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Oorspronklik

The Beacons. Ray Steadman-Allen. Advanced.

Vertaling

Die Beacons. Ray Steadman-Allen. Gevorderde.

Oorspronklik

The Beacons composed by Ray Steadman-Allen. 1922-. For Brass Band. Four-movement suite for band. Serious Concert. Advanced. Full Score. Standard Notation. Duration 13. 30. Published by Winwood Music. WO.0066SC. With Standard Notation. Serious Concert. For centuries hilltop beacon fires blazed across the land signals of important happenings or warnings of invasion. This music tells no specific story but the titles of the four thematically related sections are a guide to the idea. The Beacons. Far Horizons. The Invaders. Celebration. The first movement has something of the character of the march and the fanfare. spirited and tightly driving, it promises most of the thematic material of the work. The second is largelt tranquil and is thinly scores with solo passages. The third has the most dramatic potential. its energy and conflict subsides to a lament and a tolling bell before a vigorous rounding off. Appropriately, the fourth movement is in a merry-making mood, and the jubilant music concludes with fragment statements of the main themes. The Beacons was first performed by IMI Yorkshire Imperial Band. James Scott. at the 'Concert of the Century', celebrating the Centenary of the British Bandsman, at the Free Trade Hall, Manchester, on 5 September 1987.

Vertaling

Die Beacons saamgestel deur Ray Steadman-Allen. 1922 -. Vir Brass Band. Vier-beweging suite vir orkes. Ernstige Konsert. Gevorderde. Volle telling. Standaardnotasie. Duur 13. 30. Gepubliseer deur Winwood Musiek. WO.0066SC. Met standaardnotasie. Ernstige Konsert. Vir eeue heuwel baken vure vlam regoor die land seine van belangrike gebeure of waarskuwings van die inval. Hierdie musiek vertel nie 'n spesifieke storie, maar die titels van die vier tematiese verwante afdelings is 'n gids tot die idee. Die Beacons. Far Horizons. Die indringers. Viering. Die eerste beweging het iets van die karakter van die optog en die fanfare. begeesterde en styf ry, beloof dit die meeste van die tematiese materiaal van die werk. Die tweede is largelt rustige en is dun tellings met solo gedeeltes. Die derde het die mees dramatiese potensiaal. sy energie en konflik bedaar tot 'n klag en 'n tol klok voor 'n kragtige afronding. Toepaslik, die vierde beweging is in 'n vrolike bui-up, en die jubelende musiek afgesluit met fragment state van die belangrikste temas. Die bakens is die eerste keer deur IMI Yorkshire Imperial Band. James Scott. by die 'konsert van die eeu', die viering van die eeufees van die Britse muzikant, by die Free Trade Hall, Manchester, op 5 September 1987.