Bladmusiek $40.00

Oorspronklik

Minus Nine. score & parts. Cello sheet music. Marimba sheet music. Percussion sheet music. Vibraphone sheet music. Viola sheet music. Violin sheet music. Intermediate.

Vertaling

Minus Nege. telling. Tjello bladmusiek. Marimba bladmusiek. Perkussie bladmusiek. Vibrafoon bladmusiek. Altviool bladmusiek. Viool bladmusiek. Intermediêre.

Oorspronklik

Minus Nine. score & parts. composed by David Madeira. For Percussion Quartet & String Quartet. Vibraphone. 3-octave. , Marimba 1. 4-octave. , Marimba 2. 4-octave. , Marimba 3. 5-octave. , Violin 1, Violin 2, Viola, Cello. Medium. Score & parts. Duration 8. 30. Published by C. Alan Publications. CN.18260. This delightful work uses the unique combination of a keyboard percussion quartet and a string quartet to musically represent the beautiful & exotic world revealed during low tide on Puget Sound. Minus Nine refers to a very low tide that occurs once in a while at my father's house on Puget Sound, when the water gives way to a vast rocky shore, revealing all kinds of odd sea creatures that otherwise remain hidden. This foreign landscape gradually appears and disappears with nothing to herald its coming, but to those that wander down to explore the beach at this time, a beautiful and exotic world is revealed. An appropriate set-up for this piece has the string quartet placed in its common formation, with the mallet instruments in an arc behind the strings. Percussionists should use medium to medium-soft yarn mallets, so that there is just a faint patter of contact noise. The feel of the opening and closing sections of the piece is one of a slow and steady 4. 4 pulse. however, all quarter notes are divided into 5 sixteenth notes instead of four. This should feel natural and smooth, as if this is the way the beat is always divided. Percussionists should take care to avoid too much pulse, though a slight 2 3 pulse may be used if necessary or desired. At rehearsal letter B when the meter changes every couple of measures to 5. 8, the percussionists never change pace. their quintuplet 16ths become normal sixteenths, so that the only thing that changes in those bars is the beat. The middle adagio section is performed with normal beat divisions. Finally, care should be taken to observe specific dynamic markings, especially at the beginning and end. The overall effect should be of the music materializing out of nothing, presenting itself, and then fading back to nothing. The parentheses in the final bar indicate that the percussionists will essentially be "ghosting" notes inaudibly for the last several seconds.

Vertaling

Minus Nege. telling. saamgestel deur David Madeira. Vir Percussion Quartet. Vibrafoon. 3-oktaaf. , Marimba 1. 4-oktaaf. Marimba 2. 4-oktaaf. Marimba 3. 5-oktaaf. , Viool 1, 2 viool, altviool, tjello. Medium. Telling. Duur 8. 30. Gepubliseer deur C. Alan Publications. CN.18260. Hierdie pragtige werk maak gebruik van die unieke kombinasie van 'n klawerbord perkussie kwartet en 'n strykkwartet te musikaal verteenwoordig die pragtige. Minus Nege verwys na 'n baie lae gety wat een keer in 'n rukkie op Puget Sound, wanneer die water gee pad na 'n groot rotsagtige kus, die onthulling van alle vorme van vreemde seediere wat andersins verborge bly vind by my pa se huis. Hierdie buitelandse landskap geleidelik verskyn en verdwyn met niks sy koms te Herald, maar vir die wat dwaal af in die see in hierdie tyd om te verken, is 'n pragtige en eksotiese wêreld geopenbaar. 'N geskikte set-up vir hierdie stuk het die Strykkwartet in sy algemene vorming geplaas, met die hamer instrumente in 'n boog agter die snare. Perkussiespelers moet medium gebruik om medium-sagte draad hamers, sodat daar is net 'n vae getrippel van kontak geraas. Die gevoel van die opening en sluiting dele van die stuk is een van 'n stadige en bestendige 4. 4 pols. egter, is al kwart note in 5 sestiende note verdeel in plaas van vier. Dit moet voel natuurlike en 'n gladde, asof dit is die manier waarop die beat is altyd verdeel. Perkussiespelers moet sorg te veel pols te vermy, maar 'n effense 2 3 pols kan gebruik word indien nodig of gewens. Op repetisie letter B wanneer die meter verander elke paar maatreëls tot 5. 8, die perkussiespelers nooit tempo verander. hul vyf bloed 16ths geword normale sestiendes, so dat die enigste ding wat verander in dié wat bars is die maat. Die middelste Adagio artikel is uitgevoer met 'n normale ritme afdelings. Ten slotte, moet sorg gedra word om spesifieke dinamiese merke in ag te neem, veral aan die begin en einde. Die algehele effek moet wees van die musiek materialiseer uit niks, die aanbieding van die self, en dan vervaag terug na niks. Die hakies in die finale bar dui daarop dat die perkussiespelers sal hoofsaaklik word "Ghosting" sê ​​binnensmonds vir die laaste paar sekondes.