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Oorspronklik

Sensus Vitae. score & parts. Nathan Daughtrey. Grade 4.

Vertaling

Sensus Vitae. telling. Nathan Daughtrey. Graad 4.

Oorspronklik

Sensus Vitae. score & parts. composed by Nathan Daughtrey. For concert band. Grade 4.5. Score & parts. Published by C. Alan Publications. CN.19530. When commissioned to compose Sensus Vitae. "The Meaning of Life". by Kevin Bowen and the Wake Forest University Bands for the inaugural year of their Emerging Band Composer Series, I was given a single phrase from which to draw inspiration. Pro Humanitate â“ This is Wake Forest's motto which roughly translates from Latin as "for humanity" or "to serve humanity". As I was assembling ideas for the piece, Martin Luther King Jr.'s birthday came and went, moving me to discover a couple of his quotes regarding humanity. "All labor that uplifts humanity has dignity and importance and should be undertaken with painstaking excellence. "An individual has not started living until he can rise above the narrow confines of his individualistic concerns to the broader concerns of humanity. - Martin Luther King Jr.. These quotes helped determine the mood of the piece, but it was a simple quote from Leo Tolstoy that gave the piece wings. "The sole meaning of life is to serve humanity. - Leo Tolstoy. The thematic material for Sensus Vitae is derived from the university's fight song, which I remember extremely well from growing up watching tons of ACC basketball. The first eight notes of the fight song are heard in a brief brass fanfare after the upper woodwinds and percussion set the stage. After a climax, the mood settles down, giving way to a clarinet. flute duet, which is loosely based on the opening notes of the fight song. The original tune continues to transform into something more original and intense until the percussion takes over in a bombastic fashion, accentuated by syncopated bursts from the rest of the ensemble. After the dust settles, the fight song is stated as a chorale in the alto saxophones, horns, and low brass, with brief interjections from the upper woodwinds and percussion. This gradually builds to a full ensemble majestic presentation of the theme, bringing the piece to a glorious conclusion.

Vertaling

Sensus Vitae. telling. saamgestel deur Nathan Daughtrey. Vir konsert orkes. Graad 4,5. Telling. Gepubliseer deur C. Alan Publications. CN.19530. Wanneer opdrag Sensus Vitae te komponeer. "Die betekenis van die lewe". deur Kevin Bowen en die Wake Forest University Bands vir die eerste jaar van hul Opkomende Band Composer Reeks, is aan my gegee 'n enkele frase uit te trek inspirasie. Pro Humanitate 'n "Dit is Wake Forest se leuse wat rofweg vertaal uit Latyn as" vir die mensdom "of" die mensdom te dien ". Soos ek is die samestelling van idees vir die stuk, Martin Luther King Jr. se verjaarsdag het gekom en gegaan, beweeg my 'n paar van sy aanhalings met betrekking tot die mensdom om te ontdek. "Alle arbeid wat uplifts mensdom waardigheid en belangrikheid en moet met deurdagte uitnemendheid onderneem word. "'N individu het nie begin lewe totdat hy kan styg bo die smal grense van sy individualistiese kommer aan die breër belange van die mensdom. - Martin Luther King Jr.. Hierdie aanhalings gehelp bepaal die stemming van die stuk, maar dit was 'n eenvoudige aanhaling uit Leo Tolstoy wat aanleiding gegee het om die stuk vlerke. "Die enigste betekenis van die lewe is die mensdom te dien. - Leo Tolstoy. Die tematiese materiaal vir Sensus Vitae is afgelei van die universiteit se stryd lied, wat ek onthou baie goed van sy grootwordjare kyk ton van ACC basketbal. Die eerste agt note van die stryd lied is in 'n kort koper fanfare gehoor na die boonste houtblasers en perkussie stel die stadium. Na 'n klimaks, die bui afsak, ​​en gee pad na 'n klarinet. fluit duet, wat is losweg gebaseer op die opening van notas van die stryd lied. Die oorspronklike tune voort te omskep in iets meer oorspronklike en intense totdat die perkussie oorneem in 'n bombastiese mode, beklemtoon deur gesinkopeerde bars van die res van die ensemble. Na die stof gaan lê, is die stryd lied wat as 'n koraal in die alto saksofone, horings, en 'n lae koper, met kort tussenwerpsels uit die boonste houtblasers en perkussie. Dit bou geleidelik tot 'n volledige ensemble majestieuse aanbieding van die tema, wat die stuk na 'n heerlike afsluiting.