Bladmusiek $70.00

Oorspronklik

Cape Breton Postcard. Catherine McMichael. B-Flat Trumpet sheet music. Euphonium sheet music. Horn sheet music. Percussion sheet music. Timpani sheet music. Trombone sheet music. Tuba sheet music. Grade 3.

Vertaling

Cape Breton Poskaart. Catherine McMichael. B-Flat Trumpet bladmusiek. Eufonium bladmusiek. Horn bladmusiek. Perkussie bladmusiek. Timpani bladmusiek. Tromboon bladmusiek. Tuba bladmusiek. Graad 3.

Oorspronklik

Cape Breton Postcard composed by Catherine McMichael. For concert band. Piccolo, Flute 1. 2, Oboe, Bassoon, Clarinet in Bb 1. 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1. 2, Trombone 1. 2, Euphonium,. Baritone T.C. , Tuba, Timpani, Per. Band Music. Maestro Band Series. Grade 3. Score and parts. Duration 7. 00. Published by C. Alan Publications. CN.10090. The three movements. Dawn, Mist and Thunder are all intrinsic to the Cape Breton environment. The Mist is derived from a melody for solo fiddle called "Arisaig Mist" by Wilfred Gillis, a Canadian composer. That haunting melody was the starting point for the concept of the entire piece. All other melodies are original to this work but inspired by much listening to music from Cape Breton. What is it about Cape Breton. What makes the people so strong and their music so keen. In 1497 the first Europeans led by the famed explorer John Cabot arrived on Cape Breton, which is now part of Nova Scotia, Canada. Cabot's discovery of the island led to its gradual settlement by Scots, Irish, French and English. The mid 1700s brought major changes to Scotland with the end of the Highland Clan System. Contemplating a grim future in their homeland, many Scots left for new opportunity in Cape Breton. Cape Breton has since become a stronghold of Gaelic culture, some say more deeply Scottish than Scotland. This fierce blend of daring, edgy courage, pathos and energy has become distilled to a fine, strong spirit in the music played by Bretonians from then until now. Music from Cape Breton is Celtic times twenty. The three movements of Cape Breton Postcard are meant to portray the integral bond between the land and the soul. Dawn, Mist and Thunder are all intrinsic to the Cape Breton environment. The Mist is derived from a melody for solo fiddle called "Arisaig Mist" by Wilfred Gillis, a Canadian composer, and used by permission of Cranford Publications of Cape Breton Island. That haunting melody was the starting point for the concept of the entire piece. All other melodies are original to this work but inspired by much listening to music from Cape Breton. Cape Breton Postcard was commissioned by the Hill Country Middle School Bands in Austin, Texas, Cheryl Floyd and Chuck Fisher, directors. The commission was funded by the Baylor University School of Music, Dr. Kevin Sedatole, conductor, and the Stevenson family. The piece was premiered by the Hill Country Middle School Band on May 24, 2005 at the Westlake High School Auditorium with the composer present. The orchestra adaptation was premiered by the Midland. MI. Community Orchestra, Robert Ralston, conductor on February 19, 2006.

Vertaling

Cape Breton Poskaart saamgestel deur Catherine McMichael. Vir konsert orkes. Piccolo, Fluit 1. 2, hobo, fagot, klarinet in Bb 1. 3, basklarinet, saxofoon 1. 2, saxofoon, bariton saxofoon, trompet in Bb 1, trompet in Bb 2, trompet in Bb 3, Horn in F 1. 2, tromboon 1. 2, Eufonium,. Bariton T.C. , Tuba, Timpani, Per. Band Musiek. Maestro Band Reeks. Graad 3. Telling en dele. Duur 7. 00. Gepubliseer deur C. Alan Publications. CN.10090. Die drie bewegings. Dawn, mis en Thunder is al wat eie is aan die Kaap Breton omgewing. Die mis is afkomstig van 'n melodie vir solo viool genaamd "Arisaig Mist" deur Wilfred Gillis, 'n Kanadese komponis. Dit spook melodie was die beginpunt vir die konsep van die hele stuk. Alle ander melodieë is oorspronklike van hierdie werk, maar geïnspireer deur veel luister na musiek van Cape Breton. Wat is dit oor Cape Breton. Wat maak die mense so sterk en hulle musiek so gretig. In 1497 die eerste Europeërs onder leiding van die bekende ontdekkingsreisiger John Cabot aangekom het op Cape Breton, wat nou deel is van Nova Scotia, Kanada. Cabot se ontdekking van die eiland gelei het tot die geleidelike vestiging deur Skotte, Ierse, Franse en Engelse. Die middel van die 1700's het groot veranderinge aan Skotland met die einde van die Highland Clan System. Oorweeg om 'n somber toekoms in hul vaderland, baie Skotte verlaat vir 'n nuwe geleentheid in Cape Breton. Cape Breton het sedertdien 'n vesting van Gaelic kultuur, sommige sê dieper Skotse as Skotland. Hierdie kwaai versnit van durf, edgy moed, patos en energie geword het gestook met 'n boete, 'n sterk gees in die musiek wat gespeel word deur Bretonians van toe af tot nou. Musiek uit die Kaap Breton is Celtic keer twintig. Die drie bewegings van Cape Breton Poskaart is bedoel om die integrale band tussen die land en die siel uit te beeld. Dawn, mis en Thunder is al wat eie is aan die Kaap Breton omgewing. Die mis is afkomstig van 'n melodie vir solo viool genaamd "Arisaig Mist" deur Wilfred Gillis, 'n Kanadese komponis, en gebruik met die toestemming van Cranford publikasies van Cape Breton Island. Dit spook melodie was die beginpunt vir die konsep van die hele stuk. Alle ander melodieë is oorspronklike van hierdie werk, maar geïnspireer deur veel luister na musiek van Cape Breton. Cape Breton Poskaart is in opdrag van die Hill Country Midde Skool Bands in Austin, Texas, Cheryl Floyd en Chuck Fisher, direkteure. Die kommissie is befonds deur die Baylor Universiteit se Skool vir Musiek, Dr Kevin Sedatole, dirigent, en die Stevenson familie. Die stuk is première deur die Hill Country Midde School Band op 24 Mei 2005 by die Westlake Hoërskool Ouditorium met die komponis teenwoordig. Die orkes aanpassing is première by die Midland. MI. Gemeenskap Orkes, Robert Ralston, dirigent op 19 Februarie 2006.