word shuttled om die band te kontras met volronde tuttis. Die laaste paar bars verdwyn byna niks voordat 'n finale verrassing. Beweging 3. My Lady's Rest. 'N tender Pavane, ook op 'n oorspronklike tema, met Moorse neigings. Solo's vir die skoolhoof winde en koper teenstelling met warmer tutti gedeeltes. Die beweging loop met 'n finale aanbieding van die tema voor verdamp gehou in fluit en trompet akkoorde. Beweging 4. Quodling se vreugde. Die finale beweging na die stel kombinasie een van die melodieë van Playford se Dancing Master. 'Godinne'. met 'n oorspronklike kontrasterende melodie. 'N dramatiese en uitbundige einde aan die stel van' Danceries '.