Bladmusiek $33.95

Oorspronklik

Double Bass Concerto E Major Krebs 172. Karl Ditters Von Dittersdorf. Double Bass sheet music. Piano Accompaniment sheet music.

Vertaling

Double Bass Concerto E majeur Krebs 172. Karl Ditters Von Dittersdorf. Double Bass bladmusiek. Klavierbegeleiding bladmusiek.

Oorspronklik

Double Bass Concerto E Major Krebs 172. Double Bass and Piano. Composed by Karl Ditters Von Dittersdorf. 1739-1799. Edited by Tobias Gl. For Double Bass, Piano. Double Bass. Henle Music Folios. Pages. Score VIII and 36. DB Part. Book 1. 10. DB Part. Book 2. Softcover. 70 pages. G. Henle #HN759. Published by G. Henle. HL.51480759. With this cornerstone of the double bass repertoire we continue a still young but important part of our catalogue. This musically-charming work, full of technical trickery, is with justification demanded time and again as a test piece or set piece for competitions. In order to accommodate the “Viennese tuning” used at the time, we also provide a solo part in fret notation. The piano part in D major and E major. can be used to accompany the doublebass part either in its solo or orchestral version. As an alternative to the familiar cadenzas by Sperger, editor Tobias Glöckler has added two further tuneful and stylistically-appropriate cadenzas of his own.

Vertaling

Double Bass Concerto E majeur Krebs 172. Double Bass en Klavier. Saamgestel deur Karl Ditters Von Dittersdorf. 1739-1799. Geredigeer deur Tobias Gl. Vir Double Bass, Piano. Double Bass. Henle Musiek bladsye. Bladsye. Telling VIII en 36. DB Deel. Boek 1. 10. DB Deel. Boek 2. Softcover. 70 bladsye. Г. Хенле. Gepubliseer deur G. Henle. HL.51480759. Met hierdie hoeksteen van die kontrabas repertoire ons voortgaan om 'n nog jonk, maar belangrike deel van ons katalogus. Hierdie musikaal-sjarme werk, vol van tegniese bedrieëry, is met reg gevra tyd en weer as 'n toets stuk of stel stuk vir kompetisies. Ten einde die "Weense tuning" gebruik in die tyd te akkommodeer, maar ons verskaf ook 'n solo-deel in vertoorn notasie. Die klavier deel in D majeur en E majeur. kan gebruik word om die contrabas deel óf in sy solo of orkes weergawe te vergesel. As 'n alternatief vir die bekende cadenzas deur Sperger, het die redakteur Tobias Glöckler twee verdere melodieus en stilisties-toepaslike cadenzas van sy eie bygevoeg.