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Oorspronklik

Forest of Arden. George Lloyd. B-Flat Trumpet sheet music. Cornet sheet music. Grade 4.

Vertaling

Forest van Arden. George Lloyd. B-Flat Trumpet bladmusiek. Horing bladmusiek. Graad 4.

Oorspronklik

Forest of Arden composed by George Lloyd. 1913-1998. For concert band. Flute 1. Piccolo, Flute 2, Oboe 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Eb Alto Clarinet. optional. , Bb Bass Clarinet, Bassoon 1. 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Cornet 1, Bb Cornet 2, Bb Cornet 3, Bb Trumpet 1. 2, Ho. Band Music. Grade 4. Score and parts. Duration 10. 00. Published by C. Alan Publications. CN.R10042. This symphonic sketch for concert band is packed full different motives thrown around the ensemble hinting at the programmatic leitmotifs of Wagner. Every section of the ensemble gets a workout in this delightful 10-minute work. A Symphonic Sketch for Concert Band. The resurgence of interest in George Lloyd's music must give us faith that such talent will ultimately prevail against sometimes unhappy circumstances. Lloyd was Cornish and showed precocious gifts at an early age - he had completed his first symphony by the age of nineteen. During the 1930s he completed two operas, one of which - "The Serf" - was produced at Covent Garden in 1938. He was set for a glittering career as a composer. The Second World War intervened and he was invalided out of the Navy in a shell-shocked state, and having written very little serious music since 1937 went to Switzerland to recuperate, looked after by his wife, Nancy. Painfully, he began writing again - symphonies Nos. 4 and 5 - and then returned to England. He needed to earn a living and he set up a mushroom farm in Dorset. But slowly he began to compose again and drafted more symphonies in short score. By this time he was virtually unknown - despite being considered the equal of Walton, Britten, and other young stars of English music some 30 years earlier. Lloyd decided to embark on a series of recordings of his symphonies, and slowly popular acclaim enabled him to regain his position. "The Forest of Arden" was written in 1987 as a result of a commission by the Solihull Youth Wind Band. Although Lloyd's music feels instinctively written one should not be misled - it is carefully crafted, but the craft and structure are always subordinated to create a flow with a strongly melodic content. Instead of two or three themes, "The Forest of Arden" contains an abundance of ideas which can be described in two groups. The first group contains the opening rhythmic motif, quickly developed into a short rising quaver passage in the woodwinds, and later then a chromatic "ostinato" bass - only 8 bars at this stage but later expanded. The second group is broad and expansive, initially based on intervals of rising fifths introduced by euphonium, tubas, and baritone saxophone, immediately echoed by horns. Low brass and winds expand the theme into rising sixths and octaves. There is a hint of development, bit this is arrested as the music moves to a piu tranquillo section introduced by the alto saxophone which further develops the rising sixth theme. There follows a true development of the opening material, starting with the ostinato bass and gradually passing through different tonal centers until the rising fifths of the second theme group are heralded - "fortissimo" and "poco piu largamente" shortly before the end. The structure is almost Wagnerian. albeit on a much smaller scale. , with themes being used as leitmotifs, but this is music which, even within the space of ten minutes is conceived on a grand design.

Vertaling

Forest van Arden saamgestel deur George Lloyd. 1913-1998. Vir konsert orkes. Fluit 1. Piccolo, Fluit 2, Oboe 1. 2, BB klarinet 1, BB klarinet 2, BB klarinet 3, Eb Alto klarinet. opsionele. , BB basklarinet, fagot 1. 2, saxofoon 1. 2, saxofoon, bariton saxofoon, BB Cornet 1, BB Cornet 2, BB Cornet 3, BB trompet 1. 2 Ek. Band Musiek. Graad 4. Telling en dele. Duur 10. 00. Gepubliseer deur C. Alan Publications. CN.R10042. Dit simfoniese skets vir konsert band is propvol verskillende motiewe gegooi om die ensemble sinspeel op die programmatiese leitmotiewe van Wagner. Elke afdeling van die ensemble kry 'n oefensessie in hierdie pragtige 10-minuut werk. 'N Simfoniese Skets vir Concert Band. Die herlewing van belangstelling in George Lloyd se musiek moet geloof dat sulke talent sal uiteindelik oorweldig soms ongelukkig omstandighede gee ons. Lloyd was Cornish en het vir altyd geskenke op 'n vroeë ouderdom - het hy sy eerste simfonie voltooi het deur die ouderdom van negentien. "Die Serf" - - gedurende die 1930's het hy twee operas, waarvan een voltooi is vervaardig in Covent Garden in 1938. Hy is wat vir 'n glinsterende loopbaan as 'n komponis. Die Tweede Wêreldoorlog het tussenbeide getree en hy is invalided uit die vloot in 'n skulp-geskok staat, en hy geskryf baie min ernstige musiek sedert 1937 na Switserland om te herstel, opgepas deur sy vrou, Nancy. Pynlik, het hy weer begin skryf - Symphonies Nos 4 en 5 - en dan teruggekeer na Engeland. Hy moes 'n inkomste te verdien en hy het 'n sampioen plaas in Dorset. Maar stadig begin hy weer te komponeer en opgestel meer simfonieë in kort telling. Teen hierdie tyd was hy feitlik onbekende - ten spyte daarvan dat as die gelyke van Walton, Britten, en ander jong sterre van die Engelse musiek sowat 30 jaar vroeër. Lloyd het besluit om te begin met 'n reeks van opnames van sy simfonieë, en stadig gewilde toejuiging hom in staat gestel om sy posisie te herwin. "Die bos van Arden" is in 1987 geskryf as 'n gevolg van 'n kommissie deur die Soli Jeug Wind Band. Hoewel Lloyd se musiek voel instinktief geskryf 'n mens moet nie mislei word nie - dit is noukeurig vervaardigde, maar die handwerk en struktuur is altyd ondergeskik n vloei met 'n sterk melodiese inhoud te skep. In plaas van twee of drie temas, "Die bos van Arden" 'n oorvloed van idees wat in twee groepe beskryf word bevat. Die eerste groep bevat die opening van ritmiese motief, vinnig ontwikkel in 'n kort stygende agstenoot gedeelte in die houtblasers, en later toe 'n chromatiese "ostinato" bass - slegs 8 bars op hierdie stadium, maar later uitgebrei. Die tweede groep is breed en uitgestrekte, aanvanklik gebaseer op intervalle van stygende vyfdes wat deur euphonium, tubas, en bariton saxofoon, onmiddellik bevestig deur horings. Lae koper en winde uit te brei die tema in stygende sesdes en oktawe. Daar is 'n wenk van die ontwikkeling, gebyt is dit in hegtenis geneem as die musiek beweeg na 'n piu Tranquillo artikel wat deur die altsaxofoon wat verder ontwikkel om die stygende sesde tema. Daar volg 'n ware ontwikkeling van die opening materiaal, wat begin met die ostinato bas en geleidelik wat deur verskillende tonale sentrums totdat die stygende vyfdes van die tweede tema groep word ingelui - "fortissimo" en "poco piu largamente" kort voor die einde. Die struktuur is byna Wagner. al is dit op 'n veel kleiner skaal. , Met temas wat gebruik word as leitmotiewe, maar dit is musiek wat selfs binne die bestek van tien minute is op 'n groot ontwerp swanger.