Bladmusiek $150.00

Oorspronklik

Internal Combustion. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Grade 5.

Vertaling

Binnebrand. David Gillingham. B-Flat Trumpet bladmusiek. Horn bladmusiek. Graad 5.

Oorspronklik

Internal Combustion composed by David Gillingham. For concert band. Piccolo, Flute 1. 2, Oboe 1. 2, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Eb Contrabass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, F Horn 1. 2, F Horn 3. 4, Tromb. Grade 5. Score and parts. Duration 11. 30. Published by C. Alan Publications. CN.04440. Gillingham's highly programmatic "Internal Combustion" is a celebration of the birth of the American automobile. Using motives from the song "In My Merry Oldsmobile" and, of course, some original ideas as well, the history of the internal combustion engine comes to life with the turn of a crank, the honk of a horn and a journey through several musical styles, including ragtime, dixieland, 50s ballad and more modern jazz. Although the internal combustion engine was in existence since the early 19th century, its successful use in the United States began around 1900 and thus marked the beginning of one of the most important industrial sagas of the 20th century, that of the American automobile. Adjacent to the invention of this new "horseless carriage" was the advent of early jazz, that of "ragtime" and New Orleans "Dixieland" jazz. Also marking the occasion was General Motors' introduction of the Oldsmobile and the Gus Edwards. Vincent Bryan song, "In My Merry Oldsmobile. " The conglomeration of these events are the basis for the inspiration behind "Internal Combustion. " The work is centered around two main thematic ideas - motives from "In My Merry Oldsmobile" and what the composer calls the "Song of Invention" which is related to "Merry Oldsmobile" by the obvious interval of a major sixth. Added to this thematic material is a multitude of references to the mechanistic nature of the internal combustion engine, the automobile and automobile horns. the old time "oogah" and the American luxury car variety using the interval of the third. The work starts with the anticipation of invention with some obvious allusions to the "Merry Oldsmobile" tune. The introductory material leads to the "Song of Invention," expressively stated by solo alto saxophone. Then, the crank is turned. ratchet. and we're off for a ride. One should easily hear tha "putt-putt" of the engine, the whistle of the wind and the steam from the radiator. The automobile gathers speed and begins to cruise along joyously. hence a dixieland rendition of "Merry Oldsmobile. " The frolic is interrupted by gathering speed and further development and refinement of the automobile and its internal combustion engine. Along the way, one will hear more references to "Merry Oldsmobile," car horns. traffic congestion. and even a "revving" engine. Unfortunately, in America, "speed is the thing," and the music comes to a screeching halt with a crash and jammed car horn segues into a melancholy lament. This section culminates with a simplistic and child-like presentation of "Merry Oldsmobile" in the percussion. bells. vibraphone. An engine "rev". trombone flutter tongue. gives way to new and better things on the horizon and perhaps of the "hay days" of the automobile, the 1950s. Within this section can be heard the triplet rhythm of a stereotypical 50s ballad. The 50s give way to the final decades of the 20th century beginning with a reference to modern jazz. The music begins to develop and becomes more sinister in nature perhaps indicative of the mixed blessing the automobile has bestowed upon us. Finally, however, the music leads to a dramatic presentation of the "Song of Invention. " Despite its mixed blessing, the automobile is an invention to be celebrated. it has undisputedly changed the world. The music changes into a moment of reflection with a reprise of the "Song of Invention" by solo alto saxophone giving way to an intense, fast and spirited finale.

Vertaling

Binnebrandenjin saamgestel deur David Gillingham. Vir konsert orkes. Piccolo, Fluit 1. 2, Oboe 1. 2, fagot 1. 2, BB klarinet 1, BB klarinet 2, BB klarinet 3, basklarinet, Eb kontrabas klarinet, saxofoon 1. 2, saxofoon, bariton saxofoon, BB trompet 1, BB Trumpet 2, BB trompet 3, F Horn 1. 2, F Horn 3. 4, Tromb. Graad 5. Telling en dele. Duur 11. 30. Gepubliseer deur C. Alan Publications. CN.04440. Gillingham se hoogs programmatiese "Interne Combustion" is 'n viering van die geboorte van die Amerikaanse motor. Die gebruik van motiewe uit die lied "In My Geseënde Oldsmobile" en, natuurlik, 'n paar oorspronklike idees asook die geskiedenis van die binnebrandenjin tot lewe kom met die draai van 'n crank, die honk van 'n horing en 'n reis deur 'n paar musikale style, insluitende ragtime, Dixieland, 50s ballade en meer moderne jazz. Hoewel die binnebrandenjin bestaan ​​het sedert die begin van die 19de eeu, die suksesvolle gebruik in die Verenigde State begin rondom 1900, en dus was die begin van een van die belangrikste industriële sagas van die 20ste eeu, wat van die Amerikaanse motor. Aangrensend tot die uitvinding van die nuwe "sonder perd vervoer" was die koms van die vroeë jazz, dié van "ragtime" en New Orleans "Dixieland" jazz. Ook nasien van die geleentheid was General Motors se bekendstelling van die Oldsmobile en die Gus Edwards. Vincent Bryan liedjie, "In My Geseënde Oldsmobile. "Die samevoeging van hierdie gebeure is die basis vir die inspirasie agter" Interne Combustion. "Die werk is gesentreer rondom twee tematiese idees - motiewe van" In My Geseënde Oldsmobile "en wat die komponis noem die" Song van uitvinding "wat verband hou met" Geseënde Oldsmobile "deur die hand liggend interval van 'n groot sesde. Bykomend tot hierdie tematiese materiaal is 'n menigte van verwysings na die meganistiese aard van die binnebrandenjin, die motor en die motor horings. die ou tyd "oogah" en die Amerikaanse luukse motor verskeidenheid met behulp van die interval van die derde. Die werk begin met die afwagting van die uitvinding met 'n paar voor die hand liggend verwysings na die "Geseënde Oldsmobile" deuntjie. Die inleidende materiaal lei tot die "Song van uitvinding," ekspressief gestel deur solo altsaxofoon. Dan is die crank draai. ratchet. en ons is af vir 'n rit. 'N Mens moet maklik hoor tha "putt-putt" van die enjin, die fluitjie van die wind en die stoom van die verkoeler. Die motor versamel spoed en begin om te cruise langs vreugde. dus 'n Dixieland weergawe van "Geseënde Oldsmobile. "Die dartel onderbreek word deur die insameling spoed en verdere ontwikkeling en verfyning van die motor en sy binnebrandenjin. Langs die pad, sal een meer verwysings na "Geseënde Oldsmobile," die motor horings hoor. verkeersopeenhopings. en selfs 'n "revving" enjin. Ongelukkig, in Amerika, "spoed is die ding," en die musiek kom tot 'n skreeuende halt met 'n ongeluk en vasgesteek motor horing segues in 'n melancholie klaaglied. Hierdie afdeling lei met 'n eenvoudige en kind-agtige aanbieding van "Geseënde Oldsmobile" in die perkussie. klokke. vibrafoon. 'N enjin "Ds". tromboon fladder tong. gee pad na nuwe en beter dinge op die horison en miskien van die "hooi" dae van die motor, die 1950's. Binne hierdie afdeling gehoor kan word om die drieling ritme van 'n stereotipiese 50s ballade. Die 50s gee pad na die finale dekades van die 20ste eeu begin met 'n verwysing na die moderne jazz. Die musiek begin om te ontwikkel en word meer sinistere in die natuur dalk 'n aanduiding van die gemengde seën die motor het homself oor ons. Ten slotte, maar die musiek lei tot 'n dramatiese aanbieding van die "Song van uitvinding. "Ten spyte van sy gemengde seën, die motor is 'n uitvinding te word gevier. dit het ongetwyfeld die wêreld verander. Die musiek verander in 'n oomblik van besinning met 'n reprise van die Lied van uitvinding deur 'n solo altsaxofoon en gee pad na 'n intense, vinnig en begeesterde finale.