Bladmusiek $128.00

Oorspronklik

A Light Unto the Darkness. David Gillingham. B-Flat Trumpet sheet music. English Horn sheet music. Flugelhorn sheet music. Grade 5.

Vertaling

'N lig vir die duisternis. David Gillingham. B-Flat Trumpet bladmusiek. Engels Horn bladmusiek. Flugelhorn bladmusiek. Graad 5.

Oorspronklik

A Light Unto the Darkness composed by David Gillingham. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, English Horn, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Eb Contralto Clarinet. optional. , Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1. Flugelhorn. or muted trumpet. , Bb. Grade 5. Score and parts. Duration 12. 00. Published by C. Alan Publications. CN.03160. An homage to the 168 victims of the Oklahoma City bombing disaster on April 19, 1995, A Light Unto the Darkness is a very emotional work. Beginning unsuspectingly, the listener hears the noises of traffic, country-western and jazz music and the mechanics of oil wells. The center section deals with the disaster in loud explosions and unyielding dissonance. A mournful English Horn solo and flugelhorn call are followed by a reassuring closing that reflects Gillingham's sentiment in the piece. "we must all seek to be a "light unto the darkness" - to find good amidst the evil. A Light Unto the Darkness was written for the Mt. Pleasant High School Symphonic Wind Ensemble conducted by Roger A. Sampson, and dedicated to my daughter, Amy. The work is an homage to the 168 victims of the Oklahoma City bombing disaster on April 19, 1995. The work is in three main sections, each alluding to a different idea, setting or emotion associated with the disaster. The first section deals with the everyday routine of Oklahoma City which is completely unsuspecting of the terrible fate which is knocking at the door. This fate interrupts the music several times during this section. The cosmopolitan nature of Oklahoma City is suggested through the music with references to the hustle and bustle of traffic, country western music, jazz music and the mechanistic drone of oil wells in the surrounding countryside. The ensuing section depicts the disaster itself with loud explosive articulations in the percussion, sinister motives, driving rhythms and unyielding dissonance. The final section begins with a lament by the English horn and a mournful call by the flugelhorn followed by a warm, reassuring melody which culminates the movement. This final theme is significant in that it is the key to understanding this work. We must all seek to be a "light unto the darkness" - to find good amidst the evil. The "light" is within the final melody of this work and seeks to call our attention to 168 special, individual, and beautiful souls who are now at peace. They are our "lights unto the darkness.

Vertaling

'N lig vir die duisternis saamgestel deur David Gillingham. Vir konsert orkes. Piccolo, Fluit 1. 2, Oboe 1. 2, Engels Horn, fagot 1. 2, BB klarinet 1, BB klarinet 2, BB klarinet 3, basklarinet, Eb Contralto klarinet. opsionele. , Saxofoon 1. 2, saxofoon, bariton saxofoon, BB trompet 1. Flugelhorn. of gedempte trompet. , BB. Graad 5. Telling en dele. Duur 12. 00. Gepubliseer deur C. Alan Publications. CN.03160. 'N eerbetoon aan die 168 slagoffers van die Oklahoma City bombardement ramp op 19 April 1995, 'n lig vir die duisternis is 'n baie emosionele werk. Begin niksvermoedend, die luisteraar hoor die geluide van die verkeer, land-Wes en jazz-musiek en die meganika van olie putte. Die sentrum afdeling handel oor die ramp in harde ontploffings en onwrikbare onenigheid. 'N droewige Engels Horn solo en Flugelhorn oproep word gevolg deur 'n bemoedigende sluitingsdatum dat Gillingham se sentiment in die stuk weerspieël. "Ons moet almal probeer om 'n" lig vir die duisternis "- goeie te midde van die kwaad te vind. 'N lig vir die duisternis is geskryf vir die Mt. Pleasant Hoërskool Simfoniese Blaasensemble wat deur Roger A. Sampson, en opgedra aan my dogter, Amy. Die werk is 'n eerbetoon aan die 168 slagoffers van die Oklahoma City bombardement ramp op April 19, 1995. Die werk is in drie afdelings, elk met verwysing na 'n ander idee, die opstel of emosie wat verband hou met die ramp. Die eerste deel handel oor die alledaagse roetine van Oklahoma City wat is heeltemal niksvermoedende van die verskriklike lot wat by die deur klop. Hierdie lot onderbreek die musiek 'n paar keer gedurende hierdie artikel. Die kosmopolitiese aard van Oklahoma City word voorgestel deur die musiek met verwysings na die gewoel van die verkeer, land Westerse musiek, jazz musiek en die meganistiese gegons van olie putte in die omliggende platteland. Die daaropvolgende artikel toon die ramp self met harde plofbare artikulasies in die perkussie, sinistere motiewe, ry ritmes en onwrikbare onenigheid. Die laaste afdeling begin met 'n klaaglied van die Engelse horing en 'n treurige oproep deur die Flugelhorn gevolg deur 'n warm, gerusstellend melodie wat lei die beweging. Hierdie finale tema is belangrik in die sin dat dit is die sleutel tot begrip van hierdie werk. Ons moet almal probeer om 'n "lig vir die duisternis" wees - goeie te midde van die kwaad te vind. Die "lig" is binne die finale melodie van hierdie werk en streef daarna om ons aandag te vestig op 168 spesiale, individu, en 'n pragtige siele wat nou in vrede. Hulle is ons "ligte aan die duisternis.