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Dual Identity. Gernot Wolfgang. Bassoon Solo sheet music.

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Dubbele identiteit. Gernot Wolfgang. Fagot Solo bladmusiek.

Oorspronklik

Dual Identity composed by Gernot Wolfgang. For bassoon. Woodwind music. Composed 2005. 8 pages. Published by Doblinger Music Publishers. DB.05-00514. ISBN M-012-19659-4. clever, finely-crafted, interesting modern work for the bassoon. Wolfgang's style is fundamentally atonal, but highly developmental, utilizing very interesting melodic and rhythmic motives to bind the music together. The influences of jazz and rock are clearly audible, and the entire structure has a wonderful sense of finesse and completion. If you are looking for a tough-but-fun composition for your next performance, this neat work will fill the bill very well. I recommend it strongly to all you brave bassoonists out there looking for a nifty challenge. Double Reed, Vol. 31. No. 2. This little sketch for bassoon, which highlights both its energetic and its lyrical capabilities, is quite delightful. Even multiphonics are used imaginatively and to musically sensible effect, rather than displaying their more common function as exercises in ugliness. Walter Simmons, Fanfare Magazine, August 2008.

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Dubbele identiteit saamgestel deur Gernot Wolfgang. Vir fagot. Hout-musiek. Saamgestel 2005. 8 bladsye. Gepubliseer deur Doblinger Music Publishers. DB.05-00514. ISBN M-012-19659-4. slim, fyn-vervaardigde, interessante moderne werk vir die fagot. Wolfgang se styl is fundamenteel atonale, maar hoogs ontwikkelings, met behulp van baie interessante melodiese en ritmiese motiewe van die musiek saam te bind. Die invloede van jazz en rock is duidelik hoorbaar, en die hele struktuur het 'n wonderlike gevoel van finesse en voltooiing. As jy op soek is vir 'n taai-maar-pret samestelling vir jou volgende vertoning, sal hierdie netjiese werk die wetsontwerp vul baie goed. Ek beveel dit ten sterkste aan al julle dapper bassoonists daar buite soek na 'n nifty uitdaging. Double Reed, Vol. 31. No 2. Hierdie klein skets vir fagot, wat dui op beide die energieke en sy liriese vermoëns, is nogal lekker. Selfs multiphonics is verbeeldingryk en musikaal sinvolle effek gebruik, eerder as die vertoon hul meer algemeen funksie as oefeninge in lelike. Walter Simmons, Fanfare Magazine, Augustus 2008.