Bladmusiek $150.00

Oorspronklik

Proud and Immortal. David Gillingham. B-Flat Trumpet sheet music. English Horn sheet music. Trombone sheet music. Grade 4.

Vertaling

Trots en Immortal. David Gillingham. B-Flat Trumpet bladmusiek. Engels Horn bladmusiek. Tromboon bladmusiek. Graad 4.

Oorspronklik

Proud and Immortal composed by David Gillingham. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, English Horn, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Bassoon 1. 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1. 2, Horn 3. 4, Trombone 1, Trombon. Grade 4. Score and parts. Duration 8. 50. Published by C. Alan Publications. CN.05960. An elegy for the members of the Oklahoma State University Basketball Program killed in the plane crash of January 27, 2001, this work is based almost exclusively on the Oklahoma State University Alma Mater Hymn. With themes conveying the sadness felt by the Oklahoma State University community, the mood eventually becomes celebratory reflecting upon the lives of these young athletes. Proud and Immortal is a musical memorial for the members of the Oklahoma State University Basketball Program killed in the plane crash of January 27, 2001. The work is based almost exclusively on the Oklahoma State University Alma Mater Hymn. Robert McCulloh, 1949. The work opens in an elegaic mood which is punctuated by repeated groups of five articulations of open fifths in the piano. Underscoring these sorrowful articulations are motives in the low woodwinds and horns alluding to the first four notes of the Alma Mater Hymn. A distant muted trumpet enters with a reflective theme and the work segues into a rather dignified and dark march utilizing, again, the first four notes of the Alma Mater Hymn, the muted trumpet motive, and articulations by the timpani, tom-toms and bass drum. All of this, of course, acknowledges the deep loss and sadness felt by the Oklahoma State University community, the country, and the world. The march grows in intensity and the piano again is heard with its characteristic five articulations, but this time in more hopeful surroundings. Under a soft timpani roll, the muted trumpet again enters with a motive suggesting a prayerful reflection. As the trumpet statement continues, the saxophones expressively render the Lama Mater Hymn in stately augmentation. The texture thickens for the final eight bars of the hymn, with the flute playing a lyrical obligato. The English horn echoes the muted trumpet at the end of the hymn and the euphonium engaged in dramatic countermelody. There is yet another modulation into Bb major with the oboe on the melody and the flute and euphonium on countermelodies. Through these statements of the hymn in various keys and orchestral colors, I have humbly and respectfully tried to reflect upon the precious lives of the young athletes and how they have touched the Oklahoma State University community. The mood becomes celebratory with another modulation, this time in D major. The brass toss around fanfare motives derived from the original elegaic articulations in the piano. The fanfare moves to the key of Bb major and the Alma Mater is now majestically stated by the horns and trumpets and the section modulates back to G major, with a fermata in the middle of the last line of the hymn. Following a grand pause, the last three notes of the hymn are stated by the horns and low brass. - David R. GIllingham.

Vertaling

Trots en Immortal saamgestel deur David Gillingham. Vir konsert orkes. Piccolo, Fluit 1. 2, Oboe 1. 2, Engels Horn, BB klarinet 1, BB klarinet 2, BB klarinet 3, basklarinet, fagot 1. 2, saxofoon 1. 2, saxofoon, bariton saxofoon, BB trompet 1, BB Trumpet 2, BB trompet 3, Horn 1. 2, 3 Horn. 4, tromboon 1, Trombon. Graad 4. Telling en dele. Duur 8. 50. Gepubliseer deur C. Alan Publications. CN.05960. 'N Elegie vir die lede van die Oklahoma State University Basketball Program vermoor in die vliegtuig van 27 Januarie 2001, is die werk byna uitsluitlik op grond van die Oklahoma State University Alma Mater Hymn. Met temas vervoer van die hartseer gevoel deur die Oklahoma State University gemeenskap, die stemming word uiteindelik feestelike weerspieël op die lewens van hierdie jong atlete. Trots en Immortal is 'n musikale aandenking vir die lede van die Oklahoma State University Basketball Program vermoor in die vliegtuig van 27 Januarie 2001. Die werk is byna uitsluitlik gebaseer op die Oklahoma State University Alma Mater Hymn. Robert McCulloh, 1949. Die werk open met 'n elegaic bui wat onderbreek word deur herhaalde groepe van vyf artikulasies van 'n oop vyfdes in die klavier. Onderstreep hierdie droewige artikulasies is motiewe in die lae houtblasers en horings verwys na die eerste vier note van die Alma Mater Hymn. 'N verre gedempte trompet gaan met 'n reflektiewe tema en die werk segues in 'n taamlik waardige en donker optog gebruik te maak, weer, die eerste vier note van die Alma Mater Hymn, die gedempte trompet motief en artikulasies deur die timpani, Tom-toms en bas drom. Al hierdie, natuurlik, erken die diep verlies en hartseer gevoel deur die Oklahoma State University gemeenskap, die land, en die wêreld. Die optog groei in intensiteit en weer klavier gehoor met sy kenmerkende vyf artikulasies, maar hierdie keer in meer hoopvol omgewing. Onder 'n sagte timpani roll, die gedempte trompet gaan weer met 'n motief dui op 'n biddende besinning. As die basuin verklaring gaan voort, die saxofoon ekspressief lewer die Lama Mater Hymn in statige vergroting. Die tekstuur dik vir die finale agt mate van die lied, met die fluit speel 'n liriese obligaat. Die Engelse horing eggo die gedempte trompet aan die einde van die lied en die euphonium betrokke is in die dramatiese teenmelodie. Daar is nog 'n modulasie in Bb majeur met die hobo op die melodie en die fluit en euphonium op countermelodies. Deur middel van hierdie state van die lied in verskillende sleutels en orkestrale kleure, het ek nederig en respek probeer om te besin oor die kosbare lewens van die jong atlete en hoe hulle die Oklahoma State University gemeenskap aangeraak. Die stemming word feestelike met 'n ander modulasie, hierdie keer in D majeur. Die koper woel fanfare motiewe afgelei van die oorspronklike elegaic artikulasies in die klavier. Die fanfare beweeg na die sleutel van Bb majeur en die Alma Mater is nou majestueus gesê by die horings en trompette, en die artikel moduleer terug na G majeur, met 'n fermata in die middel van die laaste reël van die gesang. Na 'n groot breek, is die laaste drie note van die lied gesê by die horings en 'n lae koper. - David R. Gillingham.