Bladmusiek $135.00

Oorspronklik

Mansions of Glory. David Gillingham. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Grade 4.

Vertaling

Huise van Glory. David Gillingham. B-Flat Trumpet bladmusiek. Horn bladmusiek. Tromboon bladmusiek. Graad 4.

Oorspronklik

Mansions of Glory composed by David Gillingham. Arranged by Geoffrey Brand. For concert band. Piccolo, Flute 1, Flute 2, Oboe 1. 2, Bassoon 1. 2, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bass Clarinet, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Bb Trumpet 1, Bb Trumpet 2, Bb Trumpet 3, Horn 1. 3, Horn 2. 4, Trombone 1. 2, Bass Trombon. Band Music. Grade 4. Score and parts. Duration 6. 40. Published by C. Alan Publications. CN.12160. Mansions of Glory is a fantasy on the hymn, "My Jesus, I Love Thee", music by Adoniram J. Gordon and words by William R. Featherstone. The words and music reflect joy, awe, and the sacrifice of Christ. Therefore, the listener will hear a fluctuation of moods throughout the work. The title of the work is taken from the final verse of the hymn. Mansions of Glory is a fantasy on the hymn, "My Jesus, I Love Thee", music by Adoniram J. Gordon and words by William R. Featherstone. The choice of this hymn was in keeping with the commissioning parties, The Lambda Epsilon Chapter of Kappa Kappa Psi and The Theta Beta Chapter of Tau Beta Sigma fraternities, to honor Dr. Craig Hamilton, Director of Bands at Ouachita Baptist University. This hymn is among many of his favorites. The words of the hymn are as follows. My Jesus, I love Thee, I know Thou art mine. For thee all the follies of sin I resign. My gracious Redeemer, my Savior art Thou. If ever I loved Thee, My Jesus, 'tis now. I love Thee because Thou has first loved me, And purchased my pardon on Calvary's tree. I love Thee for wearing the thorns on Thy brow. If I ever loved Thee, my Jesus, 'tis now. I'll love Thee in life, I will love Thee in death And praise Thee as long as Thou lendest me breath. And say when the death dew lies cold on my brow, If ever I loved Thee, My Jesus, 'tis now. In mansions of glory and endless delight, I'll every adore Thee in heaven so bright. I'll sing with the glittering crown on my brow. If ever I loved Thee, my Jesus, 'tis now. These words reflect joy, awe, and the sacrifice of Christ. Therefore, the listener will hear a fluctuation of moods throughout the work. The title of the work is taken from the final verse of the hymn. The work begins mysteriously and quietly in Bb minor with sustained marimba and two rising harmonic sixths in the clarinets. The rising sixths begin a pattern of eighth notes in the clarinets that accompany the low brass and horns on a version of the hymn tune in Bb minor. 18. This modulates into F major with the brass dramatically stating the last part of the hymn. 43. Remaining in F major, the ensuing section features the piano, bells and vibraphone accompanying the trombones on the hymn tune. 51. The piano accompaniment is reminiscent of the clarinet accompaniment at the beginning of the work. An ominous and aggressive interlude follows in fast tempo giving rise to a four-part fugal exposition in D minor based on the first phrase of the hymn accompanied by high woodwinds and closed hi-hat consisting of a sixteenth note pattern. 70. The sixteenth note pattern continues after the fugal exposition echoing between brass and woodwinds and fluctuating between compound-duple and duple meter. 110. and then modulates to A Major when the hymn tune makes a glorious return in 6. 8 meter. 120. At midpoint, the hymn modulates to Db major. 136. and culminates with a brass fanfare. 152. A solo timpani figure. 161. leads to a return of piano and bells accompanying statements of the first phrase of the hymn by the low brass and horns. 169. A modulation to F major follows. 177. Woodwinds and solo euphonium then state the last phrases of the hymn, respectively. A quiet coda follows consisting of accompaniment motives heard at the beginning of the work. 190.

Vertaling

Huise van Glory saamgestel deur David Gillingham. Gereël deur Geoffrey Brand. Vir konsert orkes. Piccolo, Fluit 1, 2 fluit, hobo 1. 2, fagot 1. 2, BB klarinet 1, BB klarinet 2, BB klarinet 3, basklarinet, saxofoon 1. 2, saxofoon, bariton saxofoon, BB trompet 1, BB Trumpet 2, BB trompet 3, Horn 1. 3, Horn 2. 4, tromboon 1. 2, Bass Trombon. Band Musiek. Graad 4. Telling en dele. Duur 6. 40. Gepubliseer deur C. Alan Publications. CN.12160. Huise van heerlikheid is 'n fantasie op die lied, "My Jesus, I Love U", musiek deur Adoníram J. Gordon en woorde deur William R. Featherstone. Die woorde en musiek weerspieël vreugde, verwondering, en die offer van Christus. Daarom sal die luisteraar 'n skommeling van buie deur die hele werk hoor. Die titel van die werk is geneem uit die laaste vers van die lied. Huise van heerlikheid is 'n fantasie op die lied, "My Jesus, I Love U", musiek deur Adoníram J. Gordon en woorde deur William R. Featherstone. Die keuse van hierdie lied was in ooreenstemming met die ingebruikneming partye, Die Lambda Epsilon hoofstuk van Kappa Kappa Psi en die THETA Beta hoofstuk van Tau Beta Sigma broederskappe, dr Craig Hamilton, Direkteur van Bands te eer op Ouachita Baptist University. Dit lied is onder baie van sy gunstelinge. Die woorde van die lied is soos volg. My Jesus, ek is lief vir U, ek weet jy is myne. Vir jou al die dwaashede van sonde Ek bedank. My genadige Verlosser, my Verlosser is U. As ek ooit liefgehad het, My Jesus, 'tis nou. Ek is mal U omdat U het my eerste liefgehad, En gekoop my kwytskelding op Golgota se boom. Ek is mal U vir die dra van die dorings op jou voorhoof. As ek ooit liefgehad het, my Jesus, 'tis nou. Ek sal U lief te hê in die lewe, sal ek U liefhet in die dood en loof solank as jy lendest my asem. En sê wanneer die dood dou lê koud op my voorkop, as ek ooit liefgehad het, My Jesus, 'tis nou. In huise van die heerlikheid en die eindelose vreugde, ek sal elke aanbid U in die hemel net so helder. Ek sal sing met die glinsterende kroon op my voorkop. As ek ooit liefgehad het, my Jesus, 'tis nou. Hierdie woorde reflekteer vreugde, verwondering, en die offer van Christus. Daarom sal die luisteraar 'n skommeling van buie deur die hele werk hoor. Die titel van die werk is geneem uit die laaste vers van die lied. Die werk begin geheimsinnig en rustig in Bb geringe met volgehoue ​​marimba en twee stygende harmoniese sesdes in die klarinette. Die stygende sesdes begin 'n patroon van die agtste notas in die klarinette wat saam met die lae koper en horings op 'n weergawe van die lied tune in Bb geringe. 18. Dit moduleer in F majeur met die koper dramaties waarin die laaste deel van die lied. 43. Oorblywende in F majeur, die daaropvolgende artikel bevat die klavier, klokke en vibrafoon begeleiding van die trombone op die lied deuntjie. 51. Die klavierbegeleiding herinner aan die klarinet begeleiding aan die begin van die werk. 'N onheilspellende en aggressiewe tussenspel volg in 'n vinnige tempo wat aanleiding gee tot 'n vier-deel fugal uiteensetting in D mineur gebaseer op die eerste frase van die lied vergesel deur 'n hoë houtblasers en geslote hi-hoed wat bestaan ​​uit 1/16 nota patroon. 70. Die sestiende noot patroon voortgaan na die fugal uiteensetting aansluit tussen koper en houtblasers en wisselende tussen saamgestelde tweeslagmaat-en tweeledige meter. 110. en dan moduleer na 'n groot wanneer die lied tune maak 'n glorieryke terugkeer in 6. 8 meter. 120. Op middelpunt, die lied moduleer te DB groot. 136. en loop met 'n koper fanfare. 152. Net timpani syfers. 161. lei tot 'n opbrengs van klavier en klokke gepaardgaande state van die eerste frase van die lied deur die lae koper en horings. 169. 'N Modulasie na F majeur volg. 177. Houtblasers en solo euphonium dan sê die laaste frases van die lied, onderskeidelik. 'N Stil koda volg uit begeleiding motiewe gehoor aan die begin van die werk. 190.