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Eurydice. a tone poem for cello and orchestra. 1995. Thomas Oboe Lee. Cello Solo sheet music. Advanced.

Vertaling

Eurydice. 'n toondig vir tjello en orkes. 1995. Thomas Hobo Lee. Tjello Solo bladmusiek. Gevorderde.

Oorspronklik

Eurydice. a tone poem for cello and orchestra. 1995. composed by Thomas Oboe Lee. For Cello,Full Orchestra. 21st Century,20th Century,Romantic Period,Classical Period,Baroque Period. Advanced Intermediate. Score. Published by Thomas Oboe Lee. S0.43201. Instrumentation. solo cello & 3222-4231-timp-2perc-hp-strings. When I presented to Max Hobart the idea of composing a new work for Andrés Díaz and the Civic Symphony Orchestra, he suggested that I, instead of writing a conventional "concerto," consider writing a tone poem for cello and orchestra. I thought, why not. I always enjoy a good challenge. So, I looked into all that wonderful stuff Hector Berlioz and Richard Strauss came up with in that genre - "Harold in Italy," "Romeo and Juliet," "Don Quixote," "Ein Heldenleben," "Tod und Verklärung," etc. I had a blast re-living the joy of all that out-pouring of emotion, orchestral colors, and uninhibited romantic excess in musical expression. In choosing my subject, I went straight to the reason why I wanted to write a piece for Andrés in the first place - the wonderful tone and singing quality of his cello and that soulful voice only he can project - a voice that charms and enchants. Orpheus seemed the perfect subject. According to Greek myth, Orpheus' singing lyre put everyone who listened into a spell. Edith Hamilton writes in her book, Mythology, "There was no limit to his power when he played and sang. No one and nothing could resist him. Everything animate and inanimate followed Orpheus. He could move trees, mountains, and change the courses of rivers. " My tone-poem is about Orpheus and Eurydice, a love story in which Orpheus loses Eurydice soon after their wedding. He laments her death, and then resolves to rescue her from the Underworld. Because his singing is so beautiful and irresistible, the Furies cannot refuse his request to return Eurydice. With Eurydice in his arms, finally, they dance. But the denizens of the Underworld change their minds and take her away again. In the aftermath, Orpheus laments his loss once more. It is true, the myth has been a favorite subject among composers since the advent of opera in the 1600's. A few of the better-known examples. Jacopo Peri's "Euridice," Claudio Monteverdi's "Orfeo," Christoph Willibald von Gluck's "Orfeo ed Euridice," Jacques Offenbach's operetta, "Orpheus in the Underworld," and Igor Stravinsky's ballet, "Orpheus. " It seems like a tremendous responsibility and burden for a composer to try to come up with something "new" after all these precedents. But, what the heck, there really isn't anything "new" or "shocking" anymore these days. A composer does not always consciously try for the "new. " It is just as important to make music that speaks to the heart. Music with dramatic narrative. Music that moves. In that sense, my "Eurydice" is music theater. And in the process, should a "masterpiece" reveal itself, so much the better. The work is in four movements, played without pause -I. Orpheus weepsII. Orpheus' resolveIII. Orpheus and EurydiceIV. Orpheus' apotheosis. Digital Print is printable sheet music available anytime, anywhere. Just purchase, print and play. View your online sheet music at home, school, work or anywhere you have a computer connected to the Internet. Use our iPad app to view your digital sheet music on the go. With Digital Print, you can print your digital sheet music immediately after purchase, or wait until its convenient. And our software installation is easy - we'll guide you through the simple steps to make sure you have Adobe Flash Player, Adobe AIR and the Sheet Music Plus AIR application.

Vertaling

Eurydice. 'n toondig vir tjello en orkes. 1995. saamgestel deur Thomas Hobo Lee. . 21ste eeu, die 20ste eeu, Romantiese periode, Klassieke tydperk, Baroktydperk. Gevorderde Intermediêre. Telling. Gepubliseer deur Thomas hobo Lee. S0.43201. Instrumentasie. solo tjello. Toe ek aan Max Hobart die idee van 'n nuwe werk vir Andres Díaz en die Civic Symphony Orchestra komponeer, het hy voorgestel dat ek, in plaas van die skryf van 'n konvensionele concerto, oorweeg skryf van 'n toondig vir tjello en orkes. Ek het gedink, hoekom nie. Ek het altyd geniet 'n goeie uitdaging. So, het ek gekyk na al die wonderlike dinge Hector Berlioz en Richard Strauss het met in daardie genre - Harold in Italië, Romeo en Juliet, Don Quixote, Ein Held Leben, Tod und Verklärung, ens. Ek het 'n ontploffing weer lewe in die vreugde van almal wat uit-giet van emosie, orkestrale kleure, en ongeïnhibeerde romantiese oormaat in musikale uitdrukking. In die keuse van my onderwerp, het ek reguit na die rede waarom ek wou 'n stukkie vir Andres het in die eerste plek om te skryf - die wonderlike toon en sing gehalte van sy tjello en dat sielvolle stem net hy kan projekteer - 'n stem wat sjarme en betower. Orpheus gelyk of die perfekte onderwerp. Volgens die Griekse mite, Orpheus se lier sang het almal wat in 'n spel geluister. Edith Hamilton skryf in haar boek, mitologie, Daar was geen beperking op sy krag toe hy gespeel en gesing. Niemand en niks kon hom verset. Alles lewend en leweloos gevolg Orpheus. Hy kon beweeg bome, berge, en verander die kursusse van riviere. My toon-gedig is oor Orpheus en Eurydice, 'n liefde storie waarin Orpheus verloor Eurydice kort ná hul troue. Hy betreur haar dood, en dan besluit om haar uit die onderwêreld te red. Omdat sy sang is so mooi en onweerstaanbaar, kan die Furies nie weier sy versoek Eurydice om terug te keer. Euridike in sy arms, uiteindelik, hulle dans. Maar die inwoners van die onderwêreld hul gedagtes verander en neem haar weer weg. In die nasleep, Orpheus betreur sy verlies weer. Dit is waar, het die mite is 'n gunsteling onderwerp onder die komponiste sedert die koms van opera in die 1600's. 'N Paar van die meer bekende voorbeelde. Jacopo Peri se Euridice, Claudio Monteverdi se Orfeo, Christoph Willibald Gluck se Orfeo von ed Euridice, Jacques Offenbach se operette Orpheus in die Onderwêreld, en Igor Stravinsky se ballet, Orpheus. Dit lyk soos 'n geweldige verantwoordelikheid en las vir 'n komponis te probeer om met iets nuuts vorendag te kom na al hierdie presedente. Maar, wat die heck, daar is regtig nie iets nuuts of skokkend nie hierdie dae. 'N Komponis nie altyd bewus probeer om vir die nuwe. Dit is net so belangrik musiek wat spreek tot die hart te maak. Musiek met dramatiese vertelling. Musiek wat beweeg. In daardie sin, my Euridike is musiekteater. En in die proses, moet 'n meesterstuk openbaar homself, soveel te beter. Die werk is in vier bewegings, gespeel sonder verposing -Ek. . Digitale Print is printable bladmusiek beskikbaar enige tyd, enige plek. Net aankoop, druk en speel. Kyk na jou aanlyn bladmusiek by die huis, skool, werk of waar jy 'n rekenaar wat aan die Internet. Gebruik ons ​​iPad app jou digitale bladmusiek te sien op die pad. Met Digitale Print, kan jy jou digitale bladmusiek druk onmiddellik na die aankoop, of wag totdat sy gerieflike. En ons sagteware installasie is maklik - ons sal jou lei deur die eenvoudige stappe om seker te maak jy het Adobe Flash Player, Adobe AIR en die bladmusiek Plus AIR aansoek.