Bladmusiek $19.95

Oorspronklik

Stabat Mater. Franz Lachner. Choir sheet music.

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Stabat Mater. Franz Lachner. Koor bladmusiek.

Oorspronklik

Stabat Mater. composed by Franz Lachner. 1803-1890. For SATB. SATB choir. This edition. Paperbound. German title. Stabat Mater op. 154. Holy Week. Full score. Language. Latin. Op. 154. 32 pages. Duration 25 minutes. Published by Carus Verlag. CA.7003700. ISBN M-007-08990-0. With Language. Latin. Holy Week. Among his compositions, Franz Lachner, the long-serving Music Director of the Court of Munich and Director of the Royal Choir, left behind a considerable number of sacred works, including two settings of the Stabat Mater. The first Stabat Mater, op. 154, from 1856 was strictly for a vocal ensemble. the second, op. 168, from 1870. see p. included strings and organ, in which the darker timbre was achieved through the absence of the violins. In its harmonic expression the second composition is especially oriented towards the, at that time, modern style of the North German School centred around Liszt and Wagner, but without ever exceeding a moderate degree of technical difficulty in the voice parts.

Vertaling

Stabat Mater. saamgestel deur Franz Lachner. 1803-1890. Vir SATB. SATB koor. Hierdie uitgawe. Paper bound. Duitse titel. Stabat Mater op. 154. Heilige Week. Volle telling. Taal. Latyns-. Op. 154. 32 bladsye. Duur 25 minute. Gepubliseer deur Carus Verlag. CA.7003700. ISBN M-007-08990-0. Met taal. Latyns-. Heilige Week. Onder sy komposisies, Franz Lachner, die lang-bediening Musiek Direkteur van die Hof van München en direkteur van die Royal Choir, links agter 'n groot aantal van die heilige werke, waaronder twee instellings van die Stabat Mater. Die eerste Stabat Mater, op. 154 van 1856 was streng vir 'n vokale ensemble. die tweede, op. 168 van 1870. sien bl. ingesluit snare en orrel, waarin die donkerder timbre is behaal deur die afwesigheid van die viole. In sy harmoniese uitdrukking die tweede samestelling veral gerig op die, op daardie tydstip, moderne styl van die Noord-Duitse Skool gesentreer rondom Liszt en Wagner, maar sonder om ooit te bowe n matige graad van tegniese probleme in die stempartye.