Bladmusiek $10.00
Oorspronklik
Tangents. James Campbell. Percussion sheet music. Timpani sheet music.
Vertaling
Raaklyne. James Campbell. Perkussie bladmusiek. Timpani bladmusiek.
Oorspronklik
Tangents composed by James Campbell. Timpani Solo. For timpani and hi-hat. 5 timpani and hi-hat. Level 5. Book. Published by Innovative Percussion. IP.T-JC-TAN. Composer's notes. Can be performed with any conventional hi-hat, it is suggested that a remote hi-hat and pedal would make the performance more efficient. Place the pedal near the large drums to accommodate the left foot. Place the hi-hat cymbals near the top drum to accommodate the movement. "This piece may hold the distinction of being the sole example of a solo for timpani and hi-hat. Campbell's piece requires five timpani, and accommodating the placement of these instruments prompts a suggestion by the composer that, although a conventional hi-hat could be used, "a remote hi-hat and pedal would make the performance more efficient. " If this latter suggestion is followed, the pedal is placed near the lowest drums and the cymbals near the highest drum. Much of the hi-hat part is executed by the foot alone. The hand. foot dexterity of a good drumset player is required throughout. For example, the player must maintain a rhythmic ostinato in the right hand on one drum while the left adds a two-drum commentary and the hi-hat embellishes the right-hand pattern. The timpani part requires the showmanship worthy of the drumset artist with its crossover sticking patterns. Notated effects include closed, half-open and open hi-hat, playing in the center of the head, and a "slow vibrato" realized by wiping the head with the mallet after the attack in rapid, repetitive motions. This piece proves that percussion techniques and instruments commonly utilized in two different performance areas can be successfully combined to produce entertaining and exciting solo literature. " - John R. Raush Percussive Notes, August 1998.
Vertaling
Tangents composed by James Campbell. Timpani Solo. Vir timpani en hi-hoed. 5 timpani en hi-hoed. Vlak 5. Book. Gepubliseer deur Innoverende Percussion. IP.T-JC-TAN. Komponis se notas. Uitgevoer kan word met enige konvensionele hi-hoed, word dit voorgestel dat 'n afgeleë hi-hoed en trap sou die prestasie meer doeltreffende. Plaas die pedaal naby die groot dromme die linkervoet te akkommodeer. Plaas die hi-hoed simbale naby die top drom die beweging te akkommodeer. "Hierdie stuk kan die onderskeiding dat dit die enigste voorbeeld van 'n solo vir timpani en hi-hoed hou. Campbell se stuk vereis vyf timpani, en akkommodeer die plasing van hierdie instrumente vra 'n voorstel deur die komponis dat, hoewel 'n konvensionele hi-hoed gebruik kan word, "het 'n afgeleë hi-hoed en trap sou die prestasie meer doeltreffende. "As hierdie laaste voorstel gevolg word, is die pedaal naby die laagste tromme en die simbale naby die hoogste drom geplaas. Baie van die hi-hoed deel word uitgevoer deur die voet alleen. Die hand. voet behendigheid van 'n goeie drumset speler word benodig deurgaans. Byvoorbeeld, moet die speler 'n ritmiese ostinaat in die regterhand op een drom behou, terwyl die linker voeg 'n twee-drom kommentaar en die hi-hoed mooier die regterkant patroon. Die timpani deel vereis die Windmaker waardig is van die drumset kunstenaar met sy oorkruis vashou patrone. Genoteer effekte sluit gesluit, half-oop en oop hi-hoed, speel in die middel van die kop, en 'n "stadige vibrato" besef deur uitroei die kop met die hamer ná die aanval in 'n vinnige, herhaalde bewegings. Hierdie stuk bewys dat perkussie tegnieke en instrumente wat algemeen gebruik word in twee verskillende areas kan suksesvol gekombineer word vermaaklike en opwindende solo literatuur te produseer. " - John R. Raush Percussive Notes, August 1998.
