Bladmusiek $75.00

Oorspronklik

Tune in a Popular London Style. Percy Aldridge Grainger. English Horn sheet music. Grade 4.

Vertaling

Tune in 'n gewilde London Style. Percy Grainger Aldridge. Engels Horn bladmusiek. Graad 4.

Oorspronklik

Tune in a Popular London Style composed by Percy Aldridge Grainger. 1882-1961. Arranged by B. Kopetz. For concert band. Piccolo, 1st & 2nd Flute, 1st & 2nd Oboe, English Horn, 1st & 2nd Bassoon, 1st Clarinet in Bb, 2nd Clarinet in Bb, 3rd Clarinet in Bb, Bass Clarinet in Bb, Soprano Saxophone, 1st & 2nd Alto Saxophone in Eb, Tenor Saxophone in Bb, Baritone Saxophone in Eb,. Band Music. Platinum Band Series. Grade 4. Score and parts. Duration 3. 15. Published by C. Alan Publications. CN.10890. An air with a 'Music Hall' flavor embodying the London blend of gaiety with wistfulness so familiar in the performances of George Grossmith, Jr., and other vaudeville artists. Tune in a Popular London Style was 'An attempt to write an air with a 'Music Hall' flavor embodying the London blend of gaiety with wistfulness so familiar in the performances of George Grossmith, Jr., and other vaudeville artists. It consists of two strains, like the solo and chorus of music-hall ditties. The musical material, composed in London, dates from about 1912, and was worked out and scored during the winter of 1915. 16 in New York City and in railway trains. Notes derived form 'A Source Guide to the Music of Percy Grainger,' ed. by Thomas P. Lewis. While residing in London in 1915, Grainger and his mother made a quick decision to leave London. The Great War had just begun, and Rose Grainger worried about her son's career prospects if they remained in London. They boarded the Cunrad ship Laconia in Liverpool and reached Boston on September 8, 1915. Grainger merged into the musical life of New York City and began performing at the piano, earning him a wide reputation. Sixteen concerts were booked for New York with the leading orchestras, as well as numerous solo recitals. Other performances were scheduled in Philadelphia, Minneapolis, Boston and the Chicago orchestras. In the first season in America, Grainger's works received approximately one hundred performances, though Grainger was only invited to conduct but once. Although the success he was receiving as a pianist was unlike anything he received in Europe, he saw that his success as a performer was in danger of denying him any critical acclaim as a serious composer. As his career began to flourish, the need for increased travel became a necessity. Whenever Grainger traveled, he took the train. He loved railways, as they gave him the space to spread his manuscripts out and compose. He always traveled second class, and rarely took a sleeper, preferring to sleep sitting up. He would occasionally depart the train one station early and give the difference in fare to a local charity. It was partly during these trips on the train that Grainger scored In a Nutshell. In June of 1916, Grainger was invited to take part in the Norfolk, Connecticut Festival of Music. It was for this performance that he scored and put together an orchestral suite which he entitled In a Nutshell. Some of the sketches for the piece went back to 1905, and the suite was eventually published in four movements, the final movement being the well-known 'Gum-Suckers March'. originally entitled 'Cornstalks March-. Despite the mood of jollity of the suite, it is serious in intent and contains some of Grainger's most characteristic scoring. The first performance was conducted by Dr. Arthur Mees and Grainger was paid 500 for producing it. Notes derived from 'Percy Grainger' by John Bird.

Vertaling

Tune in a Popular London Style composed by Percy Aldridge Grainger. 1882-1961. Gereël deur B. Kopetz. Vir konsert orkes. Klein, 1. Band Musiek. Platinum Band Reeks. Graad 4. Telling en dele. Duur 3. 15. Gepubliseer deur C. Alan Publications. CN.10890. 'N lug met 'n "Music Hall" geur gehou die London versnit van vreugde met weemoed so bekend in die vertonings van George Grossmith, Jr, en ander vaudeville kunstenaars. Tune in 'n gewilde London styl was 'n poging om 'n lug met 'n te skryf 'Music Hall "geur gehou die London versnit van vreugde met weemoed so bekend in die vertonings van George Grossmith, Jr, en ander vaudeville kunstenaars. Dit bestaan ​​uit twee stamme, soos die solo en koor van musiek-saal ditties. Die musikale materiaal, saamgestel in Londen, dateer uit 1912 en is uitgewerk en behaal gedurende die winter van 1915. 16 in New York Stad en in spoorweg treine. Notes is afgelei van 'n bron gids tot die musiek van Percy Grainger, 'Ed. by Thomas P. Lewis. Terwyl woonagtig in Londen in 1915, Grainger en sy ma het 'n vinnige besluit Londen te verlaat. Die Groot Oorlog het net begin, en Rose Grainger bekommerd oor haar seun se loopbaan vooruitsigte as hulle bly in London. Hulle aan boord van die skip Cunrad Laconia in Liverpool en Boston bereik op September 8, 1915. Grainger saamgesmelt in die musikale lewe van New York Stad en begin optree by die klavier, verdien hom 'n wye reputasie. Sestien konserte is bespreek vir New York met die voorste orkeste, asook talle solo-uitvoerings. Ander optredes was in Philadelphia, Minneapolis, Boston en die Chicago orkeste geskeduleer. In die eerste seisoen in Amerika, Grainger se werke ontvang ongeveer honderd optredes, al Grainger is eers genooi te voer, maar sodra. Hoewel die sukses wat hy kon kry as 'n pianis was anders as enigiets wat hy ontvang het in Europa, sien hy dat sy sukses as 'n kunstenaar is in gevaar van ontken hom 'n staande toejuiging as 'n ernstige komponis. As sy loopbaan begin om te floreer, die behoefte vir 'n groter reis het 'n noodsaaklikheid. Wanneer Grainger gereis het, het hy die trein. Hy was lief vir spoorweë, as hulle hom die ruimte om sy manuskripte te versprei en komponeer. Hy het altyd gereis tweede klas, en selde het 'n slaap, verkies om te slaap sit tot. Hy sou soms die trein een stasie vroeë vertrek en gee die verskil in prys aan 'n plaaslike liefdadigheidsorganisasie. Dit was deels tydens hierdie reis op die trein wat Grainger aangeteken in 'n Neutedop. In Junie van 1916, is Grainger uitgenooi om deel te neem in die Norfolk, Connecticut Fees van Musiek. Dit was vir hierdie prestasie wat hy behaal het en saam 'n orkes suite waarop hy geregtig In 'n Neutedop. Sommige van die sketse vir die stuk gaan terug tot 1905, en die suite is uiteindelik gepubliseer in vier bewegings, die finale beweging synde die bekende 'Gum-Suiers Maart'. oorspronklik getiteld "Cornstalks Maart-. Ten spyte van die gemoed van fees vier van die suite, dit is 'n ernstige in die opset en bevat 'n paar van Grainger se mees kenmerkende scoring. Die eerste vertoning is gedoen deur Dr Arthur Mees en Grainger is 500 betaal vir die vervaardiging van dit. Notes afgelei van 'Percy Grainger' deur John Bird.