Bladmusiek $130.00

Oorspronklik

Lamb of God. David Gillingham. B-Flat Trumpet sheet music. Bass Trombone sheet music. Drums sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Piano sheet music. Timpani sheet music. Tuba sheet music. Grade 5.

Vertaling

Lam van God. David Gillingham. B-Flat Trumpet bladmusiek. Bastrombone bladmusiek. Dromme bladmusiek. Eufonium bladmusiek. Horn bladmusiek. Perkussie bladmusiek. Piano bladmusiek. Timpani bladmusiek. Tuba bladmusiek. Graad 5.

Oorspronklik

Lamb of God composed by David Gillingham. Arranged by Michael Brand. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon, Bb Clarinet 1, 2, 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, 2, 3, Horn 1. 2, Horn 3. 4, Trombone 1. 2, Bass Trombone, Euphonium, Tuba, Piano, Timpani. 3 drums. , Percussion. Grade 5. Score and parts. Duration 12. 10. Published by C. Alan Publications. CN.05240. Lamb of God is a tone poem based on the story of the passion, cast in five connected sections progressing to the chronology of the story. There are vivid aural representations of Christ's torturous walk bearing his own cross, the nailing to the cross, the final words of Christ, the death of Christ, and a benediction. The work closes in Eb major, a chromatic change from G major which suggests eternity. Lamb of God is a tone poem based on the Christian story of the passion. The work is cast in five connected sections progressing to the chronology of the story. The motivic material, which unites the work, is taken from the Easter sequence, Victimae paschali laudesi. "Praises to the Paschal Lamb". In the Catholic Church, the "Paschal Lamb" is representative of Christ who was sacrificed on the cross to redeem the people. or "sheep". of the world. The first section, O crux, portare talentum mundi. "O Cross, to bear the treasure of the world". seeks to depict Christ's torturous walk bearing his own cross. Motives from the Easter sequence are clearly articulated under and over dissonant harmonies and a regular march-like rhythmic drive. There is even the incessant cracking of a whip throughout the section. As the site of crucifixion nears, there is a quieting of activity, taking pause at the thought of death with the xylophone continuing the intensity. The walk then resumes to the crucifixion and segues into the second section, Dux vitae mortuus. "The leader of life is slain". Announced by timpani and snare drum rolls, Christ is nailed to the cross. Muted bass drum and brake drum make the torture vividly clear. Crying dissonance in the ensemble, which grows with each successive nail, follows each nail. Intense suffering follows. An alto saxophone solo alludes to Hans Hassler's tune, O Sacred Head Now Wounded. This intensity grows to a climax on the penultimate strain of Hassler's tune. Sever chant-like statements follow this in piccolo, bass clarinet, bells and piano representing the final words of Christ. In the ensuing section, Sepulchrum Christi viventis. "I saw the sepulchre of the living Christ". , a timpani roll followed by three loud, grieving cries of the full ensemble signifies the stormy darkness following the death of Christ on the the cross. The section ends morbidly in C# minor. The vibraphone continues to sustain a C# into the next section, Surrexit Christus spes mea. "Christ my hope has risen". , which begins with small, but bright outbursts by bells and high woodwinds. The outbursts grow and begin to cascade joyously leading to dramatic strains of Victimae pachali laudes by the low brass. The section continues to grow in rhythmic and textural activity and finally reaches an apex in the key of C major. The final section, Agnus redemit oves. "The lamb has redeemed the sheep". , is a benediction in G major consisting of harp-like passages in the piano, chant-like motives and fragments of the Victimae paschali laudes. The work closes in Eb major, a chromatic change from G major which, to my ear, suggests eternity.

Vertaling

Lam van God saamgestel deur David Gillingham. Gereël deur Michael Brand. Vir konsert orkes. Piccolo, Fluit 1. 2, Oboe 1. 2, fagot, BB klarinet 1, 2, 3, basklarinet, saxofoon 1. 2, saxofoon, bariton saxofoon, BB trompet 1, 2, 3, Horn 1. 2, 3 Horn. 4, tromboon 1. 2, Bastrombone, Eufonium, tuba, Klavier, Timpani. 3 dromme. , Percussion. Graad 5. Telling en dele. Duur 12. 10. Gepubliseer deur C. Alan Publications. CN.05240. Lam van God is 'n toondig wat gebaseer is op die verhaal van die passie, gooi in vyf verbonde afdelings vorder na die chronologie van die verhaal. Daar is helder gehoor uitbeeldings van Christus se foltering loop met sy eie kruis, die spyker op die kruis, die laaste woorde van Christus, die dood van Christus, en 'n seën. Die werk sluit in Eb majeur, 'n chromatiese verandering van G majeur wat die ewigheid dui. Lam van God is 'n toondig gebaseer op die Christelike verhaal van die passie. Die werk is in vyf afdelings verbind gooi vorder na die chronologie van die verhaal. Die motiefiese materiaal, wat verenig die werk, is geneem uit die Paas-reeks, Victimae paschali laudesi. "Alle eer aan die paaslam". In die Rooms-Katolieke Kerk, die "paaslam" is verteenwoordigend van Christus wat geoffer is aan die kruis die mense te verlos. of "skape". van die wêreld. Die eerste artikel, O kern, portare Talentum Mundi. "O Kruis, die skat van die wêreld te dra". poog om Christus se foltering loop met sy eie kruis te beeld. Motiewe van die Paas-reeks word duidelik verwoord onder en oor dissonante harmonieë en 'n gereelde marsagtige ritmiese dryfkrag. Daar is selfs die aanhoudende krake van 'n sweep oor die hele artikel. As die terrein van die kruisiging nader, is daar 'n beroering van die aktiwiteit, neem breek by die gedagte van die dood met die xilofoon die voortsetting van die intensiteit. Die staptog hervat dan na die kruisiging en segues in die tweede afdeling, Dux vitae mortuus. "Die leier van die lewe is verslaan". Aangekondig deur timpani en snaartrom rolle, word Christus aan die kruis vasgenael. Gedempte bas drom en rem drom om die marteling beleef duidelik. Huil onenigheid in die ensemble, wat groei met elke opeenvolgende spyker, volg elke spyker. Intense lyding volg. 'N saxofoon solo verwys na Hans Hassler se stem, o Heilige Hoof Nou Gekweste. Dit intensiteit groei tot 'n klimaks op die voorlaaste stam van Hassler se deuntjie. Verbreek chant-agtige state volg hierdie in piccolo, basklarinet, klokke en klavier die laaste woorde van Christus wat. In die daaropvolgende artikel, Sepulchrum Christi viventis. "Ek het die graf van die lewende Christus". , 'N timpani roll, gevolg deur drie groot, rou krete van die volle ensemble te kenne dat die stormagtige duisternis ná die dood van Christus aan die kruis. Раздел заканчивается болезненно в С. Вибрафон продолжает поддерживать C. "Christus my hoop het opgestaan". , Wat begin met 'n klein, maar helder uitbarstings deur klokke en hoë houtblasers. Die uitbarstings groei en begin om vreugde waterval wat lei tot dramatiese stamme van Victimae pachali Laudes deur die lae koper. Die artikel gaan voort om te groei in ritmiese en tekstuur aktiwiteit en uiteindelik bereik 'n hoogtepunt in die sleutel van C majeur. Die laaste afdeling, Agnus redemit oves. "Die Lam verlos het die skape". , Is 'n seën in G majeur uit harp-agtige gange in die klavier, sing soos motiewe en fragmente van die Victimae paschali Laudes. Die werk sluit in Eb majeur, 'n chromatiese verandering van G majeur, wat na my luister, dui die ewigheid.