Bladmusiek $21.95

Oorspronklik

Out of the Cool. Dave Heath. Flute Solo sheet music. Piano Accompaniment sheet music.

Vertaling

Uit die Cool. Dave Heath. Fluit Solo bladmusiek. Klavierbegeleiding bladmusiek.

Oorspronklik

Out of the Cool. for Flute and Piano. Composed by Dave Heath. For Flute, Piano Accompaniment. Music Sales America. 20th Century, Jazz. 10 pages. Chester Music #CH55693. Published by Chester Music. HL.14014689. ISBN 0711936021. 20th Century, Jazz. 9x12 inches. Composer's Note Out Of The Cool was my first work and inspired by the music of Miles Davis and John Coltrane. It was originally written for the flute, but may equally well be played on the violin, cello or soprano saxophone. The piece is in three sections - slow. fast. slow. I have not marked many dynamics or phrasings, and those shown are suggestions only. The slow sections in particular should be very free rhythmically, and each performer should feel free to interpret the piece in his own way. The pedalling marks, however, are more specific, as I have used them to show how notes and chords are to be sustained. Some of the blurred effects may seem strange at first, but this pedalling is essential to the style of the piece. Above all, Out Of The Cool was written to be enjoyed, so have fun with it. David Heath.

Vertaling

Uit die Cool. vir fluit en klavier. Saamgestel deur Dave Heath. Vir fluit, klavier Begeleiding. Musiek verkope Amerika. 20ste eeu, Jazz. 10 bladsye. Честер Музыка. Gepubliseer deur Chester Musiek. HL.14014689. ISBN 0711936021. 20ste eeu, Jazz. 9x12 duim. Komponis se Note Out Of The Cool was my eerste werk en geïnspireer deur die musiek van Miles Davis en John Coltrane. Dit is oorspronklik geskryf vir die fluit, maar kan ewe goed op die viool, tjello of sopraan saxofoon gespeel word. Die stuk is in drie afdelings - stadige. vinnig. stadig. Ek het nie gemerk baie dinamika of frasering, en dié wat daar voorstelle net. Die stadige afdelings in die besonder moet baie vry wees ritmies, en elke speler moet voel vry om die stuk te interpreteer in sy eie manier. Die trap punte, maar is meer spesifiek, as ek gebruik om hulle te wys hoe note en akkoorde is volgehou word. Sommige van die versteurde effekte dalk vreemd op die eerste, maar dit is noodsaaklik om te trap die styl van die stuk. Bo alles, wat uit die Cool is geskryf om te geniet, dus baie pret met dit. David Heath.