Bladmusiek $200.00

Oorspronklik

Fantasy Variations. on George Gershwin's Prelude II for Piano. Piano sheet music. Grade 5.

Vertaling

Fantasie Variasies. op George Gershwin se Prelude II vir Klavier. Piano bladmusiek. Graad 5.

Oorspronklik

Fantasy Variations. on George Gershwin's Prelude II for Piano. composed by George Gershwin, scored for wind band by Donald Grantham. Concert Band. Concert Band. Masterworks. Donald Hunsberger Wind Library. Form. Variations. 20th Century. Masterwork Arrangement. Grade 5. Conductor Score & Parts. 268 pages. Published by Alfred Music. AP.DH9902. ISBN 0769290833. 20th Century. Masterwork Arrangement. Gershwin's Prelude II for piano is the second in a set of three preludes composed in 1936. In Donald Grantham's uniquely original composition, Fantasy Variations, both of the "big" tunes in the piece are fully exploited, but they do not appear in recognizable form until near the end. The work begins with much more obscure fragments drawn from the introduction, accompanimental figures, transitions, cadences and so forth. These eventually give way to more familiar motives derived from the themes themselves. All of these elements are gradually assembled over the last half of the piece until the themes finally appear in more or less their original form.

Vertaling

Fantasie Variasies. op George Gershwin se Prelude II vir Klavier. saamgestel deur George Gershwin, behaal vir blaasorkes deur Donald Grantham. Concert Band. Concert Band. Meester. Donald Hunsberger Wind Library. Vorm. Variasies. 20ste eeu. Meesterwerk Rangskikking. Graad 5. Dirigent telling. 268 bladsye. Gepubliseer deur Alfred Musiek. AP.DH9902. ISBN 0769290833. 20ste eeu. Meesterwerk Rangskikking. Gershwin se Prelude II vir klavier is die tweede in 'n reeks van drie preludes saamgestel in 1936. In Donald Grantham se unieke oorspronklike samestelling, Fantasie Variations, beide van die "groot" deuntjies in die stuk is ten volle benut nie, maar hulle in herkenbare vorm verskyn nie tot naby die einde. Die werk begin met veel meer onduidelik fragmente uit die inleiding, accompanimental syfers, oorgange, kadense en so meer. Dit het uiteindelik gee pad na meer bekende motiewe afgelei van die temas self. Al hierdie elemente is geleidelik vergader oor die laaste helfte van die stuk totdat die temas uiteindelik in meer of minder hul oorspronklike vorm verskyn.