Bladmusiek $13.95

Oorspronklik

Um Mitternacht. Gustav Mahler. Voice sheet music. Choir sheet music.

Vertaling

Om middernag. Gustav Mahler. Voice bladmusiek. Koor bladmusiek.

Oorspronklik

Um Mitternacht. Text Von Friedrich Ruckert. Composed by Gustav Mahler. 1860-1911. Edited by Clytus Gottwald. transcriber. For Ssaattbbb. Vocal Score. 13 pages. Universal Edition #UE034684. Published by Universal Edition. PR.UE034684. Translated as "at midnight," this song was written in the summer of 1901 in Maiernigg am Worthersee, Austria, where Mahler spent his vacations while working as director of the Vienna Court Opera. According to the foreword. "As with almost all of his songs, Um Mitternacht is also actively connected with the composition of his symphonies. This song may not have originated as part of a symphony as many others did, but Mahler added the orchestration a little later, more or less transcribing it with symphonic standards in mind. It is musically obvious that Mahler aimed for a certain amount of reduction in this song. Just a few themes are joined together to make a certain frame, without padding this out with sound. This. is what makes this piece so appealing. Transcription and interpretation are called upon to express this bleakness without suppressing the impulse to reduce it musically. " For advanced ensembles.

Vertaling

Om middernag. Deur Friedrich Rückert teks. Saamgestel deur Gustav Mahler. 1860-1911. Geredigeer deur Clytus Gottwald. transcriber. Vir Ssaattbbb. Sang telling. 13 bladsye. Universal Edition # UE034684. Gepubliseer deur Universal Edition. PR.UE034684. Vertaal as "middernag" hierdie lied is in die somer van 1901 in Maiernigg geskryf is Wörthersee, Oostenryk, waar Mahler het sy vakansies, terwyl die werk as direkteur van die Weense Hof Opera. Volgens die voorwoord. "Soos met byna al sy liedjies, Um Mitternacht is ook aktief in verband met die samestelling van sy simfonieë. Hierdie lied kan nie ontstaan ​​het as deel van 'n simfonie soos baie ander het nie, maar Mahler bygevoeg die orkestrasie 'n bietjie later, min of meer op skrif met simfoniese standaarde in gedagte. Dit is musikaal duidelik dat Mahler gemik vir 'n sekere bedrag van die vermindering in hierdie lied. Net 'n paar temas saamgevoeg n sekere raam te maak, sonder padding dit uit met klank. Dit. is wat maak hierdie stuk so aantreklik. Transkripsie en interpretasie word opgeroep hierdie kilheid uit te druk sonder onderdruk die impuls om dit te musikaal verminder. "Vir gevorderde ensembles.