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Bladmusiek $12.00

Oorspronklik

Summerfield. Reber Clark. B-Flat Trumpet sheet music. Horn sheet music. Trombone sheet music. Grade 3.

Vertaling

Summerfield. Reber Clark. B-Flat Trumpet bladmusiek. Horn bladmusiek. Tromboon bladmusiek. Graad 3.

Oorspronklik

Summerfield composed by Reber Clark. 1955-. Arranged by Michael Brand. For concert band. Flute, Oboe. opt. , Bassoon. opt. , Clarinet in Bb 1, Clarinet in Bb 2. 3, Bass Clarinet 1. 2, Alto Saxophone 1. 2, Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1, Trumpet in Bb 2, Trumpet in Bb 3, Horn in F 1, Horn in F 2, Trombone 1, Trombone 2, Euph. Band Music. Grade 3. Score only. Duration 5. 30. Published by C. Alan Publications. CN.11521. Summerfield, set in a somewhat contemporary fashion and interpreted by a current day director and ensemble, attempts to celebrate the music of all time in the context of the music of one's own time. Summerfield was commissioned by the Commack High School Wind Ensemble, Melissa Hendrickson, Conductor. The title of this piece comes, in a very 'round about way, from the name of a rock band of which I was a member while in college. The majority of the members of the rock band Summerfield consisted mainly of music education majors with a few 'outsider' hard core rockers. It was the mid to late nineteen seventies and we played everything from the Doobie Brothers to Chicago to Blood Sweat and Tears to many covers of any and all rock tunes of the day. The band had many adventures and traveled widely in our region, typical of the college circuit bands of that time. What set us apart was our four man horn section and our commitment to doing horn band tunes. Summerfield's horn section came from a music department whose directors were dedicated to the wind band music of Grainger, Holst, Vaughn-Williams, Persichetti, Chance, Reed, Nelhybel, and many others. We came from a world steeped in wind band tradition. Although Summerfield was playing pop music, the undercurrents in the band, especially the horn section, came from those musical values instilled in us by our teachers and the wind band tradition. In retrospect this musical situation reminds me of the Irish ceilis' that I've been to on visits to Ireland. A ceili' is an informal dance and music get-together with food and drinks that is attended by both young and old. The bands at the ceilis are invariably young but play the traditional tunes of the Irish tradition with as much force and heart as the punk tunes they inevitably render on the same job. Summerfield, set in a somewhat contemporary fashion and interpreted by a current day director and ensemble, attempts to celebrate the music of all time in the context of the music of one's own time. To that end I've used the following traditional folk melodies. the Irish tune 'Spancil Hill' - a recollection of boyhood days long ago and far away, the English tune 'Ramble Away,' from Somerset in the Midlands - about a young man out for conquest, and from Liverpool 'The Leaving of Liverpool,-' about those girls we've left behind. The text of the tunes is printed in the back of the score. 'Reber Clark.

Vertaling

SUMMERFIELD saamgestel deur Reber Clark. 1955 -. Gereël deur Michael Brand. Vir konsert orkes. Fluit, hobo. kies. , Fagot. kies. , Klarinet in Bb 1, klarinet in Bb 2. 3, basklarinet 1. 2, saxofoon 1. 2, saxofoon, bariton saxofoon, trompet in Bb 1, trompet in Bb 2, trompet in Bb 3, Horn in F 1, Horn in F 2, tromboon 1, tromboon 2, euf. Band Musiek. Graad 3. Telling net. Duur 5. 30. Gepubliseer deur C. Alan Publications. CN.11521. Summerfield, wat in 'n ietwat kontemporêre mode en geïnterpreteer deur 'n huidige dag direkteur en ensemble, poog om die musiek van alle tye in die konteks van die musiek van 'n mens se eie tyd om fees te vier. Summerfield is in opdrag van die Commack Hoërskool Wind Ensemble, Melissa Hendrickson, dirigent. Die titel van hierdie stuk kom, in 'n baie 'rondom manier, van die naam van 'n rock band wat ek was 'n lid terwyl hy in die kollege. Die meerderheid van die lede van die rock band Summerfield hoofsaaklik bestaan ​​uit musiek onderwys hoofvakke met 'n paar 'n buitestaander se harde kern rockers. Dit was die middel tot laat jare sewentig en ons het alles van die Doobie Brothers te Chicago bloed sweet en trane aan baie voorblaaie van enige en alle rock musiek van die dag. Die band het baie avonture en wyd gereis in ons streek, tipies van die kollege kring bands van daardie tyd. Wat afgesonder ons was ons vier man horing-afdeling en ons verbintenis tot die doen horing orkes wysies. Summerfield se horing-afdeling het gekom van 'n musiek-departement wie se direkteure is toegewy aan die wind Band musiek van Grainger, Holst, Vaughn-Williams, Persichetti, Kans, Reed, Nelhybel, en vele ander. Ons kom uit 'n wêreld deurdrenk blaasorkes tradisie. Hoewel Summerfield speel pop musiek, die onderstrominge in die band, veral die horing-afdeling, het gekom van die musikale waardes vervul ons met ons onderwysers en die blaasorkes tradisie. In retrospek hierdie musikale situasie herinner my aan die Ierse ceilis "wat ek was op besoek aan Ierland. 'N Ceili' is 'n informele dans en musiek kry-saam met kos en drinkgoed wat bygewoon is deur oud en jonk. Die bands by die ceilis is altyd jonk, maar speel die tradisionele wysies van die Ierse tradisie met soveel geweld en die hart as die punk liedjies hulle noodwendig lewer op die dieselfde werk. Summerfield, wat in 'n ietwat kontemporêre mode en geïnterpreteer deur 'n huidige dag direkteur en ensemble, poog om die musiek van alle tye in die konteks van die musiek van 'n mens se eie tyd om fees te vier. Aan die einde Ek het die volgende van tradisionele volkswysies gebruik. die Ierse stem 'Spancil Hill' - 'n herinnering van sy jeug dae lank gelede en ver weg, die Engelse stem 'Ramble Away,' van Somerset in die Midlands - oor 'n jong man uit vir verowering en van Liverpool "Die verlaat van Liverpool, - 'oor die meisies wat ons het agter gelaat. Die teks van die liedjies is in die agterkant van die telling gedruk. 'Reber Clark.