Bladmusiek $12.00

Oorspronklik

A Little D 'n' A. Gary P. Gilroy. Marimba sheet music. Percussion sheet music. Timpani sheet music. Vibraphone sheet music. Xylophone sheet music. Intermediate.

Vertaling

A Little D 'n 'n. Gary P. Gilroy. Marimba bladmusiek. Perkussie bladmusiek. Timpani bladmusiek. Vibrafoon bladmusiek. Xylophone bladmusiek. Intermediêre.

Oorspronklik

A Little D 'n' A composed by Gary P. Gilroy. Percussion Ensemble. For Percussion Ensemble. Percussion 1. 4 timpani, gong, whip. , Percussion 2. bells, 2 triangles. , Percussion 3. xylophone, bass sandpaper blocks, suspended cymbal, whip. , Percussion 4. 3-octave vibraphone, suspended cymbal. , Percussion 5. 4-octave marimba, suspended cymbal. , Perc. Medium. Score only. Duration 3. 30. Published by C. Alan Publications. CN.14931. A short concert opener for advanced percussion ensemble. This work explores fun techniques using muted and open sounds and allows for bluesy improvisation in the keyboard instruments. Fast and furious, this is a showy piece for your next concert. A Little D 'n' A was composed for Dr. Matthew Darling and the California State University, Fresno Percussion Ensemble specifically for their performance at the state convention of the California Music Educators Association on Thursday, March 15, 2007 in Ontario, California. The composer has had a long and wonderful working relationship with Dr. Darling since joining Darling on the faculty of the Music Department at California State University, Fresno in 1993. Gilroy, himself a percussionist, has always been a strong advocate of Dr. Darling and his terrific percussion program at Fresno State. It has been a rare occasion that Gilroy has missed the Percussion Ensemble Concert each semester during the past 13 years. Time and time again, Dr. Darling's concert presentations have been inspirational to Dr. Gilroy in every respect. the students' playing is wonderful and the programming is stellar. It was with great pride that Dr. Gilroy responded to Darling's request and began to work on this short concert opener for the Percussion Ensemble's special appearance at the state convention. The main theme of this work is based on the first two pitches of Dr. Darling's last name. 'D' and 'A.' The third note of this motif is 'G,' the composer's initial for both his first and last name. This motif, simple yet effective, is heard throughout the composition in several key areas. The work celebrates the friendship and mutual respect these two professors have enjoyed together for more than a decade. The middle of the composition explores the idea of 'muted' and 'open' sounds from a variety of metallic percussion instruments. The effect is often heard from a triangle in a number of works but in this composition, the technical demands of the muted and open passages are rather extreme. It requires that a small stand is used to suspend the two triangles. one muted with duct tape and the other hanging freely to generate an open sound. The splash cymbal enters next with a new rhythm layering in until the hi-hat and gong each interrupt, 8 and 16 bars later respectively. After all of this muted and open playing creates a nice groove, some of the mallet percussion enters with a new middle section based on D minor blues scale. The xylophone and marimba players each take an 8 bar solo during this time. The blues section eventually gives way to another transition this time using a series of 4 graduated. piccolo, alto, tenor and bass. sets of sandpaper blocks. arranged stereophonically, please. to bring back the material from the first theme. The work closes with a driving push to the end accentuated by the whip among other percussion instruments.

Vertaling

A Little D 'n 'n bestaan ​​deur Gary P. Gilroy. Perkussie Ensemble. Vir Percussion Ensemble. Perkussie 1. 4 timpani, gong, sweep. , Percussion 2. klokke, 2 driehoeke. , Percussion 3. xilofoon, bas skuurpapier blokke, opgeskort simbaal, sweep. , Percussion 4. 3-oktaaf ​​vibrafoon, opgeskort simbaal. , Percussion 5. 4-oktaaf ​​marimba, opgeskort simbaal. , Slagw. Medium. Telling net. Duur 3. 30. Gepubliseer deur C. Alan Publications. CN.14931. 'N Kort konsert opener vir gevorderde perkussie ensemble. Dit werk ondersoek pret tegnieke met behulp van gedempte en oop klanke en maak voorsiening vir bluesy improvisasie in die klawerbordinstrumente. Vinnig en woedend, dit is 'n spoggerige stukkie vir jou volgende konsert. A Little D 'n 'A is gekomponeer vir Dr Matthew Darling en die California State University, Fresno Percussion Ensemble spesifiek vir hul prestasie op die staat konvensie van die Kalifornië Musiek Opvoeders Association op Donderdag, Maart 15, 2007 in Ontario, Kalifornië. Die komponis het 'n lang en wonderlike werksverhouding met dr Darling sedert hy by Darling op die fakulteit van die Departement Musiek aan die California State University, Fresno in 1993. Gilroy, self 'n perkussiespeler, was nog altyd 'n sterk voorstander van dr Darling en sy geweldige perkussie-program by Fresno State. Dit is 'n seldsame geleentheid wat Gilroy die Percussion Ensemble Konsert elke semester tydens die afgelope 13 jaar het gemis. Keer op keer, het dr Darling se konsert aanbiedings is inspirerende dr Gilroy in elke opsig. die studente se spel is wonderlik en die ontwikkeling is die sterre. Dit was met groot trots dat dr Gilroy gereageer Darling se versoek en het begin om te werk aan hierdie kort konsert opener vir die Percussion Ensemble se spesiale verskyning by die staat konvensie. Die hooftema van hierdie werk is gebaseer op die eerste twee plekke van dr Darling se laaste naam. 'D' en 'A.' Die derde noot van hierdie motief is 'G', sê die komponis se aanvanklike vir beide sy eerste en laaste naam. Dit motief, eenvoudige, maar doeltreffende, word dwarsdeur die samestelling gehoor in verskeie belangrike areas. Die werk vier die vriendskap en wedersydse respek hierdie twee professore het saam geniet vir meer as 'n dekade. Die middel van die samestelling verken die idee van 'n gedempte "en" oop "klanke uit 'n verskeidenheid van metaal slaginstrumente. Die effek word dikwels van 'n driehoek gehoor in 'n aantal werke nie, maar in hierdie samestelling, die tegniese vereistes van die gedempte en oop gedeeltes is eerder uiterste. Dit vereis dat 'n klein stand word gebruik om die twee driehoeke op te skort. een gedemp met tape en die ander hang vrylik 'n oop klank te genereer. Die splash simbaal gaan volgende met 'n nuwe ritme gelaagdheid in totdat die hi-hoed en gong elke onderbreek, 8 en 16 bars later onderskeidelik. Na al hierdie gedempte en oop te speel skep 'n mooi groef, 'n paar van die hamer perkussie gaan met 'n nuwe middel artikel gebaseer op D mineur blues-toonleer. Die xilofoon en marimba spelers elk neem 'n 8 bar solo gedurende hierdie tyd. Die blues artikel gee uiteindelik manier om 'n ander oorgang hierdie tyd met behulp van 'n reeks van 4 gegradueer. piccolo, alt, tenoor en bas. stelle van skuurpapier blokke. gereël stereophonically, asseblief. die materiaal terug te bring van die eerste tema. Die werk sluit af met 'n ry druk tot die einde beklemtoon deur die sweep onder slaginstrumente.