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Oorspronklik
Instrumental Music and The Industrial Revolution.
Vertaling
Instrumentale musiek en die Industriële Revolusie.
Oorspronklik
Instrumental Music and The Industrial Revolution. Ad Parnassum Studies. Edited by Roberto Illiano, Luca Sala. Edited book. 656 pages. Published by Ut Orpheus. UT.APS-05. ISBN 978-88-8109-468-4. Essays by Luca Aversano, Claudio Bacciagaluppi, Carmela Bongiovanni, Andrea Cardone, Jen-yen Chen, Simone Ciolfi, Andrea Coen, Therese Ellsworth, Joel-Marie Fauquet, Florence Getreau, Consuelo Giglio, Outi Jokiharju, Roe-Min Kok, Paul R. Laird, Marie Sumner Lott, Simon McVeigh, Elio Matassi, Russ Manitt, Jenny Nex, Leon Plantinga, Alban Ramaut, Rudolf Rasch, David Rowland, Laure Schnapper, Rohan H. Stewart-MacDonald, Renata Suchowiejko, Maria Alice Volpe. In this volume we wanted to investigate the intersection between the Industrial Revolution and the aesthetic-musical field. In particular, we aimed to explore the European dimension of the cultural exchanges caused by the phenomenon of musical migration, together with the international relationships generated by the music printing industry, entrepreneurship and the market for musical instruments. The later eighteenth and earlier nineteenth centuries were a time of fundamental change in European life, proceeding from the revolutionary implications of the ideologies of Enlightenment, and reverberating in market economies, methods of manufacturing and agriculture, modes of travel, and population distribution. The development of new technologies resulted in the enlargement and improvement of the music printing industry, and in the widespread diffusion of music in private and public spheres. The Industrial Revolution brought about the 'modernization' of productive processes and, as a consequence, engendered a kind of 'globalization' of the musical market.
Vertaling
Instrumentale musiek en die Industriële Revolusie. Ad Parnassum Studies. Geredigeer deur Roberto Illiano, Luca Sala. Geredigeer boek. 656 bladsye. Gepubliseer deur Ut Orpheus. UT.APS-05. ISBN 978-88-8109-468-4. Opstelle deur Luca Aversano, Claudio Bacciagaluppi, Carmela Bongiovanni, Andrea Cardone, Jen-Yen Chen, Simone Ciolfi, Andrea Coen, Therese Ellsworth, Joel-Marie Fauquet, Florence Getreau, Consuelo Giglio, Outi Jokiharju, Roe-Min Kok, Paul R. Laird, Marie Sumner Lott, Simon McVeigh, Helium Matassi, Russ Manitt, Jenny NEX, Leon Plantinga, Alban Ramaut, Rudolf Rasch, David Rowland, Laure Schnapper, Rohan H. Stewart-MacDonald, Renata Suchowiejko, Maria Alice Volpe. In hierdie volume ons wou die kruising tussen die Industriële Revolusie en die estetiese-musikale veld te ondersoek. In die besonder, ons daarop gemik om die Europese dimensie van die kulturele uitwisseling wat veroorsaak word deur die verskynsel van musikale migrasie met die internasionale verhoudings wat deur die musiek drukkersbedryf, entrepreneurskap en die mark vir musiekinstrumente te verken, saam. Die later agtiende en vroeër negentiende eeu was 'n tyd van fundamentele verandering in die Europese lewe, wat uitstroom uit die revolusionêre implikasies van die ideologieë van die Verligting, en weergalm in die mark ekonomieë, metodes van vervaardiging en landbou, maniere van reis, en bevolkingsverspreiding. Die ontwikkeling van nuwe tegnologie het gelei tot die uitbreiding en die verbetering van die musiek drukkersbedryf, en in die grootskaalse verspreiding van musiek in die private en openbare sfere. Die Industriële Revolusie het oor die modernisering "van die produktiewe prosesse en as gevolg daarvan, het tot 'n soort van 'globalisering' van die musikale mark.
