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Oorspronklik

The Kaleidoscopic Pocket Hockets Boogaloo. Arthur Gottschalk. Bass Clarinet sheet music.

Vertaling

Die Kaleidoskopiese Pocket Hockets Boogaloo. Arthur Gottschalk. Basklarinet bladmusiek.

Oorspronklik

The Kaleidoscopic Pocket Hockets Boogaloo composed by Arthur Gottschalk. For Clarinet Choir, Bass Clarinet Choir. Chamber music, 20th century. Published by Potenza Music. P2.30037. The Kaleidoscopic Pocket Hockets Boogaloo takes its title from Tom Wolfe's "The Electric Kool-Aid Acid Test," and its inspiration from the literary genre described as "Hysterical Realism. " Hysterical realism, also called recherche postmodernism, is a term coined in 2000 by the English critic James Wood to describe a literary genre typified by a strong contrast between elaborately absurd prose, plotting, or characterization and careful, detailed investigations of real specific social phenomena. He used the term to denote the contemporary conception of the "big, ambitious novel" that pursues "vitality at all costs" and consequently "knows a thousand things but does not know a single human being. " He decried the genre as an attempt to "turn fiction into social theory," and an attempt to tell us "how the world works rather than how somebody felt about something. " The Kaleidoscopic Pocket Hockets Boogaloo uses elaborate and extravagant virtuosity from its performers and their instruments, incorporates styles ranging from Adams-like minimalism to Taj Mahal funk, and cites motives and progressions from works as diverse as "Grazin' in the Grass," "The Horse," and Stravinsky's "Ebony Concerto. " But it does not know a single human being.

Vertaling

Die Kaleidoskopiese Pocket Hockets Boogaloo saamgestel deur Arthur Gottschalk. Vir klarinet Choir, basklarinet Choir. Kamermusiek, 20ste eeu. Gepubliseer deur Potenza Musiek. P2.30037. Die Kaleidoskopiese Pocket Hockets Boogaloo neem sy titel van Tom Wolfe se "The Electric Kool-Aid suur toets," en sy inspirasie uit die literêre genre beskryf as "Histeriese Realisme. "Histeriese realisme, ook genoem recherche postmodernisme, is 'n term wat in 2000 deur die Engelse kritikus James Wood 'n literêre genre gekenmerk deur 'n sterk kontras tussen fraai absurd prosa, plot, of karakterisering en versigtig, gedetailleerde ondersoeke van die werklike spesifieke sosiale verskynsels te beskryf. Hy gebruik die term om die kontemporêre begrip van die "groot, ambisieuse roman" wat streef "vitaliteit ten alle koste", en gevolglik "weet 'n duisend dinge, maar weet nie 'n enkele mens aan te dui. "Hy uitgekryt die genre as 'n poging om te" draai fiksie in sosiale teorie, "en 'n poging om ons te vertel" hoe die wêreld werk, eerder as hoe iemand voel oor iets. "Die Kaleidoskopiese Pocket Hockets Boogaloo gebruik ingewikkelde en oordadige virtuositeit van sy presteerders en hul instrumente, sluit style wat wissel van Adams-agtige minimalisme te Taj Mahal funk, en noem motiewe en reekse van werke so uiteenlopend soos" Grazin 'in die gras "," Die Perd, "en Stravinsky se" Ebony Concerto. "Maar dit beteken nie weet van 'n enkele menslike wese.