Bladmusiek $29.98

Oorspronklik

Wagner. Wesendonck Lieder. Trois Melodies. Voice sheet music.

Vertaling

Wagner. Wesendonck Songs. Trois Melodies. Voice bladmusiek.

Oorspronklik

Wagner. Wesendonck Lieder. Trois Melodies by Jon Robert Cart. By Richard Wagner. 1813-1883. For voice. Book and accompaniment CD. Published by Music Minus One. MO.MMOCD6547. In 1857 and 1858, as Richard Wagner had come to the completion of Die Walkure, the second installment in his epic opera cycle, Der Ring des Nibelungen, he took time out to write a series of lieder for. and based on poems by. Mathilde Wesendonck, with whom Wagner was believed to have been, at the very least, extremely infatuated. Whatever the truth might have been behind their relationship, it is known that Wagner had met Mathilde's husband, Otto, in Zurich, and his ensuing friendship with the couple led to this beautiful set of lieder. Wagner himself called two of the set's songs. Im Treibhaus and Traume. "studies" for his magnificent opera Tristan and Isolde, and though originally intended for female voice with piano, all of these songs were eventually orchestrated, either by Wagner. in the case of Traume. or by other composers. When they were first performed in 1862, they were titled Five Songs for a Female Voice. In the 20th century they also became very popular songs for some of the greatest tenors. Much earlier, in 1839, Wagner had composed a three-song cycle called Trois Melodies. The first piece, entitled Dors, mon enfant, was a lullaby that Wagner ascribed to an unnamed young poet of his publisher's acquaintance, and of which he wrote that his wife had called "heavenly for sending one to sleep". He then set Ronsard's song Mignonne and Victor Hugo's L'attente. from that author's Orientales. to round out the set. Wagner offered L'attente to the reigning diva of the time, Pauline Viardot, who is said to have flatly refused it. Wagner wrote in his memoirs My Life "I have no reason to be ashamed of these small pieces". Listen to brilliant tenor Jon Robert Cart perform these lieder. Then he steps aside and you take center stage with your virtuoso accompanist, Narciso Solero, at the piano. Der Engel. Stehe Still. Im Treibhaus. Schmerzen. Traume. Dors, mon enfant. Mignonne. L'attente.

Vertaling

Wagner. Wesendonck Songs. Trois Melodies deur Jon Robert Cart. Deur Richard Wagner. 1813-1883. Vir stem. Book en begeleiding CD. Gepubliseer deur Music Minus One. MO.MMOCD6547. In 1857 en 1858, soos Richard Wagner het tot die voltooiing van Die Walküre kom, die tweede paaiement in sy epiese opera siklus Der Ring des Nibelungen, hy het tyd uit 'n reeks van liedere vir om te skryf. en gebaseer op gedigte deur. Mathilde Wesendonck, met wie Wagner is geglo te gewees het, op die heel minste, uiters versot. Wat ook al die waarheid te agter hul verhouding gewees het, is dit bekend dat Wagner Mathilde se man, Otto, ontmoet het in Zurich, en sy daaropvolgende vriendskap met die egpaar het gelei tot hierdie pragtige stel van liedere. Wagner homself roep hy twee van die stel se liedjies. Im Treibhaus en Träume. "Studies" vir sy pragtige opera Tristan en Isolde, en al wat oorspronklik bedoel vir vroulike stem met klavier, almal van hierdie liedjies is uiteindelik georkestreerde, hetsy deur Wagner. in die geval van Träume. of deur ander komponiste. Toe hulle vir die eerste keer in 1862, het hulle die titel Vyf Songs vir 'n vroulike stem. In die 20ste eeu het hulle ook baie gewilde liedjies vir 'n paar van die grootste tenore geword. Veel vroeër, in 1839, Wagner het 'n drie-lied siklus genoem Trois Melodies saamgestel. Die eerste stuk, getiteld Dors, Maandag enfant, was 'n lullaby dat Wagner toegeskryf aan 'n onbekende jong digter van sy uitgewer se kennis, en wat hy geskryf het dat sy vrou "hemelse vir die stuur van een om te slaap" genoem. Hy het toe Ronsard se liedjie Mignonne en Victor Hugo se L'attente. van dié skrywer se Orie. te rond die stel. Wagner aangebied L'attente aan die huidige diva van die tyd, Pauline Viardot, wat gesê het botweg geweier om dit. Wagner het in sy memoirs My Life "Ek het geen rede om skaam van hierdie klein stukkies om te wees". Luister na briljante tenoor Jon Robert Cart hierdie liedere voer. Toe stap hy eenkant en jy is in die kollig met virtuose begeleier, Narciso Solero, op die klavier. Der Engel. Stehe Still. In die kas. Pyn. Träume. Slaap, my kind. Oulike. Die versigtige.