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Oorspronklik

Portraits For Piano. Bonnie Von Reis Doe. Piano Solo sheet music. Intermediate.

Vertaling

Portrette vir klavier. Bonnie Von Reis Doe. Piano Solo bladmusiek. Intermediêre.

Oorspronklik

Portraits For Piano composed by Bonnie Von Reis Doe. For piano solo. Late Intermediate. Collection. Published by Neil A. Kjos Music Company. KJ.WP563. ISBN 849796970. This collection of pieces reflects my fascination with harmonies, chord qualities and progressions, and how a simple change can profoundly alter the emotional effect of a motif or theme. It is hardly a new concept that the 88 keys of the piano are analogous to an artist's palette, and that both offer virtually limitless combinations of color. Some composers have even expressed this idea by choosing specific colors for certain notes or keys. It is this concept that prompted me to try to "paint" a portrait of each of my grandchildren with music. Each piece reflects the principal personality traits of one of my grandchildren. What surprised me most was how easily all the pieces came together. they seemed to write themselves. In general, these pieces were composed with young people in mind. There are some technical challenges, but all are stepping stones to more advanced works. The challenges are short in length and can be very rewarding when mastered. Many of the motifs are only a measure long and can be played with lots of rubato, allowing the performer a feeling of freedom and self-expression. All the pieces leave plenty of room for interpretation, so that each performer can make them his or her own. Today's composers have an incredible wealth of ideas at their disposal. In this collection you will hear a variety of elements drawn from all periods of music. Many of my harmonies and melodies are derived from the intervallic relationships and tone colors of the medieval modes. Fantasia utilizes segments of a Hungarian mode, as well as fragments of symmetrical scales that are popular in the jazz idiom. Oriental pentatonic clusters are found in measure 18, and the ending consists of an arpeggio of ascending fifths a more modern touch. All of these features give the piece an exotic and mysterious tonality. My harmonic language has also been influenced by 20th century composers such as Sergei Prokofieff, Arnold Schoenberg, Igor Stravinski and Vincent Persichetti. Quartal harmony, so prevalent in the music of these composers and in jazz, can be heard in Impromptu. I especially like the way jazz great Bill Evans used harmony. His influence, for example, is evident in the secundal harmonies found in Waltz and Fantasia. In Toccata the jazz rhythms of the introduction and ending create a "classical jazz" feeling, which is one of my favorite styles of music. As a teacher, I'm always aware of lessons that can be taught through performance music. The simple folk-like melody heard in Landler's progresses through 11 minor keys. This offers a great basic theory lesson. The student can bracket and name each modulation and learn from this example how scale and arpeggio training is directly applicable to the music he or she plays.

Vertaling

Portrette vir klavier gekomponeer deur Bonnie Von Reis Doe. . Laat Intermediêre. Versameling. Gepubliseer deur Neil A. Kjos Music Company. KJ.WP563. ISBN 849796970. Hierdie versameling van stukke weerspieël my bekoring met die harmonie, koord eienskappe en progressies, en hoe om 'n eenvoudige verandering diep kan verander die emosionele uitwerking van 'n motief of tema. Dit is skaars 'n nuwe konsep dat die 88 sleutels van die klavier is analoog aan 'n kunstenaar se palet, en dat beide bied feitlik onbeperkte kombinasies van kleur. Sommige komponiste het selfs uitgespreek hierdie idee deur die keuse van spesifieke kleure vir sekere notas of sleutels. Dit is hierdie konsep wat my gevra om te probeer om te "verf" 'n beeld van elkeen van my kleinkinders met musiek. Elke stuk weerspieël die skoolhoof persoonlikheidseienskappe van een van my kleinkinders. Wat my die meeste verbaas is hoe maklik al die stukkies bymekaar gekom. hulle was om hulself te skryf. In die algemeen is hierdie stukke gekomponeer met jong mense in gedagte. Daar is 'n paar tegniese uitdagings, maar almal is trapklippe na meer gevorderde werke. Die uitdagings is kort in lengte en kan baie lonend wanneer bemeester. Baie van die motiewe is slegs 'n mate lank en kan met baie van die rubato gespeel word, sodat die performer 'n gevoel van vryheid en self-uitdrukking. Al die stukke laat genoeg ruimte vir interpretasie, sodat elke performer kan maak om sy of haar eie. Vandag se komponiste het 'n ongelooflike rykdom van idees tot hulle beskikking. In hierdie versameling sal jy 'n verskeidenheid van elemente uit alle tydperke van musiek hoor. Baie van my harmonieë en melodieë is afgelei van die intervallic verhoudings en toon kleure van die Middeleeuse modes. Fantasia gebruik segmente van 'n Hongaarse af, sowel as fragmente van simmetriese skale wat gewild is in die jazz-idioom. Oosterse pentatoniese trosse word in maat 18, en die einde bestaan ​​uit 'n arpeggio van stygende vyfdes 'n meer moderne touch. Al hierdie eienskappe gee die stuk 'n eksotiese en geheimsinnige tonaliteit. My harmoniese taal is ook beïnvloed deur die 20ste eeu komponiste soos Sergei Prokofieff, Arnold Schoenberg, Igor Stravinski en Vincent Persichetti. Quartal harmonie, so algemeen in die musiek van hierdie komponiste en in jazz, kan in Impromptu gehoor word. Ek wil veral die manier waarop jazz groot Bill Evans gebruik harmonie. Sy invloed, byvoorbeeld, is duidelik in die secundal harmonieë in Waltz en Fantasia. In Toccata die jazz-ritmes van die inleiding en eindig 'n "klassieke jazz" gevoel, wat is een van my gunsteling style van musiek. As 'n onderwyser, is ek altyd bewus van lesse wat deur middel van prestasie musiek geleer kan word. Die eenvoudige folk-agtige melodie gehoor in Ländler se vorder deur 11 geringe sleutels. Dit bied 'n groot basiese teorie les. Die student kan in hakies en benoem elke modulasie en leer uit die voorbeeld hoe skaal en arpeggio opleiding is direk van toepassing is op die musiek wat hy of sy speel.