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Oorspronklik

Viola Solo. Viola sheet music.

Vertaling

Altviool solo. Altviool bladmusiek.

Oorspronklik

Viola Solo composed by David Saperstein. For solo viola. Engraved by Peter Jarvis. Score. Published by Calabrese Brothers Music, LLC. CE.CBM-11-00436. Viola Solo. 2011. was requested by Mel Goldfinger, who was a classmate of mine and fellow graduate of Rutherford High School. Doctor Goldfinger is a Professor of Neuroscience at Wright State University in Dayton, Ohio, and is active as a player in several local ensembles. He has always been a supporter of my music and it is with much pleasure, gratitude and respect that I dedicate this work to him. In one movement, which lasts approximately 3 1. 2 minutes, the Viola Solo, like other works of mine, is inspired by both classical works and elements of the popular culture. The entire work seems to arise out of a single minor third, the pitches C and E-Flat, which are stated at the beginning of the piece in the instrument's lowest register and then recur several times more throughout the work, each initiating a rising phrase. Sul ponticello tremolos and "snap" pizzicati. a la Bartok. are also features of the piece, adding to the work's palette of colors. Overall, the piece's mood is a somber one, and it concludes with the final instance of the work's opening minor third. -David Saperstein.

Vertaling

Viola Solo composed by David Saperstein. Vir solo viola. Gegraveer deur Peter Jarvis. Telling. Gepubliseer deur Calabrese Brothers Music, LLC. CE.CBM-11-00436. Altviool solo. 2011. versoek is deur Mel Goldfinger, wat was 'n klasmaat van my en mede-gegradueerde van Rutherford High School. Dokter Goldfinger is 'n professor van neurowetenskap aan Wright State University in Dayton, Ohio, en is aktief as 'n speler in verskeie plaaslike ensembles. Hy was nog altyd 'n ondersteuner van my musiek en dit is met groot plesier, dankbaarheid en respek wat Ek dra hierdie werk vir hom. In een beweging, wat duur ongeveer 3 1. 2 minute, die Viola Solo, soos ander werke van my, is geïnspireer deur beide klassieke werke en elemente van die populêre kultuur. Die hele werk blyk te ontstaan ​​uit 'n enkele mineur derde, die kolfblaaie C en E-mol, wat teen die begin van die stuk in die instrument se laagste registreer en dan herhaal 'n paar keer meer deur die hele werk, elke inisieer 'n stygende frase. Op die brug tremolos en "snap" pizzicato. 'n la Bartok. word ook kenmerke van die stuk, wat bydra tot die werk se palet van kleure. Algehele, die stuk se bui is 'n somber een, en dit word afgesluit met die finale instansie van die werk se opening mineur derde. -David Saperstein.