Bladmusiek $192.00

Oorspronklik

Extreme Make-Over. Johan De Meij.

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Extreme make-over. Johan De Meij.

Oorspronklik

Extreme Make-Over. Metamorphoses on a Theme by Tchaikovsky for Wind Orchestra. Composed by Johan De Meij. For Concert Band, Mixed Woodwind Ensemble. Score & Parts. Amstel Music. Amstel Music #AM80. Published by Amstel Music. HL.4000214. ISBN 1423451856. 10x13 inches. This new work by Johan de Meij consists of a set of metamorphoses on a theme from Tchaikovsky's well-known Andante cantabile. from String Quartet No. 1 in D. Tchaikovsky stated, “Never have I been so proud of my creative powers as when Leo Tolstoy sat in the chair next to mine listening to my Andante , and the tears ran down his cheeks. ” De Meij states the theme with a saxophone quartet. joined by oboes, bassoons and clarinets. , followed by the first metamorphosis, which emanates from a single tone. A timpani solo forms a transition to Alla Marcia , in a neo-classical style. The following movement features the playing of tuned bottles, leading into an extensive marimba solo. This joins seamlessly to the finale, a canonic treatment of the theme, leading to a festive conclusion.

Vertaling

Extreme make-over. Metamorphoses op 'n Tema deur Tchaikovsky vir Wind Orchestra. Saamgestel deur Johan De Meij. Vir Concert Band, Gemengde Hout Ensemble. Telling. Amstel Musiek. Amstel Музыка. HL.4000214. ISBN 1423451856. 10x13 duim. Hierdie nuwe werk deur Johan de Meij bestaan ​​uit 'n stel van metamorfosen op 'n tema van Tchaikovsky se bekende Andante cantabile. van String Quartet No 1 in D. Tchaikovsky gesê, "Nooit het ek is so trots op my kreatiewe magte as wanneer Leo Tolstoy Saterdag in die stoel langs my luister na my Andante, en die trane loop oor sy wange. "De Meij bepaal die tema met 'n kwartet. verbind deur hobo, klarinet en fagotté. , Gevolg deur die eerste metamorfose, wat uit 'n enkele toon. 'N timpani solo vorm 'n oorgang na Alla Marcia, in 'n neo-klassieke styl. Die volgende beweging funksies van die speel van die hoogte bottels, wat lei na 'n uitgebreide solo marimba. Dit sluit aan by moeiteloos na die finale, 'n kanonieke behandeling van die tema, wat lei tot 'n feestelike gevolgtrekking.