Bladmusiek $1.95

Oorspronklik

Sobs and sighing, tears and crying. Johann Sebastian Bach. Voice sheet music. Choir sheet music. Piano and Keyboard sheet music. Recorder sheet music.

Vertaling

Snikke en sug, trane en huil. Johann Sebastian Bach. Voice bladmusiek. Koor bladmusiek. Klavier en Keyboard bladmusiek. Blokfluit bladmusiek.

Oorspronklik

Sobs and sighing, tears and crying. Cantata for the 2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. 1685-1750. Edited by Julia Doht. For SATB vocal soli, SATB choir, 2 recorders f1, oboe d'caccia, 2 violins, viola, basso continuo. Stuttgart Urtext Edition. German title. Meine Seufzer, meine Tranen. Epiphany. Choral score. Language. German. English. Composed 1726. BWV 13. 2 pages. Duration 21 minutes. Published by Carus Verlag. CA.3101305. ISBN M-007-10294-4. With Language. German. English. Epiphany. Bach's cantata BWV 13. from the third cycle of Leipzig cantatas. was first performed on the 2nd Sunday after Epiphany in 1726. This work is marked especially by its scoring, unusual in Bach's church music, in which the strings are joined by two recorders and an oboe da caccia. these wind instruments are used to convey the dominant affections of "sighing" and "pain" in the individual arias. In accordance with the intimate character of this cantata the four-part vocal ensemble is used only in the chorale at the end of the work. Score available separately - see item CA.3101300.

Vertaling

Snikke en sug, trane en huil. Kantate vir die 2de Sondag na Epifanie. Saamgestel deur Johann Sebastian Bach. 1685-1750. Geredigeer deur Julia Doht. Vir SATB vokale alleen, SATB koor, twee opnemers f1, hobo d'jag, twee viole, altviool, continuo. Stuttgart Urtext Edition. Duitse titel. My versugtinge, my trane. Epifanie. Choral telling. Taal. Duitse. Engels. Saamgestel 1726. BWV 13. 2 bladsye. Duur 21 minute. Gepubliseer deur Carus Verlag. CA.3101305. ISBN M-007-10294-4. Met taal. Duitse. Engels. Epifanie. Bach se kantate BWV 13. van die derde siklus van Leipzig kantates. was die eerste keer op die 2de Sondag na Epifanie in 1726. Hierdie werk is veral gekenmerk deur sy scoring, ongewoon in Bach se kerk musiek, waarin die snare word verbind deur twee opnemers en 'n hobo da Caccia. hierdie wind instrumente word gebruik om die dominante hartstogte van "sug" en "pyn" in die individuele arias te dra. In ooreenstemming met die intieme karakter van hierdie kantate die vierstemmige vokale ensemble word slegs in die koraal aan die einde van die werk gebruik. Telling afsonderlik beskikbaar - sien item CA.3101300.