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Oorspronklik

European Fin-de-siecle and Polish Modernism. The Music of Mieczyslaw Karlowicz.

Vertaling

Europese Fin-de-siecle en Poolse Modernisme. Die musiek van Mieczysław Karlowicz.

Oorspronklik

European Fin-de-siecle and Polish Modernism. The Music of Mieczyslaw Karlowicz. Ad Parnassum Studies. Edited by Luca Sala. Edited book. 432 pages. Published by Ut Orpheus. UT.APS-04. ISBN 978-88-8109-467-7. Essays by Tomasz Baranowski, Andrzej Chwalba, Stephen Downes, Peter Franklin, Stefan Keym, Ryszard D. Golianek, Agata Mierzejewska, Michael Murphy, Jadwiga Paja-Stach, Luca Sala, Renata Suchowiejko, Emma Sutton, Andrzej Tuchowski, Alistair Wightman, James L. Zychowicz. In this volume I aim to examine the figure of Mieczyslaw Karlowicz in the broader sociocultural context which fostered his work. The attempt to contextualize an immense intellectual patrimony - despite being restricted to a tiny number of works when compared to more prolific authors, especially in the context of the xix and the xx centuries - is always a complex and hazardous task. My primary intention in organizing the volume has been to explicate Karlowicz the man as well as Karlowicz the composer, against the complex background of the European fin-de-siecle. The various essays aim to present the reader with an exhaustive reconstruction of Karlowicz intellectual work. Karlowicz oeuvre offers a broad artistic portrayal of Poland at the end of the nineteenth century as a fast-evolving country, politically divided and filled with contradictions. Hence the necessity to investigate the fin-de-siecle context with its social and historical implications, showing the influence of the European cultural milieu on the composer's poetics and on his thought. We shall examine the spectrum of relationships and affinities linking Karlowicz works to the Polish cultural world. on the wave of the rising 'autochthonous' avant-garde movements. and to the wider cultural life pulsating beyond its borders, with special reference to German Wagnerism and Symphonism. Essentially, we are striving to define the uniqueness of his oeuvre, which - in relation to the manifold influences co-existing in Poland, an insubstantial nation from the political viewpoint and divided along three socio-cultural fronts - could be defined as distinctively Polish, yet ultimately European. Luca Sala.

Vertaling

Europese Fin-de-siecle en Poolse Modernisme. Die musiek van Mieczysław Karlowicz. Ad Parnassum Studies. Geredigeer deur Luca Sala. Geredigeer boek. 432 bladsye. Gepubliseer deur Ut Orpheus. UT.APS-04. ISBN 978-88-8109-467-7. Opstelle deur Tomasz Baranowski, Andrzej Chwalba, Stephen Downes, Peter Franklin, Stefan Keym, Ryszard D. Golianek, Agata Mierzejewska, Michael Murphy, Jadwiga Paja-Stach, Luca Sala, Renata Suchowiejko, Emma Sutton, Andrzej Tuchowski, Alistair Wightman, James L . Zychowicz. In hierdie volume Ek streef daarna om die figuur van Mieczysław Karlowicz in die breër sosio-kulturele konteks waarin sy werk bevorder te ondersoek. Die poging om 'n groot intellektuele erfdeel te kontekstualiseer - ten spyte daarvan dat beperk tot 'n klein aantal werke in vergelyking met meer produktiewe skrywers, veral in die konteks van die XIX en XX eeue - is altyd 'n komplekse en gevaarlike taak. My primêre doel in die organisering van die volume is te ekspliseer Karlowicz die man sowel as Karlowicz die komponis, teen die komplekse agtergrond van die Europese fin-de-siecle. Die verskillende essays doel om die leser aan te bied met 'n volledige rekonstruksie van Karlowicz intellektuele werk. Karlowicz oeuvre bied 'n breë artistieke uitbeelding van Pole aan die einde van die negentiende eeu as 'n vinnige-veranderende land, polities verdeel en deurspek met teenstrydighede. Vandaar die noodsaaklikheid om die vin-de-siecle konteks met sy sosiale en historiese implikasies te ondersoek, wat die invloed van die Europese kulturele milieu van die komponis se poëtika en op sy denke. Ons sal die spektrum van verhoudings ondersoek en verwantskappe te koppel Karlowicz werk aan die Poolse kulturele wêreld. op die golf van die stygende 'outochtone' avant-garde bewegings. en aan die wyer kulturele lewe polsende buite sy grense, met spesiale verwysing na die Duitse Wagnerism en Symphonism. Wese, is ons strewe om die uniekheid van sy oeuvre, wat om te definieer - in verhouding tot die veelvuldige invloede mede-bestaande in Pole, 'n bedruk nasie uit die politieke oogpunt en verdeel saam drie sosio-kulturele fronte - kan gedefinieer word as eiesoortige Pools, nog uiteindelik Europese. Luca Sala.